A sample prompt of what you can find in this page
Prompt by 7013859ce93

to emphasize their handmade prompts

very few results

6 days ago

A dreamlike autumn forest unfolds in layers of delicately cut paper. The foreground shows crisp, oversized autumn leaves in shades of burnt orange, golden yellow, and deep crimson, their edges curling like lace. Some leaves float mid-air, suspended as if gravity has paused, their shadows layered on pale textured paper ground. The middle layer reveals a winding path made of folded parchment, leading toward a glowing paper-cut tree whose branches split into impossible shapes—spirals, fractals, and delicate origami folds. Each branch holds a different scene: one has a tiny paper boat sailing along its veins, another a house perched upside-down like a dream. Lanterns shaped like acorns dangle, glowing with soft amber light. In the background, the sky is a collage of layered translucent vellum in warm amber, deep violet, and smoky gray. Through it, a giant crescent moon cut from silver foil hovers, its surface patterned with filigree swirls. Paper-cut stars dangle from invisible strings like a handmade mobile. Surreal elements punctuate the scene: A flock of origami deer made of folded autumn leaves leap across the horizon. Mushrooms, cut from crimson and cream paper, glow with a surreal bioluminescence. A river of golden paper ribbons winds through the scene, reflecting autumn light. The entire composition feels handcrafted—layer upon layer of cut, folded, and textured papers stacked to create depth, shadows, and dreamlike atmosphere. The lighting emphasizes the tactile paper edges, making it both whimsical and surreal.

Pulsar212121
1 19

6 days ago

A dreamlike autumn forest unfolds in layers of delicately cut paper. The foreground shows crisp, oversized autumn leaves in shades of burnt orange, golden yellow, and deep crimson, their edges curling like lace. Some leaves float mid-air, suspended as if gravity has paused, their shadows layered on pale textured paper ground. The middle layer reveals a winding path made of folded parchment, leading toward a glowing paper-cut tree whose branches split into impossible shapes—spirals, fractals, and delicate origami folds. Each branch holds a different scene: one has a tiny paper boat sailing along its veins, another a house perched upside-down like a dream. Lanterns shaped like acorns dangle, glowing with soft amber light. In the background, the sky is a collage of layered translucent vellum in warm amber, deep violet, and smoky gray. Through it, a giant crescent moon cut from silver foil hovers, its surface patterned with filigree swirls. Paper-cut stars dangle from invisible strings like a handmade mobile. Surreal elements punctuate the scene: A flock of origami deer made of folded autumn leaves leap across the horizon. Mushrooms, cut from crimson and cream paper, glow with a surreal bioluminescence. A river of golden paper ribbons winds through the scene, reflecting autumn light. The entire composition feels handcrafted—layer upon layer of cut, folded, and textured papers stacked to create depth, shadows, and dreamlike atmosphere. The lighting emphasizes the tactile paper edges, making it both whimsical and surreal.

Pulsar212121
0 17

5 months ago

A highly realistic tabletop photograph of a conceptual sushi arrangement inspired by the work of Kazimir Malevich. The dish honors Suprematism through the composition of geometric, real-world ingredients — minimalist squares, rectangles, circles, and voids, arranged with stark asymmetry and spatial tension. Each sushi piece is handmade and slightly irregular, referencing Malevich’s abstract forms while remaining firmly in the realm of culinary craft. A single red tuna square placed off-center on a rice block mimics his red square on white A blackened nori rectangle floats beside a small cube of white daikon — contrast and negative space become the design A circle of pickled radish intersects a tamago rectangle, breaking the grid A void space is left intentionally blank between elements on the plate — emphasizing absence as much as presence One piece may be a cube of charcoal-grilled eggplant on rice, evoking the black square — textured, dark, earthy Color Palette: Muted, natural tones with a limited palette: ivory white rice, deep matte black nori, dark red tuna, pale yellow tamago, and light grey or beige plate. No artificial dyes or vibrant garnishes. The composition is more about form and proportion than flavor or ornament. Plate & Table Setting: Served on a matte porcelain square plate with ample negative space. The arrangement follows Suprematist principles — asymmetry, visual imbalance, gravity-defying placement. One piece may be positioned at the extreme corner. The table beneath is dark wood or concrete, referencing Malevich’s material seriousness. Camera View: Overhead or slightly angled — shot like a museum documentation photo, clean and quiet. Slight tilt or perspective distortion is allowed to reflect human error and tension. Lighting: Flat, soft ambient light. No dramatic shadows. Even illumination across all surfaces, mimicking natural daylight in a gallery or quiet kitchen. Surfaces should look honest, not stylized. Material Texture: Fish grain visible, slightly moist Nori uneven at the edges Knife cuts evident in egg and daikon Rice slightly loose and irregular Plate surface has minor scratches or glaze imperfections Mood: Silent, abstract, and cerebral. The image is a culinary still life — not about indulgence, but about pure form, balance, and the tension between presence and void. It should feel like a Suprematist painting you could eat, made by hand, with reverence for structure.

Chorlo PRO
0 58