A sample prompt of what you can find in this page
Prompt by ElectricL

the two figures flowing into each other prompts

very few results

6 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

8 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

7 months ago

An award-winning double exposure oil painting masterpiece inspired by the timeless emotion of Unchained Melody. The central figure is a solitary, longing lover—either male or female—reaching out with outstretched hands toward an unseen, distant other. Their expression is one of deep yearning, eyes closed as if lost in a memory or a dream. Within their form, the double exposure reveals an ethereal landscape of two souls intertwined by invisible threads—silhouettes of the lovers, their faces fading into the mist of an oceanic horizon or beneath a sky full of stars. The scene within the figure’s outline unfolds like a story of longing and connection: a shoreline bathed in the soft glow of moonlight, the waves crashing gently as they reflect the emotions of love’s deep, unbreakable bond. Light swirls around the lovers, enveloping them in a soft, golden glow, as if their love exists in a timeless, almost celestial plane. The soft, translucent waters of the ocean appear to reflect memories—perhaps a distant touch, a first kiss, or a shared moment under the stars. The palette evokes the timeless nature of the song: deep midnight blues, soft silvers, warm golds, and the iridescent glow of moonlight on the water, contrasted with the figure’s soft, muted tones—suggesting a vulnerability and fragility. Brushstrokes are delicate and layered, allowing the two worlds—the figure and the landscape—to blend seamlessly, creating a visual flow that captures the eternal pull of love, even across time and space. Themes of separation, devotion, longing, and the eternal connection between two souls are explored with a sense of yearning and passion, making this painting an intimate tribute to the enduring power of love, as expressed through Unchained Melody.

8 months ago

Create a breathtaking and evocative double-exposure oil painting that beautifully captures the profound bond between humanity and nature, using the iconic imagery of Gorillas in the Mist. The painting should focus on the rich emotional depth of the gorillas and the lush, mist-covered landscape of the Congo, blending these elements in a way that symbolizes both the mystery of the jungle and the majesty of these endangered creatures. The central figure of the painting should be a majestic gorilla—painted with intricate detail to reflect the animal’s strength, intelligence, and vulnerability. Its face should be filled with quiet intensity, wisdom, and an almost human-like quality, conveying its deep emotional resonance. The gorilla’s eyes should be the focal point, expressive and full of emotion, perhaps suggesting the struggle for survival, a call for preservation, or an understanding of the delicate balance between nature and human interference. The double-exposure effect should allow the environment to emerge within its form, creating a stunning fusion of the animal and its misty, green habitat. The mist itself should flow through the gorilla’s body and face, creating an ethereal atmosphere that invokes the deep, mysterious quality of the jungle. Soft, translucent layers of paint should be used to capture the wisps of fog, blending into the contours of the gorilla’s powerful form. The mist should not only symbolize the natural environment but also reflect the presence of the unseen—the unseen dangers, the spiritual connection between the gorilla and the jungle, and the ongoing battle to protect these creatures from extinction. Surrounding the gorilla, the dense, vibrant foliage of the rainforest should be depicted in rich, lush greens, with hints of deep browns and subtle touches of vibrant wildflowers. Vines, leaves, and branches can emerge from the mist, merging with the gorilla’s figure, creating the sensation that it is a part of the jungle, and vice versa. The interplay of light and shadow within the leaves and the mist should evoke a sense of both serenity and mystery, with rays of sunlight filtering through the trees, casting soft, glowing highlights on the gorilla’s fur and the surrounding vegetation. The background should suggest both the wildness and fragility of the gorilla’s environment. Darker shades of green and brown can illustrate the dense canopy, while lighter, misty shades should evoke the sense of isolation and vulnerability. In the double-exposure technique, glimpses of the jungle’s wildlife—perhaps a subtle hint of a bird or a distant silhouette of another gorilla—can appear within the mist, symbolizing the delicate interconnectedness of life within the forest ecosystem. The color palette should shift between dark and light—rich earth tones that evoke the depth and complexity of the jungle, paired with the light, airy mist that suggests hope, fragility, and the need for preservation. The mist itself should be painted with fluid brushstrokes that contrast with the more textured rendering of the gorilla, creating a sense of life and motion in both the animal and its environment. This painting should not only represent the beauty and majesty of the gorillas but also serve as a powerful call for conservation. Through the double-exposure technique, it should blur the lines between the animal and its habitat, illustrating the inseparable bond between the two and the urgent need to protect these magnificent creatures from the encroaching threats of human activity. The result should be a masterpiece that blends realism with abstraction, capturing the raw, emotional beauty of the gorillas, the mystique of their environment, and the call for preservation. The viewer should feel immersed in this tranquil yet fragile world, experiencing the emotional weight of the subject matter while marveling at the intricacy and beauty of the painting itself

8 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

7 months ago

A monumental 6-meter-tall sculpture stands in a pristine, white-walled exhibition space. Its form is ambiguous yet resonant — suggesting a toy-like humanoid figure made of a single, inflated continuous surface. The geometry is mathematically generated and defined by the following parametric equation: x(u, v) = (1.5 + 0.3 \cdot \sin(5v)) \cdot \cos(v) + 0.2 \cdot \cos(2u) y(u, v) = (1.5 + 0.3 \cdot \sin(5v)) \cdot \sin(v) + 0.2 \cdot \sin(2u) z(u, v) = 0.6 \cdot u + 0.5 \cdot \sin(3v + \frac{\pi}{4}) for u \in [0, 3\pi] and v \in [0, 2\pi]. The resulting form undulates gently, swelling and contracting with bulbous, limb-like protrusions. It evokes the figure of a soft, abstract humanoid — one whose “head” is slightly larger than the lower forms, suggesting animation or presence without literal anatomy. Its skin is chrome-polished, with a translucent lavender glaze that reflects and distorts its surroundings. Subtle ridges on the upper surface imply crossed eyes without carving them, integrating symbolism through topological features. The figure leans forward slightly, balanced, as if breathing or listening. The feet-like base is wide and pressing softly into a terrazzo floor. The sculpture feels both digital and intimate — a monumental ballooned body born from mathematics, standing alone in a room filled with diffused white light and long, warped shadows. The face has two deep oval hollows, symmetrically set wide apart — not literal eyes, but alien symbols. Below them, a shallow, arc-shaped crease bends gently across the lower face, like a ghost of a smile. The geometry is playful but still and quiet — mixing a graphic clarity with an alien like face. The head is slightly oversized in proportion, giving the figure an animated presence. Reflections warp and flow across its curved face, refracting the viewer’s image within a facial field that feels curious but unknowable.

8 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

4 months ago

The image is a waist-up portrait of a woman standing on a beach, wearing an elaborate, fantasy-style costume in shades of blue and green. The background consists of a bright blue sky and the ocean. The Woman: She is the central figure, positioned in the middle of the frame and facing the viewer. The Costume: The main part of the costume, a metallic, scale-patterned bodysuit, covers her torso. It is layered under a flowing blue robe. The Background: The ocean horizon is visible behind her, roughly at her waist level. The upper two-thirds of the background is a clear, bright blue sky with a few faint clouds on the left. The Woman's Appearance: She has long, thick brown hair blowing gently in the breeze. She has light-colored eyes and is looking directly at the camera with a neutral expression. Her fingernails are painted a vibrant royal blue. Clothing and Accessories: Bodysuit/Armor: The core of the outfit is a form-fitting piece that resembles armor or intricate body paint. It has an iridescent, metallic finish that shifts between turquoise green and deep blue. The surface is detailed with a pattern that looks like fish or dragon scales. It features a deep, plunging neckline. Robe: She wears a lightweight, royal blue robe or cloak with an open front and long, wide, flowing sleeves. The shoulders are cut out. Accessories: Around her neck, she wears a matching blue necklace with a design that culminates in a dagger-shaped pendant. The costume also has decorative elements at the hips, including small silver-colored charms and tassels made of a leathery material. Environment: The setting is a bright, sunny day on a beach. The lighting is direct and strong, highlighting the metallic sheen of her costume.

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

5 months ago

In the foreground Dorothy from the Wizard of Oz is standing on a path through an eerie, desolate landscape under a stormy sky. The image shows Dorothy, a solitary villain, standing on a golden brick path. She is wearing a white shirt with a ruffled collared short sleeves, and wearing form fitting light blue Overalls dress. She has a villainous smirk on her face, her eyebrows are furrowed and her nose is wrinkled. The image shows her resisting the wind that is pushing her. Her two braided pigtails are flowing in the wind. The path is bordered on the left by a steep, reddish-brown hillside covered in sparse, dark vegetation. On the right, there appears to be a fast-flowing river or stream, depicted artistically with blurred white motion against a dark background, suggesting a waterfall or rapids. The sky is overcast and appears dark and stormy, with dramatic, swirling clouds or mist dominating the upper part of the image. The windy rainfall is flying toward Dorothy in the image. Important to the image is that, far in the distance there is a colonial style house being whipped around in the sky. The overall atmosphere is moody and somewhat unsettling, conveying a sense of isolation and perhaps melancholy due to the dark colors, the lone figure, and the turbulent environment. The landscape has a somewhat alien or post-apocalyptic feel, with the reddish ground and dark, skeletal vegetation. The color palette is dominated by dark blues and greens, reddish-browns, and a stark white for the swirling water and clouds, contributing to the dramatic and slightly unsettling mood.