A sample prompt of what you can find in this page
Prompt by ElectricL

suffocating prompts

very few results

9 months ago

An epic, gritty scene (1.8) in the style of Makoto Shinkai (1.6), showcasing an archangel ascending from the depths of hell (1.8). The angel, his radiant light undiminished (1.7), hovers just above a massive, writhing pile of grotesque demons (1.8), each demon clawing desperately at his legs and wings, their monstrous forms twisted with rage and desperation. His celestial garments are scorched and torn (1.8), the edges glowing faintly with embers from the fires of hell, exposing parts of his glowing, divine skin beneath. Despite the destruction, his majestic aura remains unyielding (1.7). The angel’s sword (1.7), etched with ancient golden runes (1.6) and glowing with an unrelenting holy fire, is raised high above his head, ready to deliver a devastating blow to the infernal horde below. His expression is resolute and fierce (1.6), his glowing eyes fixed downward on the demons that swarm beneath him, their twisted forms writhing and snapping in unholy rage. Beneath him, the mountain of demons (1.8) is vivid and horrifying, a chaotic tangle of claws, fangs, and twisted limbs (1.7). Some demons grab at his legs and wings (1.8), leaving blackened claw marks on his armor and glowing feathers, while others rear back in agony from the blinding holy light. Their forms are diverse and terrifying: some are smoke-like shadows with glowing red eyes (1.7), while others are massive, spiked creatures with gnarled horns and jagged teeth, their mouths dripping molten venom (1.8). The landscape of hell is apocalyptic (1.8), with rivers of lava glowing faintly beneath the writhing mass of demons. Above, a relentless storm of molten lava hail (1.7) rains down, searing the ground and the demons alike. Brimstone fills the air, mixing with thick smoke and ash, illuminated by the hellish glow of the inferno. Volcanic eruptions burst in the background, their fiery plumes adding to the overwhelming chaos of the scene. The archangel’s wings (1.7), enormous and majestic, span 25 meters, their feathers glowing with radiant hues of white, gold, and celestial blue (1.6), cutting through the suffocating darkness. Despite the demons' desperate attempts to pull him down, the angel’s divine presence creates a blinding halo of light (1.7), pushing back the shadows of hell. The molten hail and embers swirl around him, the fiery atmosphere emphasizing his unyielding determination. Volumetric lighting (1.6) streams through the swirling smoke and ash, casting dramatic shadows across the scene. The contrast between the angel’s blinding holy light and the hellish, gritty chaos of the demons and environment creates a cinematic tension, highlighting the eternal battle between divine and infernal forces. The overall composition is intense and dynamic (1.7), with the angel’s raised sword and massive wings dominating the upper frame, while the chaotic pile of demons and fiery hellscape fills the lower half. The atmosphere is overwhelming, with every detail contributing to the unbearable, apocalyptic tension of the angel’s escape from hell.

9 months ago

An epic, gritty scene (1.8) in the style of Makoto Shinkai (1.6), showcasing an archangel ascending from the depths of hell (1.8). The angel, his radiant light undiminished (1.7), hovers just above a massive, writhing pile of grotesque demons (1.8), each demon clawing desperately at his legs and wings, their monstrous forms twisted with rage and desperation. His celestial garments are scorched and torn (1.8), the edges glowing faintly with embers from the fires of hell, exposing parts of his glowing, divine skin beneath. Despite the destruction, his majestic aura remains unyielding (1.7). The angel’s sword (1.7), etched with ancient golden runes (1.6) and glowing with an unrelenting holy fire, is raised high above his head, ready to deliver a devastating blow to the infernal horde below. His expression is resolute and fierce (1.6), his glowing eyes fixed downward on the demons that swarm beneath him, their twisted forms writhing and snapping in unholy rage. Beneath him, the mountain of demons (1.8) is vivid and horrifying, a chaotic tangle of claws, fangs, and twisted limbs (1.7). Some demons grab at his legs and wings (1.8), leaving blackened claw marks on his armor and glowing feathers, while others rear back in agony from the blinding holy light. Their forms are diverse and terrifying: some are smoke-like shadows with glowing red eyes (1.7), while others are massive, spiked creatures with gnarled horns and jagged teeth, their mouths dripping molten venom (1.8). The landscape of hell is apocalyptic (1.8), with rivers of lava glowing faintly beneath the writhing mass of demons. Above, a relentless storm of molten lava hail (1.7) rains down, searing the ground and the demons alike. Brimstone fills the air, mixing with thick smoke and ash, illuminated by the hellish glow of the inferno. Volcanic eruptions burst in the background, their fiery plumes adding to the overwhelming chaos of the scene. The archangel’s wings (1.7), enormous and majestic, span 25 meters, their feathers glowing with radiant hues of white, gold, and celestial blue (1.6), cutting through the suffocating darkness. Despite the demons' desperate attempts to pull him down, the angel’s divine presence creates a blinding halo of light (1.7), pushing back the shadows of hell. The molten hail and embers swirl around him, the fiery atmosphere emphasizing his unyielding determination. Volumetric lighting (1.6) streams through the swirling smoke and ash, casting dramatic shadows across the scene. The contrast between the angel’s blinding holy light and the hellish, gritty chaos of the demons and environment creates a cinematic tension, highlighting the eternal battle between divine and infernal forces. The overall composition is intense and dynamic (1.7), with the angel’s raised sword and massive wings dominating the upper frame, while the chaotic pile of demons and fiery hellscape fills the lower half. The atmosphere is overwhelming, with every detail contributing to the unbearable, apocalyptic tension of the angel’s escape from hell.

8 months ago

A small submarine navigates the deepest, most isolated part of the Mariana Trench, where no natural light can reach. The scene is enveloped in an impenetrable void of absolute darkness, with no water surface, no reflections, and no ambient glow. The environment is entirely alien, and the submarine’s floodlights are the sole source of illumination, casting narrow beams through the black abyss. As the lights cut through the void, they briefly reveal the shadowy silhouette of a colossal sea monster (1.6), its massive form mostly hidden by the overwhelming darkness. Only fragmented details are visible: a faint, glowing eye (1.4), the outline of jagged fins, and armor-like scales. The rest of the creature disappears into the blackness, emphasizing its immense size and the unknowable danger it poses. The submarine appears fragile, its lights carving out small sanctuaries of visibility in the infinite abyss. Fine particles of sediment drift lazily through the beams, glowing faintly like suspended stardust, adding texture to the void. Small bioluminescent creatures flicker in electric blue, green, and violet, darting briefly through the lights before vanishing again into the darkness. The trench itself is a suffocating expanse of blackness, stretching endlessly in every direction. There is no surface, no water layers, and no ambient light—only the submarine and its lights exist in this oppressive, otherworldly environment. The composition is cinematic, with the submarine’s beams forming the focal point, casting sharp contrasts of light and shadow. The monster’s glowing eye and faint outline add a haunting, mysterious presence, highlighting the profound isolation and alien beauty of Earth’s deepest frontier

2 months ago

A dark, decayed factory steeped in dampness and neglect. Rows of broken, lifeless androids hang from chains and diagnostic cables, their battered forms suspended like relics of a forgotten era. Each android faces forward, their heads slumped and limbs dangling limply, as if gravity alone holds them in place. The androids are diverse—some humanoid with slender frames and fragmented synthetic skin, others industrial with exposed hydraulics, rusted plating, and shattered components. Many are missing limbs, their wires and cables hanging loosely, sparking faintly in the oppressive gloom. Among the rows, two androids stand out—their hands intertwined in a final act of connection before their power cells died. One is humanoid, its delicate features cracked and weathered, its synthetic skin peeling to reveal intricate, rusting frameworks. The other is industrial, bulkier, with heavier plating and exposed joints, its arm barely holding on by a tangle of wires. Their clasped hands emit a faint glow, flickering like dying embers, the last remnant of their shared existence. The factory is drenched in atmosphere. Thick haze and mist cling to every surface, illuminated by the weak, flickering glow of malfunctioning CRT screens and sparking cables. Dim red light spills from a cracked overhead lamp, casting diffuse shadows across the room. A faint, rhythmic drip echoes through the cavernous space, the sound amplified by the oppressive silence. A flickering sign above the rows reads: “ANDROID MULTI-PURPOSE FOUNDRY.” The foundry walls are lined with rusted, obsolete machinery and control panels. Pools of stagnant water collect on the floor, reflecting the faint, scattered light in jagged, broken patterns. Dust and smoke swirl in the air, cutting through the faint godrays that streak through shattered skylights, further obscured by the thick haze. The shadows of dangling chains and lifeless androids create eerie silhouettes on the mist-covered walls. The atmosphere is suffocatingly gritty, a testament to the decay of innovation. The androids stand as silent witnesses to a bygone era, their shattered forms a chilling reflection of the hubris and failure of their creators. The two holding hands, surrounded by rows of decaying machines, remain a quiet, haunting symbol of connection amidst the ruin.

6 months ago

An award-winning oil painting masterpiece of gothic horror, drenched in dread and decay, depicting a deeply disturbing, broken antique doll abandoned in the rotting attic of a long-forgotten house. The doll sits slumped against a crumbling wooden beam, its body shattered in places—one arm missing, porcelain skull cracked wide open to reveal the hollow black within. Jagged fractures run down its face like veins, and from its single remaining eye, a glassy stare glints with unnatural awareness. Its dress, once delicate lace, hangs in tatters—stained with water damage, soot, and something darker. Mold creeps across the fabric in blotches of sickly green and grey. Strands of coarse hair cling to its scalp, damp and matted. A faint trail of something red and dry streaks down its chin, and its grin—half-formed, half-split—is too wide, too human. The room around it is soaked in dampness and decay. The wallpaper peels in curled sheets, revealing blackened, mold-covered boards beneath. The ceiling sags with rot, and rainwater drips slowly from a rusted pipe in the corner, pooling into a warped floorboard that has split open like a wound. The light is minimal—just a faint, sickly greenish glow leaking through a broken window veiled with grime, casting long shadows that twist unnaturally. The palette is dank and heavy—deep, desaturated hues of mildew green, rotting wood brown, ashen grey, and blood-maroon. The brushwork is thick, expressive, and moody, every stroke enhancing the feeling of moist air, silence, and a presence just beyond the frame. The overall effect is suffocating and magnetic—a visual whisper from the darker corners of memory and imagination. A chilling, unforgettable oil masterpiece—where the doll doesn’t just sit, but lingers

3 months ago

A lone diver hovers in the crushing depths of the deep ocean abyss, surrounded by an infinite void where no light from above can penetrate. The environment is a suffocating expanse of blackness, silent and immense. The diver’s powerful headlamp is the only source of light, cutting through the darkness in a sharp, focused beam. The beam falls directly on the shadowy silhouette of a colossal sea monster, looming in the void just beyond the diver’s reach. The light reveals fragments of its immense body: a glowing, unblinking eye (1.3), jagged fins, and sections of armored scales that reflect the light faintly. The monster’s vast size is implied by its curved outline, which stretches into the darkness beyond the illuminated area. The diver’s headlamp catches part of the monster’s face, revealing rough, textured scales and the faint gleam of its eye. The rest of the creature remains hidden, its sheer scale hinted at by subtle shadows and faint contours. The diver is motionless, dwarfed by the massive form before them. Beneath the monster’s looming shadow, the wreck of a sunken ship lies broken and rusted, tangled in cables and encrusted with marine life. Fine sediment particles drift lazily in the headlamp beam, glowing softly and creating smooth, seamless transitions between light and shadow. Flickering bioluminescent marine life—electric blue, neon green, and violet—dart briefly through the scene, adding a touch of eerie vibrancy to the alien setting. The deep ocean is an infinite void, devoid of surface light or ambient glow. Only the diver’s headlamp illuminates the scene, carving out a narrow sanctuary in the crushing darkness. The composition is cinematic and tense, with the monster’s fragmented presence creating an atmosphere of awe and dread, balanced against the haunting stillness of the wrecked ship

7 months ago

An award-winning, psychologically charged double exposure oil painting that encapsulates the chilling tension and horror of Misery. The central figure is an injured writer, Paul Sheldon, trapped in a secluded home, his face a portrait of pain, fear, and growing desperation. His image blends with the twisted and claustrophobic environment of Annie Wilkes’ home, where his reality begins to unravel. The double exposure effect seamlessly merges Paul’s form with the oppressive, isolated surroundings—his body dissolving into the stark, unsettling details of the home: the dimly lit rooms, the ominous tools she uses to imprison and torture him, and the distorted shadows of Annie Wilkes lurking in the background. Annie’s eerie presence flickers through the composition, her wild eyes and terrifying grin subtly woven into the very structure of the house, merging with Paul’s image as the lines between captor and captive blur. The palette is dominated by muted, earthy tones of dark wood, grayish-blue light, and blood-red accents, emphasizing the isolation, tension, and violence that permeates the scene. The oil paint’s textured brushstrokes convey both the suffocating atmosphere of the home and the brutal physical and psychological torment that Paul endures. The image of the typewriter and the tools of his captivity are subtly integrated into his form, representing his helplessness and the looming threat of Annie’s unhinged obsession. This double exposure masterpiece evokes themes of fear, captivity, obsession, and survival, capturing the emotional horror and claustrophobic terror of Misery in a haunting, visually stunning manner.

8 months ago

A **dimly lit bedroom at night**, shrouded in an **eerie, unsettling glow** as **moonlight filters through the window**, casting **elongated, warped shadows** across the walls. A **small nightlight flickers weakly**, its feeble glow unable to banish the **darkness that seeps into every corner**, thick with an **unnatural, suffocating dread**. From the **half-open closet**, a pair of **glowing, predatory eyes peer out**, their **unblinking stare filled with malice**. **Elongated, clawed fingers**, impossibly thin and grotesque, **curl around the doorframe**, the very fabric of reality seeming to **twist and distort where they touch**. Beneath the bed, **something slithers**—a presence barely visible **except for its impossibly wide, sharp-toothed grin**, stretching far beyond what should be humanly possible. Its form is **fluid yet unnatural**, shifting with **shadowy tendrils that coil and retract** in the gloom. A **young adult lies frozen in terror**, gripping their **blanket like a lifeline**, their **wide, paralyzed eyes locked on the horrors surrounding them**. Their body is bathed in the **cold, blue-tinted moonlight**, which **flickers unnaturally as though the nightmare itself distorts reality**. The **room appears slightly warped**, as if the very air is **bending under the weight of the nightmare**. The furniture tilts at subtle, impossible angles, and the shadows **move with an unsettling sentience**, creeping ever closer. The **monsters are grotesque yet amorphous**, shifting between **skeletal, insectoid, and abyssal forms**, an **amalgamation of fear given shape**. Their **bodies ripple with an eerie, liquid darkness**, their **faces obscured by shifting voids or twisted, elongated grins**. The **color palette is dominated by deep, muted blues, sickly purples, and spectral grays**, punctuated by the **faint, malevolent glow of spectral eyes and unholy grins**. The **cinematic, atmospheric lighting** enhances the **balance between horror and surrealism**, evoking the **primal fear of what lurks unseen in the night**. Rendered in **ultra-high-definition, hyper-detailed dark fantasy realism**, the composition immerses the viewer in a **waking nightmare**, a place where **fear takes physical form, and the boundary between dream and reality is terrifyingly thin**.