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Prompt by afdf066233c

the sky itself is melting prompts

very few results

8 months ago

Two ethereal figures entwined in a celestial embrace float above a mirrored cosmic lake, their bodies woven from stardust and iridescent light. Their faces are radiant yet undefined, reflecting the universal duality of love—fated connection and free will, passion and soul recognition. Above them, a monolithic, holographic heart hovers, fracturing and reforming in infinite loops, pulsating with the energy of the cosmos. From its core, golden threads extend outward, binding the lovers together, symbolizing the invisible forces of destiny and divine love. Behind them, a massive, neon-winged angel with a translucent, ever-shifting face looms in the sky, eyes glowing with celestial fire, representing divine guidance and protection. The background melts into surreal, liquid dreamscapes of golden clouds, spiraling DNA strands of light, and endless neon floral gardens blooming into infinity. On either side, two cosmic trees stand—one ablaze with molten gold and opal blossoms, the other coated in silver ice and shifting astral symbols, embodying the eternal balance between creation and destruction, love and transformation. A staircase made of fractured starlight ascends from the lake, disappearing into a vortex of swirling dimensions, a reminder that love is both a path and a choice. Salvador Dalí surrealism, hyper-detailed, divine energy, radiant, 4K cinematic surrealism, neon cosmic textures, dreamlike atmosphere, iridescent lighting, ethereal glow, celestial beauty. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, oversaturated, exaggerated facial expressions, poorly drawn hands, cartoonish, low-poly, unrealistic physics, artificial reflections, noisy, stretched elements, watermark, text artifacts.

8 months ago

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

6 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

8 months ago

Two fluid, ethereal wolves howl at a colossal, melting moon, its silver light dripping into the vast cosmic ocean below, dissolving into waves of pure illusion and hidden truths. Their fur is woven from nebula dust, glowing in deep purples and electric blues, shifting with the tides of mystery and subconscious revelation. A floating staircase of mirrored illusions rises from the water, disappearing into an endless dreamscape of shifting labyrinths and ghostly apparitions. Around them, surreal figures with faceless visages emerge and dissolve, symbols of forgotten memories, past lives, and hidden fears lurking beneath the surface. The sky is a canvas of liquid neon, swirling and bending as if caught in a waking dream, reflecting the ever-changing nature of perception. In the distance, an all-seeing golden eye hovers within the moon’s glow, watching the dreamer as they navigate the realms of illusion and truth. Beyond the veil, phantom jellyfish made of liquid silver float silently, carrying secrets from realms beyond human comprehension. The entire scene pulses with an otherworldly energy, calling the viewer to embrace intuition, visions, and the unknown depths of the psyche. Salvador Dalí surrealism, hyper-detailed, neon dreamscapes, celestial illusions, subconscious realms, cinematic 4K masterpiece, shifting realities, surreal bioluminescence, spectral mysticism, atmospheric lighting. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated surrealism, oversaturated, unrealistic water physics, poorly drawn animals, unnatural textures, cartoonish, low-poly, noisy, CGI look, bad reflections, incorrect depth.

1 month ago

Road Train Northern Territory Australia, rumbling along the Stuart Highway at sunrise in Central Australia, inspired by an actual 4 trailer road train 54metre image: Scene Description: - A massive Road Train (4 trailer) dominates the frame, its polished metal reflecting the golden hues of dawn. - The **Stuart Highway** stretches endlessly into the horizon, flanked by the rusty-red outback and sparse desert savannah bush lands. - The sky is ablaze with **sunrise colors**—soft pinks, oranges, and purples—melting into the deep blue of the retreating night. - Dust swirls behind the truck’s wheels, catching the morning light. - The sheer **scale of the truck** contrasts with the vast, empty landscape, symbolizing the isolation and grandeur of the Australian outback. Combine with Here’s a powerful fusion of the **XY Ford Falcon** and the **"Law of Nature as Code"** concept—ideal for a striking visual tribute: --- "The Code of Speed." "Absolute Power". "Absolute Justice." Nature’s Law: "The fastest shall reign. - **The Machine:** untamed champion. - **The Code:** *"No mercy on the highway. No equal on the road 100km."* - **Justice Visualized:** Raw Road Train force, aerodynamic truth, mechanical perfection. --- ### **Design Style Suggestions:** 1. **Cyber-Mythic Poster** – Falcon in a digital storm, binary code racing stripes. 2. **Neo-Brutalist Art** – Stark lines, bold text, Falcon as a force of nature. 3. **Retro-Future Racing** – Vintage Bathurst footage glitching into AI-rendered power. JDHampton + AI | Creative Alliance ### **Artistic Style:** - **Hyper-realistic** with cinematic lighting, emphasizing the textures of the truck, road, and desert. - Warm sunrise tones contrast with cool shadows for depth. - Subtle lens flare or light rays to enhance the dawn atmosphere. JDHampton + AI | Creative Alliance