twice over prompts

9 months ago

"A colossal, armored Oni Warlord emerges from the thick mist of a torii gate, its towering form twice the height of any man. Its crimson skin glows faintly under the flickering torchlight, revealing deep cracks that pulse with molten veins. Its demonic, jagged teeth stretch into a bloodthirsty grin, while two massive, curved horns spiral from its skull, crowned with golden metal rings. The Oni wears tattered samurai armor, engraved with ancient runes, each plate cracked and battle-worn. In one clawed hand, it wields an oversized kanabō, a brutal spiked club dripping with black ichor. The setting is a dark, moonlit battlefield covered in swirling embers, with ancient, broken banners flapping in the wind. Its piercing, glowing yellow eyes stare directly ahead, as if hunting its prey."

7 months ago

A dramatic 1970s-style heavy metal album cover, a close-up of a hand holding a giant razor blade with sharp, angular cuts. The razor blade has the words "Uncommerce" in bold, metallic gothic font, and "70s Rock" written twice in smaller, engraved style. Lighting is high contrast with strong red and black tones, realistic hand texture, intense metal gleam, stylized like classic Judas Priest "British Steel" album cover --v 6 --style raw

1 month ago

Make bulge in front of swimsuit hang down twice as far and Make bulge in front of swimsuit twice a wide

23 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

23 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

8 months ago

A massive military carrier in rough seas and a massive wave twice the size of th crarrie approaches

7 months ago

A dramatic 1970s-style heavy metal album cover, a close-up of a hand holding a giant razor blade with sharp, angular cuts. The razor blade has the words "Uncommerce" in bold, metallic gothic font, and "70s Rock" written twice in smaller, engraved style. Lighting is high contrast with strong red and black tones, realistic hand texture, intense metal gleam, stylized like classic Judas Priest "British Steel" album cover --v 6 --style raw

1 month ago

Make bulge at front of swimsuit hang down two times lower and make bulge at front of swimsuit twice as wide

7 months ago

a close up of a woman with long hair holding a microphone, portrait jisoo blackpink, jisoo of blackpink, jisoo from blackpink, portrait of jossi of blackpink, jaeyeon nam, jossi of blackpink, iu, portrait of female korean idol, jia, aesthetic!!!!!! female genie, tzuyu from twice, inspired by Song Maojin, roseanne park of blackpink

23 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early Sunrise, golden hour morning, large sunrise, brilliant colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton

23 days ago

**TRIBUTE: THE SCAR AND THE BULL** A raw still frame. Not a photograph. An artifact of intent. It is a scar on the landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a venomous fish or a dying star. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. The vast cliff face behind it is the only witness, eroding in its presence. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre, a phantom. A legendary Black fighting bull, rendered in spray paint and soul by an unseen hand upon the cliff wall. It is the ghost of Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton

23 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early Sunrise, golden hour morning, large sunrise, brilliant colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are closed. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. Text: "Tribute Murciélago" — JDHampton

23 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early Sunrise A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton

23 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton

7 months ago

a close up of a woman with long hair holding a microphone, portrait jisoo blackpink, jisoo of blackpink, jisoo from blackpink, portrait of jossi of blackpink, jaeyeon nam, jossi of blackpink, iu, portrait of female korean idol, jia, aesthetic!!!!!! female genie, tzuyu from twice, inspired by Song Maojin, roseanne park of blackpink

23 days ago

TRIBUTE: THE SCAR AND THE BULL Murciélago A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton

23 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early Sunrise A raw still frame. Not a photograph. An artifact of intent. It is a scar on the open landscape. The Murciélago LP 670-4 SV. Apex predator. Its orange hide is not a paint, but a warning, the colour of a no games. Its scissor doors are not open; they are splayed. A predator's broken jaw frozen mid-snarl. This is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And rising behind this mechanical spectre is the legendary Black fighting bull known as Murciélago, the bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; it is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation = Murciélago. Two legends, separated by centuries, fused in a single moment of defiance. The last light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. — JDHampton

23 days ago

TRIBUTE: THE SCAR AND THE MOST DANGEROUS BULL Murciélago Early sunrise. Golden hour morning. A large sun breaks the horizon, flooding the open landscape with brilliant, violent colours. A raw still frame. Not a photograph. An artifact of intent. It is a scar on the earth. The Lamborghini Murciélago LP 670-4 SV. Apex predator. Its orange hide is not paint, but a warning. The colour of no games. Its scissor doors are closed. Sealed. This silence is its war cry. Not a sound, but a pressure wave of pure intent. Every line is a fracture in the dawn light. Every vent a gill, breathing violence. The carbon fiber is not a finish; it is exposed muscle and bone. The massive rear wing is a blade, sharpened for a fight that has not yet been ordained. It is not parked. It is interrupted. A single, brutal noun in the sentence of the road. And materializing from the morning haze, the legendary Black fighting bull known as Murciélago. The bull of 1879 who endured 24 swords and earned his immortality. His spirit is not charging; he is standing and preparing to charge. An immovable force meeting an unstoppable object—his own reincarnation. Two legends, separated by centuries, fused in a single moment of defiance. The new light does not gleam; it bleeds on their sharp edges. This is the moment after the roar and before the lunge. The silent, seismic war cry that shatters the air. This is the tribute. To the bull. To the machine. To the day the landscape was scarred by a legend, twice over. "Tribute Murciélago" — JDHampton