A sample prompt of what you can find in this page
Prompt by Kld967

top down POV prompts

very few results

5 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

5 months ago

POV first-person,i am standing by the window, smoking a cigarette, captured from a first-person perspective. only my hand is visible in the frame. i hold the cigarette between my index and middle fingers with a relaxed grip, the lit end glowing faintly in the dim evening light. the cigarette is a standard white filter cigarette, with a thin brown band near the tip. ash has started to form at the end, slightly uneven, with a soft orange ember glowing as i take a slow drag. faint wisps of smoke rise, curling gently into the air before disappearing. my thumb rests near the filter, occasionally flicking the ash away. the view outside the window shows tehran at dusk, with the city lights flickering against the cool evening sky. in the distance, the milad tower stands tall, its distinctive tapered cylindrical body narrowing toward the top before expanding into its iconic multi-tiered head, which houses an observation deck and a glowing ring of lights. the tower's sleek, modern design contrasts with the mix of high-rise buildings and older, traditional structures surrounding it. the city’s streets below are lined with cars, their headlights forming thin, glowing streaks as they navigate through the urban landscape. inside, the atmosphere is moody and contemplative, with the faint glow of streetlights and the subtle reflection of city lights on the window glass. the warm ember of my cigarette pulses slightly as i inhale, adding to the quiet solitude of the moment.

5 months ago

POV first-person, I am standing in my kitchen, holding a cup of coffee. Only my hands are visible in the frame. My fingers, stronger and more masculine, grip the cup firmly as I take a sip, feeling the warmth of the coffee in my hand. The soft morning light filters through a nearby window, casting a warm glow on the kitchen countertop. In the sink area, five dirty plates are stacked haphazardly on top of each other, clearly visible in the frame. They’re disorganized, leaning slightly, and the remnants of food on them are obvious. Small bits of leftover food cling to the plates — a mix of dried sauce, bits of bread, and crumbs. Some plates show signs of sticky food that hasn’t been cleaned off yet. The sink looks like it’s waiting to be tackled, but for now, the mess remains untouched. The coffee maker sits quietly in the background, and a small piece of chocolate rests on the counter beside the cup. The contrast between the peaceful moment of sipping coffee and the unwashed dishes creates an authentic snapshot of a simple, imperfect morning. Details: Only my hands, more masculine in appearance, visible in the frame, holding the coffee cup. The kitchen has natural wooden cabinets, simple, with soft light from the window. In the sink, five dirty plates stacked on top of each other, disorganized. The plates show clear remnants of food — bits of sauce, crumbs, and sticky leftovers. The coffee maker and a piece of chocolate rest on the counter.

5 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

5 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.