A sample prompt of what you can find in this page
Prompt by ElectricL

twisted hands prompts

hundreds of results

8 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

6 months ago

((gritty, hyperrealistic painting:1.5)), ((Hulk and Superman locked in a brutal power struggle:1.5)), both hands clasped, fingers interlocked in a violent test of strength, muscles straining, tendons stretched to the limit. Superman, bruised, grounded, is down on one knee, his body twisting with resistance, arms trembling as he holds back the massive force bearing down on him. His blue suit is torn, his face bloodied, hair matted with sweat and soot, but his gaze is clear and defiant—no glowing eyes, only human resolve. The Hulk towers over him, full height—3 meters tall, 500 kilograms of brute muscle, drenched in sweat, skin streaked with grime and ash. His monstrous body looms with dominance, feet planted wide, both arms pressing down, veins bulging, face twisted in a roar of exertion. His skin cracks around his fists from the sheer pressure, saliva flying from his mouth as he snarls through clenched teeth. The ground beneath Superman’s knee is shattered, pressed inward by the weight. Shockwaves ripple through the dust, small stones hover in midair. The scene is dense with smoke, ash, and heat distortion, the ambient firelight casting flickering shadows over their bodies. Style: painted like an epic oil tableau—Caravaggio-like lighting, Repin’s anatomical drama, Beksiński’s apocalyptic ambiance. Every detail captured: grit on skin, blood at the lip, wrinkles in fabric, cracked stone, drifting embers, clenched fingers locked in struggle. Lighting: heavy chiaroscuro—low directional light from fires around them, long shadows falling across Superman’s face, rim lighting highlighting Hulk’s upper body, emphasizing the scale difference without diminishing the tension. Camera angle: low and close, from Superman’s left side, showing his knee pressed into shattered ground, arms lifted to hold off Hulk’s crushing weight. Hulk fills the vertical space, Superman dominates the emotional weight—a visual of pressure and refusal to yield. Art direction for Flux: – Hulk is 3m tall, 500kg, physically overwhelming, rendered with full weight and scale – Superman is human-scale, on one knee, but braced and locked in—the underdog with unbreakable resolve – Style: dark painterly realism, anatomical accuracy, no stylization, no superpowers shown – Textures: bruised flesh, torn cloth, cracked stone, sweat, grit, tension in the hands and faces – Environment: scorched battlefield, ambient smoke, sparks, fractured terrain, faint firelight – Theme: mythic struggle, physical scale vs inner will—no victor yet, only raw contest

8 months ago

A **hyperrealistic, breathtakingly detailed** portrayal of **Eve in the Garden of Eden**, standing amidst an **ominous, surreal landscape**. In her **delicate yet trembling hand**, she holds a **luminous, gleaming red apple**, its surface **radiating an otherworldly glow**. Her **wide eyes reflect both curiosity and fear**, torn between **temptation and the weight of destiny**. A **massive serpent coils around her**, its **glistening scales catching the dim, eerie light** as it **whispers into her ear**, its **forked tongue flickering**, weaving a **seductive and sinister spell of persuasion**. The **serpent’s piercing, intelligent eyes** bore into hers, holding an **unspoken promise and an inevitable fate**. The **background unveils a haunting, corrupted version of Eden**—**twisted, gnarled trees**, their **once-flourishing branches now skeletal and lifeless**. A **thick, ominous mist** swirls through the scene, wrapping around **crumbling ruins barely visible in the distance**, hinting at a **world on the edge of divine collapse**. The composition is **cinematic, meticulously framed**, using **perfect HDR contrast and dynamic 8K resolution**, capturing the **intricate textures of Eve’s flowing hair, the serpentine ridges of the snake, and the wet sheen of the apple’s forbidden skin**. The **lighting is dramatic**, blending **soft divine radiance with creeping shadows**, evoking a sense of **dread and inevitability**. Rendered with **hyperrealistic precision**, this **masterpiece fuses classical mythological storytelling with professional-grade digital realism**, creating an **iconic moment of temptation and consequence**. The **perfect composition, professional cinematography, and immersive atmosphere** make this scene feel **both ancient and timeless, reverent yet unsettling**.

8 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

9 months ago

Summon a hauntingly cinematic vision of Baba Yaga, the ancient witch of the dark forests, feared and revered across the ages. The scene unfolds deep within a mist-covered, cursed woodland, where twisted, skeletal trees loom overhead, their branches forming eerie claw-like shapes. A flickering, spectral light moves through the fog, revealing a crumbling wooden hut standing on massive, grotesque bird-like legs, shifting and creaking as if alive. 🔹 The Witch Appears. From the shadows, Baba Yaga emerges, cloaked in tattered robes infused with black magic, woven with the threads of time itself. Her face is gaunt, yet powerful, her glowing, hollowed eyes pierce the darkness, ancient knowledge burning within them. Long, wiry white hair floats around her like strands of spectral mist, and her gnarled hands, adorned with enchanted rings, clutch a twisted staff, pulsing with eerie, greenish energy. 🔹 The Atmosphere Darkens. The ground cracks beneath her bare feet, roots twisting unnaturally in her wake. A cauldron bubbles nearby, filled with a swirling, glowing elixir that emits a ghostly green vapor. Whispers of trapped souls echo through the trees, their faint outlines flickering in and out of existence. Ravens caw from the treetops, their eyes glowing like embers in the abyss. 🔹 A Sinister Presence. Her long, bony fingers trace symbols in the air, weaving spells that send tendrils of black smoke spiraling through the trees, coiling around unseen forces lurking in the shadows. The very air trembles as she mutters an incantation in an ancient, forgotten tongue, her voice both terrifying and mesmerizing. 🔹 The Final Omen. Suddenly, the forest is silent, an unnatural stillness taking hold. Baba Yaga turns her head slowly, her piercing gaze locking onto the viewer, as if sensing their presence. The wind howls, the mist swirls, and the hut shifts once more—a sign that she is always watching, always waiting. The screen fades to black, leaving only the inscription, written in glowing, cryptic runes: 🔥 Beware the Witch of the Woods. Beware… Baba Yaga. 🔥

7 months ago

: (Ultra-detailed, Boris Vallejo, hyper-realistic, cinematic, sharp focus:1.5), He-Man, the iconic hero, stands triumphantly in the midst of a raging ice storm. He holds his sword high above his head, as if proclaiming, "I have the power," with lightning crackling around the blade. His muscular, powerful body is accentuated by Vallejo's dynamic style, showing off his strength and determination. He-Man's expression is fierce and focused, his eyes glowing with intense energy as he channels the mystical power of his sword. His bare, muscular torso glistens with frost, with snow clinging to his skin and fur loincloth, while his boots and gauntlets are adorned with ice crystals. His sword gleams with a cold, icy light, radiating power that pierces through the blizzard. The storm swirls violently around him, with snow and ice particles at varying depths, creating a rich sense of movement and depth. (Volumetric lighting) from the storm casts dynamic shadows across his well-defined, muscular form, while the cold, blue hues of the blizzard contrast with the glowing energy of the sword. In the background, jagged ice formations loom, and the storm’s chaos is enhanced by Vallejo’s signature vibrant colors and (hand-drawn, raw texture:1.5). He-Man’s pose is iconic, exuding power and determination, standing strong against the storm as the embodiment of heroic strength. Key Focus: (Perfect anatomy definition:1.5) for muscular, well-shaped body details. (Clear edges:1.5) to ensure his silhouette stands out sharply against the storm. (Realistic face:1.5) for a detailed and heroic facial expression. (Volumetric lighting:1.5) to enhance the storm and sword’s glow, adding depth and atmosphere. (Cinematic, hand-painted:1.5) look to maintain the classic Vallejo fantasy style with a modern, realistic twist.

8 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

9 months ago

A **highly detailed, action-packed scene** featuring the **Fantastic Four** in their **classic blue suits** with the iconic **white “4” emblem**, staying true to **Jack Kirby’s original comic book style**. The team is dynamically posed in a moment of **high-stakes action** against a **colossal cosmic threat**. - **Mr. Fantastic (Reed Richards)** is at the forefront, his **body stretching and twisting in impossible ways**, extending across the battlefield with an **elongated arm grabbing a collapsing piece of debris**. His **face shows intense focus**, and his **gray temples stand out against his dark hair** as he strategizes under immense pressure. - **The Thing (Ben Grimm)** is mid-action, his **massive orange, rock-like form braced against a powerful shockwave**, throwing a **devastating punch** at an enemy with his signature battle cry: **"IT’S CLOBBERIN’ TIME!"** His **rocky hide is intricately detailed**, with **realistic cracks and depth**, giving him a **monolithic, powerful presence**. - **Human Torch (Johnny Storm)** is soaring through the sky, his **entire body engulfed in flames**, leaving behind a **bright, fiery trail**. His **eyes glow intensely with fire**, and he hurls a **controlled stream of fire** at an **approaching enemy spaceship**, his famous catchphrase **"Flame On!"** integrated into the energy burst. - **Invisible Woman (Sue Storm)** stands confidently, her **hands raised as she generates a massive, shimmering force field** to shield her teammates. The **transparent energy distorts light realistically**, with **subtle glowing edges**, while another force field encases **a group of civilians she is protecting** from falling debris. The backdrop is a **dramatic cosmic battleground**, possibly **New York City under siege**, or **outer space**, with a **menacing Galactus, Doctor Doom, or Annihilus looming in the background**. The colors are **bold and vibrant**, using **classic Marvel comic book shading and inking techniques** to capture the **nostalgic, dynamic energy of a 1960s-70s Fantastic Four comic book cover**. The **camera angle is dynamic and slightly tilted**, emphasizing **perspective, scale, and movement** as **debris flies, energy beams streak across the air, and the Fantastic Four’s abilities explode into action**. The **lighting is high-contrast and dramatic**, blending **classic comic panel aesthetics with a modern, cinematic feel**, incorporating **motion blur and deep shadows** for enhanced realism while **retaining the comic book charm**. A **masterpiece of superhero action**, blending **hyper-detailed comic book stylization, cinematic intensity, and larger-than-life cosmic storytelling**. **Ultra-detailed 8K resolution, trending on ArtStation, with Unreal Engine 5-level fidelity. Vertical aspect ratio.**