A sample prompt of what you can find in this page
Prompt by Cosmopolitan86

there are two floors prompts

hundreds of results

3 months ago

The image shows a woman with long, dark hair elegantly posed on a light-colored sofa in a minimalist room. The scene is illuminated by strong, direct sunlight coming from the right, which creates prominent shadows across the floor and furniture. Center: The woman is the central subject, positioned on the right-hand side of the sofa as viewed by the observer. Her body is angled toward the left, while her head is turned to face the camera directly. Foreground: In the bottom-left corner, there is a portion of a brown, textured rug. The rest of the foreground consists of a light-colored floor with long, dark shadows cast diagonally from right to left. Background: Behind the woman and the sofa, there is a plain, light-colored wall. Set into the wall are two recessed rectangular shelves, one above the other. Each shelf holds a single, light-colored vase. To the far left, a double electrical socket is visible on the wall. The Woman: She is wearing a form-fitting, black, long-sleeved dress with a square neckline that ends around her knees. Her legs are crossed, and she is wearing black, pointed-toe high heels with thin ankle straps fastened by small gold buckles. She is accessorized with gold-colored hoop earrings. One arm is bent with her hand behind her head, and the other arm rests on the back of the sofa. Her hair is dark, long, and straight, and she is looking directly at the camera with a neutral expression. The Sofa: The sofa is a modern design, upholstered in a light beige or off-white textured fabric. It features clean lines, square arms, and is supported by slender, cylindrical chrome legs. The Room: The room has a minimalist aesthetic. The walls and floor appear to be a smooth, matte, off-white or very light beige color. The two vases in the wall niches are a similar light, neutral color with a matte finish. Lighting: The lighting is high-contrast, indicating a strong light source like the sun is entering from a window or opening on the right side of the scene. This creates sharp, well-defined shadows of the window frame on the floor and sofa.

7 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

6 months ago

A monumental 6-meter-tall sculpture stands in a pristine, white-walled exhibition space. Its form is ambiguous yet resonant — suggesting a toy-like humanoid figure made of a single, inflated continuous surface. The geometry is mathematically generated and defined by the following parametric equation: x(u, v) = (1.5 + 0.3 \cdot \sin(5v)) \cdot \cos(v) + 0.2 \cdot \cos(2u) y(u, v) = (1.5 + 0.3 \cdot \sin(5v)) \cdot \sin(v) + 0.2 \cdot \sin(2u) z(u, v) = 0.6 \cdot u + 0.5 \cdot \sin(3v + \frac{\pi}{4}) for u \in [0, 3\pi] and v \in [0, 2\pi]. The resulting form undulates gently, swelling and contracting with bulbous, limb-like protrusions. It evokes the figure of a soft, abstract humanoid — one whose “head” is slightly larger than the lower forms, suggesting animation or presence without literal anatomy. Its skin is chrome-polished, with a translucent lavender glaze that reflects and distorts its surroundings. Subtle ridges on the upper surface imply crossed eyes without carving them, integrating symbolism through topological features. The figure leans forward slightly, balanced, as if breathing or listening. The feet-like base is wide and pressing softly into a terrazzo floor. The sculpture feels both digital and intimate — a monumental ballooned body born from mathematics, standing alone in a room filled with diffused white light and long, warped shadows. The face has two deep oval hollows, symmetrically set wide apart — not literal eyes, but alien symbols. Below them, a shallow, arc-shaped crease bends gently across the lower face, like a ghost of a smile. The geometry is playful but still and quiet — mixing a graphic clarity with an alien like face. The head is slightly oversized in proportion, giving the figure an animated presence. Reflections warp and flow across its curved face, refracting the viewer’s image within a facial field that feels curious but unknowable.