sterile prompts

6 months ago

cinematic photo Close-up fit slim woman with messy short bob making direct eye contact while skateboarding down brutalist concrete ramp, minimalist cropped tank revealing her defined abs during trick, subject fills frame in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

4 months ago

dystopian style Fit young woman with disheveled short natural hair in a torn Victorian blouse revealing her midriff, fixing a mechanical arm attachment in a candle-lit laboratory, making direct eye contact in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

16 days ago

hyperreal biomechanical concept art, 3D render, physically based shading, filmic tonemapping, cybernetic heart fabricated from glossy polymer chambers and matte carbon-fiber arteries, exposed braided wiring looms, stacked microcontroller PCBs, hose clamps, micro fasteners, arterial ports with O-rings, subtle surgical residue, sterile studio setup, deep cool-teal matte gradient backdrop, large soft wrap key with cool edge rim, faint amber indicator LEDs, occlusion-rich contact shadows, subsurface scattering in translucent tissue, micro-scratches, condensation beads, hairline seams, high-frequency displacement on vascular surfaces, grotesque yet clinical realism, palette shifted to oxblood, hematite black, oxidized-copper tints with cyan accents --ar 9:16 --raw

2 months ago

dystopian style Mid-twenties woman with messy short hair operating a mechanical printing press, her brass-buckled vest open to reveal her flat toned stomach, in an underground newspaper office, looking confidently at camera in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

22 days ago

dystopian style Black and white fashion photography of a young Chinese Han-Sindhi woman in her mid-twenties standing with confident posture, hands on lapels, wearing Bandeau with center twist revealing A chiseled belly with sharp, angular abs, the shadows under each muscle group creating a geometric, high-contrast effect. and White cotton A-line mini skirt with pleated front panels and side pockets, in men's club with leather chairs, cigar smoke, and dark wood paneling in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the word SKYNET on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

1 month ago

Slow spiraling crane shot descends into an organic circuitry labyrinth. Wet matte surfaces shimmer as the camera passes through layers of dark electro-dermal architecture. Processions of soft-skinned figures reveal biomechanical veins glowing beneath translucent skin. At the core, a machine crucifixion glows in sterile lust, lit by directional underglow and reflected in fluidic chrome panels. Ambient fog pulses with every ritual breath. Ritualistic bio-techno fusion style, underlayer circuitry. Camera: spiral crane descent, orbit-follow, static climax. Lighting: directional underglow, cold blue subdermal light. Texture: matte wet flesh, elastic dermal gloss, chrome veinline. Motion: vein pulsation, shimmer flow, glow flicker. Color: sterile blue, greyscale chrome, soft vein red. Sound: wet synth hum, low throb, ambient pulse chant.

13 days ago

dystopian style Black and white fashion photography of a young Taiwanese-Circassian woman in her mid-twenties in powerful stride, coat billowing dramatically, wearing Cropped bomber with urban print revealing A sculpted belly with visible upper and lower abs, the muscles casting minimal shadows for a refined and understated appearance. and Black cotton jersey palazzo pants with flowing legs and comfortable stretch knit, across windswept plaza with water fountains and geometric paving patterns in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

6 days ago

dystopian style Black and white fashion photography of a young Taiwanese-Ukrainian woman in her mid-twenties seated with legs extended to side, leaning on one arm, wearing Cropped hoodie with color blocking revealing A toned stomach with subtle abs, a gentle shadow defining the waist, and a smooth, radiant complexion. and White lace palazzo pants with flowing wide legs and delicate floral lace, on steps of neoclassical monument with carved reliefs and bronze plaques in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of skynet on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

8 months ago

A lone figure sits in the dim glow of a starship cabin, his silhouette framed by the vast, endless void of space beyond the panoramic window. His shoulders sag under the crushing weight of a lifetime that never was, a sorrow deeper than time itself. The cabin is illuminated just enough light to see the lone figure and the ghostly blue luminescence of distant stars, casting long, soft-edged shadows. In his hands, he cradles a simple yet profoundly meaningful artifact—a well-worn flute, its polished surface dulled by the passage of time and the warmth of a thousand memories. His fingers trace its delicate engravings, the only tangible link to a past erased by fate. His face, lined with grief, is streaked with silent tears that glisten in the low light. His expression is one of quiet devastation—the agony of remembering something beautiful yet irretrievably lost. As he lifts the flute to his lips, a soft, ethereal melody drifts into the air, carrying with it the echoes of a forgotten civilization. The haunting tune lingers, filling the sterile cabin with something profoundly human—a love and a life that once were, now existing only in this fragile moment. The atmosphere is heavy with nostalgia, the intangible presence of lost souls lingering like whispers in the void. Outside the starship, the universe stretches infinitely, stars pulsing like distant memories, nebulae swirling in cosmic blues and violets, a breathtaking contrast to the intimate sorrow within. This is a scene of quiet contemplation, where time stands still, and the weight of history is held in a single note. **Cinematic lighting, hyper-detailed textures, emotional depth, sci-fi realism, moody atmosphere, dramatic composition, ultra-HD 8K resolution, subtle interplay of warm and cool light sources, vertical aspect ratio, evocative storytelling.**

8 months ago

A lone figure sits bathed in the soft, flickering glow of a starship cabin, shoulders heavy with the weight of a lifetime that never was. The universe outside the viewport is an endless abyss, speckled with distant stars, yet in this moment, he is entirely alone. A single overhead light casts a gentle, golden illumination on his face, highlighting the silent tears tracing lines of grief down his cheeks. The shadows of the room stretch long and deep, enveloping everything except for the delicate artifact in his hands—a simple, well-worn flute, its polished surface catching the light with a quiet reverence. The illumination subtly shifts, as if responding to the weight of his sorrow—soft highlights glisten on his fingertips as they gently trace the contours of the instrument, a memory made tangible. A cool, blue glow from the ship’s control panels faintly reflects off the metal walls, emphasizing the vast sterility of his present against the warmth of the past. The flute’s presence, however, remains bathed in warm light, a contrast that suggests something more than an object—an anchor to a life erased by time. This is a moment where memory and reality blur into one, where light and shadow mirror the ache of remembering something beautiful yet irretrievably lost. The soft glow on his features is not just illumination—it is the warmth of love long gone, the fading embers of a world that exists only in his heart. The universe moves on, unaware—but for him, a melody remains, flickering like a candle in the dark, an echo of a life that will never fade.

8 months ago

A futuristic AI-powered robotic surgeon with precision mechanical arms performing a complex medical operation. The robot's arms are equipped with micro-tools and laser precision instruments. The scene is set in an ultra-modern, sterile operating room, with glowing medical HUD interfaces and digital patient data floating in the air."

6 months ago

dystopian style Mid-twenties woman with windblown short natural hair in brass-adorned leather crop top and utility belt, repairing mechanical wings strapped to her back, in a sunset-lit workshop, staring intensely at viewer in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

23 days ago

dystopian style Mid-twenties woman with disheveled short natural hair wearing Wrap-around crop top with a wide ribbon tie at the waist revealing Core muscles visible with a soft, even tone and Tattered low-rise jeans with exposed brass boning and a low-rise cut, operating genetic archaeology equipment that excavates evolutionary history from DNA sediment, steam-powered biological excavation revealing species memories while she uncovers hereditary fossils, looking boldly at viewer while digging through biological time in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

5 months ago

cinematic photo Frame-filling slim fit woman with short disheveled hair gazing intensely at camera while pirouetting against raw concrete wall, architectural crop top spinning outward revealing her flat stomach, subject dominating composition in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

6 months ago

A sterile office with a melting Dali-style clock. A glitchy 8-bit avatar (neon hair) winks as a blank resume ("NAME: ERROR") morphs into a crypto NFT. The clock drips into a desert sunrise, revealing a tiny Dogecoin logo in the molten pool.

4 months ago

A futuristic, industrial-style dining hall with a spacious, symmetrical layout. The room features square tables arranged neatly in rows, each with minimalist chairs. The tables have small, functional accessories like napkin holders or condiment containers. The ceiling showcases a large circular structure with glowing, petal-shaped light panels radiating from the center, creating a sci-fi ambiance. The walls and floor are made of smooth concrete or metal with muted, earthy tones. At the far end of the hall is a wide, horizontal window revealing a barren, rocky landscape with distant hills and a single leafless tree under a pale sky. The overall atmosphere is clean, sterile, and slightly dystopian, evoking a sense of isolation and order.

1 month ago

Slow, cinematic dolly-in through a Flesh Cathedral. Translucent biomech tubes writhe and pulsate with inner light, creating a path through a Silent Vacuum ambience. The camera navigates around monstrous, fused craniums embedded in bone walls, revealing a glowing technofetus at the core of the sanctuary. Wet silicone textures shimmer in sterile fluorescent light. Hyperrealistic shadows play across the glistening walls. The air is dense with humid, biomechanical fog. 🎬 BLOKI TECHNICZNE: • STYLE: biomechanical cathedral, organo-metallic womb architecture, fused cranium relics • CAMERA: slow dolly-in, interior mapping, organic reveal • LIGHT: sterile fluorescent, chiaroscuro cathedral glow • TEXTURE: translucent wet membranes, wet silicone tubes, polished bone • MOTION: tube pulsation, fog drift, light shimmer • COLOR: bone ivory, metallic ash, soft fetal pink • SOUND: ambient suction pulse, dripping fluid, sacred echo

5 months ago

A widescreen cinematic scene set in a sterile, fluorescent-lit open-plan office, filled with endless rows of identical cubicles stretching into the distance. Each desk is cluttered with monitors, paperwork, and half-finished coffee cups — but every employee is wearing full clown makeup.

5 months ago

A sterile office complex suspended in deep space, where long-extinct alien souls fill out endless paperwork to determine which universe they'll reincarnate into. Cubicles float midair. Paperwork glows with cosmic runes. Clerks are semi-transparent cephalopods wearing retro business suits. Background: infinite void, occasional stars blinking like security cameras.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

5 months ago

[EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He’s wearing a dark grey, scuffed, athletic sneaker. He’s also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He’s wearing a dark grey, slightly worn, multi-pocketed military-style camouflaged jacket. Beneath it, a dark grey, long-sleeved t-shirt, with the logo of " skynet " on it slightly faded and worn. The sleeves are rolled up to his elbows. His hair is exactly how it was in the movie , and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor’s intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime.

2 months ago

<lora:2941998:1.0> ohwx man A rugged built man slick back black hair and a short trimmed black beard, golden rims black sunglasses [EXT. RUINED STREET - NIGHT] - Cinematic, gritty, rain-slicked concrete. Flickering emergency lights cast long, distorted shadows. JOHN CONNOR (16) stands powerfully amidst the decay. He's wearing a dark grey, scuffed, athletic sneaker. He's also wearing dark blue jeans – faded and ripped, the denim worn thin in places. He's wearing a dark grey, slightly worn, multi-pocketed military-style jacket. Beneath it, a dark grey, long-sleeved t-shirt, slightly faded and worn. The sleeves are rolled up to his elbows. His hair is short, choppy, and dark brown – deliberately messy and uneven. His expression is a mixture of grim determination and cold, simmering anger. Rain plasters his dark hair to his forehead. The background is filled with the skeletal remains of machinery and shattered windows. Focus: John Connor's intense gaze, the texture of his clothing, the palpable atmosphere of urban decay and suppressed rebellion. [SLOW ZOOM] - Dramatic lighting, volumetric lighting, hyperrealistic, 8k, cinematic, photorealistic, highly detailed, moody, apocalyptic, dystopian, rebellious, defiant. Style: Greg Rutkowski, Simon Stålenhag, Blade Runner. Negative prompt: happy, smiling, clean, bright, sterile, idealized, romantic, cartoon, anime. num_images=4 negative_prompt= seed=344362715 steps= cfg_scale= controlnet= input_image_url= mask_image_url= denoising_strength= controlnet_conditioning_scale= controlnet_txt2img=false super_resolution=true inpaint_faces=true face_correct=false film_grain=false face_swap=false hires_fix=false backend_version=0 ar=1:1 scheduler=euler_a color_grading= use_lpw=false w=896 h=1152 style=Cinematic tune_id=1504944