A sample prompt of what you can find in this page
Prompt by ElectricL

the broken winged prompts

very few results

8 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

7 months ago

A surreal, monochrome world suspended between light and void. A blindfolded figure in flowing white robes stands alone at the edge of a jagged obsidian cliff, facing an abyss of swirling darkness. Behind them, the crumbling silhouette of a warped, angular city stretches across the horizon, its skyline fragmented like shattered glass. A ghostly, oversized moon hangs impossibly close in the white sky, casting harsh, stark lighting—razor-sharp highlights and inky shadows. The figure’s serene, unreadable face is hidden behind a blindfold. Their outstretched hand releases a black origami bird mid-flight, its wings unfurling as if ready to pierce the silence. Below the cliff, an endless abyss swirls with broken reflections, abstract glyphs, and ink-like patterns. The atmosphere feels carved from frost and smoke. The entire image is rendered in pure black and white, relying on extreme contrast and dramatic negative space. Folded fabric gleams against black rock, mist coils like smoke in frozen air. Expression and emotion are defined by silhouette, texture, and space. Style: surrealism, emotional symbolism, monochrome dreamscape Palette: pure black and white, high contrast Lighting: stark backlighting from a lunar source, deep shadows Mood: introspective, mysterious, frozen tension Composition: rule of thirds, minimalism, dramatic silhouette and texture balance Elements: flowing robes, origami bird, cliffs, moon, blindfolded figure, void, abstract ruins Rendering style: cinematic grayscale photography, high-resolution surrealist ink illustration, Octane monochrome shader, Unreal Engine lighting

7 months ago

A surreal, monochrome world suspended between light and void. A blindfolded figure in flowing white robes stands alone at the edge of a jagged obsidian cliff, facing an abyss of swirling darkness. Behind them, the crumbling silhouette of a warped, angular city stretches across the horizon, its skyline fragmented like shattered glass. A ghostly, oversized moon hangs impossibly close in the white sky, casting harsh, stark lighting—razor-sharp highlights and inky shadows. The figure’s serene, unreadable face is hidden behind a blindfold. Their outstretched hand releases a black origami bird mid-flight, its wings unfurling as if ready to pierce the silence. Below the cliff, an endless abyss swirls with broken reflections, abstract glyphs, and ink-like patterns. The atmosphere feels carved from frost and smoke. The entire image is rendered in pure black and white, relying on extreme contrast and dramatic negative space. Folded fabric gleams against black rock, mist coils like smoke in frozen air. Expression and emotion are defined by silhouette, texture, and space. Style: surrealism, emotional symbolism, monochrome dreamscape Palette: pure black and white, high contrast Lighting: stark backlighting from a lunar source, deep shadows Mood: introspective, mysterious, frozen tension Composition: rule of thirds, minimalism, dramatic silhouette and texture balance Elements: flowing robes, origami bird, cliffs, moon, blindfolded figure, void, abstract ruins Rendering style: cinematic grayscale photography, high-resolution surrealist ink illustration, Octane monochrome shader, Unreal Engine lighting

4 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

25 days ago

lazypos, <lora:lazypos:1>, masterpiece, best quality, full body portrait, surreal fantastical monster girl, fusion of moth, crocodile, and cosmic ballerina automaton, massive layered moth wings glowing with constellations and arcane diagrams, elongated reptilian limbs with celestial scales and jointed doll hinges, crocodilian tail with embedded gemstones and golden inlays, porcelain faceplate with hollow starlight eyes and no mouth, crown of broken astrolabes and fractured timepieces orbiting her head, asymmetrical baroque corset carved from ivory and crystal, limbs wrapped in torn velvet ribbons inscribed with glowing runes, four arms posed mid-spin, two grasping long silk banners that dissolve into cosmic dust, floating mid-dance with spine twisted unnaturally, one leg outstretched, toes barely touching a floating marble fragment, extreme dutch angle, ultra low-angle POV, intense foreshortening, telephoto portrait lens compression, divine rim lighting in violet starlight and burning silver, background of an infinite void ballroom with shattered planetary rings and drifting cathedral ruins, glowing symbols rotating in the distance, ambient celestial fog and drifting embers, palette of iridescent obsidian, deep sapphire, holy gold, and spectral orchid, cel-shaded with glowing painterly highlights, hyper-detailed ink linework, cosmic horror-ballet aesthetic, divine relic-dancer of a dead star, hauntingly beautiful, tragic motion frozen in divine time

18 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early Sunrise, golden hour morning, large sunrise, brilliant colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton