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Prompt by 4e9c5fbcac5

third hand prompts

hundreds of results

9 months ago

Generate a highly detailed image featuring a group of tiny construction workers building a colossal statue of Lord Shiva from a single block of stone. The statue is partially carved, with intricate, photorealistic details emerging: Lord Shiva's face with a third eye and a serene expression, his head adorned with a crescent moon, and his hands holding symbolic objects like the damaru (drum) and trident (trishula). The workers, dressed in orange vests and yellow hard hats, are busy on scaffolding that surrounds the statue, using tools such as chisels, hammers, and brushes to chip away at the stone and shape it into Shiva's divine form. Some workers are on the ground, handling stone chips and tools, while others climb the scaffolding or stand on the statue itself, carefully working on different parts. The background is a breathtaking, realistic landscape of the Himalayas, with snow-capped mountains and a peaceful river, reflecting the divine abode of Lord Shiva. The entire scene is illuminated with soft, even lighting that highlights the details of the statue and the workers, creating a contrast between the natural setting and the artificial lighting. The overall style should be photorealistic, with a focus on accurate textures, lighting, and proportions. Ensure the image is rich in color and texture, capturing the contrast between the rough, unfinished stone and the smooth, polished parts of the statue. The scene should blend the surreal concept with realistic rendering, evoking a sense of wonder and creativity

4 months ago

Create an image for me that fits DIN A4. A beautiful woman with an african background. It should be a portrait in black and white – creative – surreal – abstract – with a reference to migration. Feel free to play with motion blur (but not too much – perhaps a subtle motion blur). The motif should be darker. The background should be light. Magazine editorial style. And please only the person. No other motifs. (The portrait will later be edited with a coloured background and text will be added – but I will do that myself). In photography, there are various rules and techniques for improving image composition, including the rule that people in the image should not look out of the frame. This is often considered part of image composition, as it is intended to draw the viewer's attention to the most important elements in the image. If a person is looking at the edge of the image, this can often create a feeling of incompleteness and distract the viewer from the main focus. A common practice is to position the person so that they are looking into the image rather than out of it. This creates a connection between the subject and the viewer and can enhance the emotional impact of the image. For example, if a person is looking to the left, the focus of the image should be on leaving enough space on the right side of the image to show the movement of the gaze. This technique goes hand in hand with other photographic rules, such as the rule of thirds or the golden ratio, which serve to harmonise the composition and increase visual interest. Only the person! No animals! No motion blur in the face!

5 months ago

Worm's-eye architectural view high angle half body photo of a 24-year-old Igbo-Slovak female chic Parisian woman with a Resource concealment strategy with face revealing complex calculation beyond simple hiding impulse, eyes methodically evaluating environmental integration possibilities, subtle satisfaction indicators at effective camouflage achievement, expression showing strategic thinking transcending immediate security concerns. facial expression. She has Full-body thermal regulation tattoos featuring specialized symbols that indicate optimal body positioning for different weather conditions wrapped around every limb and joint, skin has developed unusual mottled appearance from variable blood vessel dilation adapted into the design, strategic scarification creates insulative air pocket patterns across entire surface, face bearing emotional control reminders, hands tattooed with water quality testing methods.. The skin pores and texture are clearly visible and in focus. Her Large curved line eyes, Silky, deep purple eyes, framed by long, elegant eyelashes. Her haircut is Tactical buzz cut with entire head shaved to quarter-inch length, eliminating hair as vector for parasites or contaminants, requires minimal water for cleaning, offers no grip point for combat situations, reveals cooling points at base of skull.. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Tight skin over the upper chest with firm, subtle muscle contours, small breast, toned abs, Female Bodybuilding style. She wears Retrofitted police tactical vest cut down to cover only upper chest, weight reduced by removing ballistic materials, institutional markings deliberately obscured with mud and paint, straps adjusted for desert mobility., midriff, Retrofitted basketball shorts with elasticity degraded and reinforced with woven plastic strips, waistband deliberately lowered, team colors faded from vibrant to subtle earth tones, ventilation holes added in grid pattern along sides., In the background Industrial freezer complex converted into a heavily insulated living environment offering rare relief from extreme heat, power generation focuses exclusively on maintaining the cooling systems, residency is determined through complex contribution metrics with cooling access strictly timed and allocated, the surrounding area has become a scorched wasteland making the facility a critical regional refuge.. She stands Safe Passage Negotiator position with body positioned between territorial groups creating neutral intermediary presence, stance carefully balanced presenting neither weakness nor threat, hands engaged in established diplomatic gestures, facial muscles controlled revealing neither fear nor aggression., looking to the camera. She is positioned on the left side in the frame by the rule of thirds. The weather is Flash floods from sudden intense localized rainfall creating walls of water 20 feet high that race through bone-dry watersheds, carrying away everything in their path with no warning, the water heavily laden with debris and often toxic from collecting industrial residues, evaporating completely within hours leaving mud-caked ruins.. the model is lighted with soft natural lighting in the style of Raven Frost

5 months ago

Watercolor-inspired digital painting Loose, impressionistic backgrounds. Contemporary digital illustration style: This represents modern digital art that's popular in concept art, character design, and online illustration communities - combining traditional artistic techniques with digital tools to create polished, commercially-viable artwork of a 24-year-old Kanak-Cherokee female chic minimalist with a warm and inviting expression. She has Pale skin with visible veins, giving a translucent appearance. The skin pores and texture are clearly visible and in focus. Her Cat eyes, Deep-set, grey eyes, framed by long, elegant eyelashes. Her haircut is Side-swept curls, haircolor is . Her eyebrows are Groomed arch shaped, complementing her delicate facial features. Her body is Firm, toned triceps with a sleek contour, small breast, toned abs, anorexic. Her upper body clothing is Cropped functional sleeve jacket, slightly open, Her midriff is clearly visible, Her lower body clothing is Low-rise gaucho pants with wide legs and maximum midriff exposure. She is positioned on the left side in the frame by the rule of thirds. She strikes a pose with hands in pockets, leaning slightly to one side, creating an easy-going, stylish look. . In the background A crowded flea market with eclectic stalls selling vintage clothes, antiques, and handmade crafts, offering a quirky, vibrant background full of textures and patterns.. The The lighting is diffused and warm, creating a dreamy, almost ethereal quality. The colors seem to glow and blend into each other, enhanced by the watercolor-like transparency effects. The overall effect is romantic, contemplative, and visually striking, with a professional quality typical of contemporary digital illustration work.

3 months ago

In a captivating and enigmatic portrait set against the backdrop of classic Hollywood glamour,an japanese supermodel adorns her platinum blonde hair styled in soft voluminous waves that cascade around her shoulders,The model is captured wearing a wide-brimmed black hat that casts a shadow over her forehead,further emphasizing her mysterious visage,Her makeup is defined by bold eyebrows and smoky eyeshadow with accentuated piercing gaze,paired with glossy,deep red lips that contrast against her pale complexion,The model delicately holds a black-gloved hand to her chin in a thoughtful pose,further heightening the enigmatic aura of the portrait,The lighting is expertly crafted using cinematic and hyper-realistic techniques with high-definition textures that highlight contours on the subject's face and hair while shrouding the rest of the image in darkness,The color palette is predominantly black,white,and deep red,punctuated by soft shadows and highlights,The camera angle focuses on a midshot of the model from slightly above her eyeline to emphasize the voluminous waves of her hair,Camera settings include an f-stop of 2.8,ISO 100,and shutter speed of 1/320s for crisp detail and depth of field,The composition features a classic,balanced layout with rule of thirds guidelines,ensuring that the model's eyes remain on one intersecting point while her hand and hat create additional points of interest within the image,The portrait includes various details such as defined freckles on the subject's nose and chin and ruby heels complementing a ruby red velvet jumpsuit with deep v-neck paired with a matching fedora resting atop the model's head to one side,The scale and proportions are optimized for close-up,capturing intimate details while maintaining an enigmatic aura,Movement is minimal as the subject remains still in a thoughtful pose,adding a sense of timelessness to the portrait,Post-processing effects include high contrast,saturation enhancement,sharpness correction,and subtle noise reduction to create striking black-and-white masterpiece reminiscent of iconic Hollywood glamour portraits,Cultural context is suggested through the model's style

7 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

9 months ago

(Spaghetti Western meets Hindu Mythology, Cinematic, Gritty, Mythic Americana, Clint Eastwood's Unforgiven-style storytelling, Hyperreal, Dust and Gunpowder, Sunset Over the Frontier) (Gritty Cinematic Western:1.8, Hindu Mythology Meets Old West:2.0, Dust & Heat Haze:1.6, Sunburnt Leather & Weathered Cloth:1.5, Volumetric Light Through Dust:1.4, Classic Spaghetti Western Composition:1.8) The frontier is vast, endless. The sun hangs low and swollen, a burning red eye sinking behind the jagged silhouette of the mountains, bleeding golden light across the dust-choked sky. A lone rider moves through the haze, his dark stallion kicking up a slow trail of dust, the sound of hooves muffled by the dry, cracked earth. Vishnu, the Divine Gunslinger, moves like a ghost through this godforsaken land, his presence a whisper on the wind, a warning before the storm. He is adorned in a weathered duster, its deep blue fabric threadbare yet regal, embroidered in golden Sanskrit that shifts and shimmers under the dying light. Beneath it, his celestial skin glows faintly, a blue so deep it seems carved from the twilight sky itself. His golden eyes burn like twin desert suns, reflecting the fire of the West, the violence of the frontier, the weight of justice balanced on the edge of a blade. From beneath his coat, his four arms rest with an unnatural stillness, each poised for retribution. One hand grips the Sudarshana Revolver, an ancient pistol forged from the molten core of a dying star, its barrel etched with the shifting symbols of the cosmos. Another holds a coiled lasso woven from the threads of fate, glowing with the light of constellations long dead. The third hand remains open, palm outward—a warning, or perhaps a blessing. The fourth clutches the eternal lotus, a reminder that even in this land of dust and death, something divine lingers. Behind him, the town of Black Hollow waits, a rotting wooden carcass of a town, its saloon doors swaying in the wind, the church bell rusted and long silent. Shadows move behind glassless windows, fear tightening in the chests of men who know their reckoning has come. The outlaws of this place have no gods, no law but steel and blood, and yet even they whisper his name. The wind shifts, carrying the scent of gunpowder and sagebrush, and in the distance, a gang of riders appear on the ridge, silhouetted against the sun. Their leader spits, grips his rifle, and laughs. "Ain't no man gets to play god out here," he sneers. The six-shooter spins once, slow, deliberate. A single breath. A moment stretched between eternity and the dust. Vishnu narrows his golden gaze beneath the wide brim of his hat. He speaks only once. "God don’t play, friend." Then the world moves like lightning, like judgment, like fate itself unfurling.