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standing on all fours prompts

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4 months ago

Using the attached image, regenerate an image in the same style as this one. But with the following description: You need to draw a mille-fleurs tapestry of The Lady and the Unicorn, woven after 1515 but destroyed in Boussac in 1845. George Sand gives a rather brief description. "The lady is seated on a very rich throne. She wears a sort of royal turban on her forehead. There is something Asian in the ornaments of her finery and the canopy above her." So we will have a lion on the left and a unicorn on the right. Be as precise as possible and use the setting and colors of the attached piece. You need two different trees: an oak and an orange tree. The wooden throne must be wide, with a backrest that stops at the lady's shoulders. The figurines of a small lion and a small unicorn are carved on the top of the throne's uprights. The drooping tips of the canopy should not be visible, hidden by the lion and the unicorn. The lady's head is turned towards the unicorn; her turban should not be too large. The lion should be the same size as the unicorn. He should be on the left, with all four paws on the ground, standing upright and proud. He has a plumed tail. He is looking to his left (not looking at us). He is sitting on his haunches. He is holding the pole of the oriflamme-style flag, with a red background and a blue diagonal band rising to the left, bearing three rising white crescent moons, as in the attached image. The trunk of the tree on the left should not be behind his head. The unicorn is white. He is proudly raising his head. His four paws are on the ground. He is sitting on his haunches. He is looking at the lady. Thank you.

4 months ago

Create a masterpiece oil painting inspired by the haunting and timeless lyrics of "Highwayman." The central image should depict four figures, each representing one of the characters from the song’s lyrics — a highwayman, a ship captain, a railroad man, and a starship pilot — each standing or positioned against the vast, open landscapes of their time. These figures should be arranged in a way that symbolizes their connection across eras, with each man standing proudly in his own environment. The highwayman should be portrayed in a dramatic, windswept desert or nighttime landscape, with his dark cloak billowing in the wind, a mysterious and defiant figure. He holds a rifle or pistol, and his horse is tethered nearby, ready to ride into the night. The ship captain should be shown on the deck of a grand sailing ship, the vast ocean stretching endlessly behind him, wind in his sails, his gaze focused on the horizon. His attire should be classic, with a captain’s coat and telescope in hand. The railroad man stands beside an old train, with the iron rails stretching off into the distance, symbolizing the progress and expansion of the world. He wears a workman’s cap and holds a wrench or railroad signal. The starship pilot stands in the dark void of space, with the distant stars and planets surrounding him. His suit is futuristic, but his expression mirrors the same stoic determination as the other figures. The background should blend the four different settings — rolling hills, stormy seas, endless rails, and the vastness of space — as though the boundaries of time and place are interwoven, suggesting the continuity of these men through eternity. The landscape transitions seamlessly from one era to another, symbolizing the cycle of life, death, and rebirth. The color palette should feature deep, bold colors like midnight blues, earthy browns, and fiery oranges, with touches of silvery grays to represent time passing. Each figure should be bathed in the golden light of their respective times, drawing the viewer's eye to their expression and purpose. The brushstrokes should be strong and dynamic, capturing the power of these men’s spirits across time. The overall mood should evoke a sense of legend, fate, and the eternal journey of these highwaymen as they travel through the ages, bound by destiny.