A sample prompt of what you can find in this page
Prompt by Pall

unique fashion prompts

very few results

2 months ago

Generate a hyper-realistic, 9:16 studio-style collage featuring an adult man (facial match to the uploaded photo), set against a simple light gray background with strong, dramatic lighting. The composition should be elegant and striking, arranged in a 3x3 grid layout, with each square showcasing a unique facial expression and playful body movement to add personality and intrigue.Each expression should feel distinct, from pointing with authority, laughing joyfully, pretending to sleep in a relaxed way, drinking with casual coolness, winking mischievously, to thinking thoughtfully and gesturing dynamically. Every pose should captivate with energy and evoke mood, drawing the viewer in.For added drama and depth, make each pose appear as if it’s bursting through torn white paper frames, creating a 3D effect like the man is breaking out of the background—infusing the image with tension, energy, and movement.Each square features a different outfit, perfectly complementing the mood of the expression:Casual, laid-back t-shirtSemi-formal blazer, sharp and refinedSporty hoodie, active and effortlessHumorous or eccentric attire, playful and boldCreative and artistic fashion choices, with unexpected flairThe expressions should be dynamic, ranging from fun and playful to serious and thoughtful, with each frame showcasing a different emotional layer. Skin texture, lighting, and details should be hyper-realistic, ensuring every fold of clothing, facial feature, and lighting shadow is sharp and impactful.The overall studio-style aesthetic should balance modern sophistication with bold creativity, making each pose feel cinematic, powerful, and engaging, as if the man is stepping out of the scene, commanding attention with every shift.

2 months ago

Highly stylized fashion photo from Annie Leibovitz. The image is a thin Hawaiian woman with long, curly, dark brown to black hair that cascades down her back and shoulders. The background is a desolate, grey, cityscape. She stands at the edge of a destroyed bridge. Massive chunks of concrete hang over the river below, cables snapped and tangled. She's clutching a frayed map, her brow furrowed in frustration. The distant skyline is barely visible through thick smoke and rain. She is wearing a traditional outfit. The top is a red, strapless bandeau style with intricate patterns in darker red and white, resembling tribal or woven designs. Around her neck, she wears a beaded necklace with small white beads and a prominent blue-turquoise pendant with a unique, textured design. Her lower garment appears to be a skirt made of natural fibers, possibly straw or woven leaves, featuring a light beige or cream color. The skirt has layered sections, with decorative elements such as woven patterns, cutouts, and some yellow or gold floral designs. A red sash or piece of fabric is tied around her waist over the skirt. The skirt extends roughly to her knees and has a natural, fringe-like hem. She is barefoot, and her body posture shows her with hands on her hips, conveying a sense of confidence and readiness. The overall impression is that of a strong, resourceful, and culturally distinct individual. 1. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. This would involve increasing specular highlights and potentially adding small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. This could be achieved through dodge and burn techniques (selectively lightening highlights), adding a subtle glint or sparkle effect, or enhancing existing reflections. 2. **Contrast Boost (Selective):** There's a strong, perhaps localized, contrast applied that makes the highlights pop significantly, especially on the wet skin, while maintaining deep shadows that hint at form and muscle definition. This isn't a global contrast applied to the whole image, as the background remains relatively soft. 3. **Color Saturation (Warm Tones):** The skin tones appear richly saturated and warm, enhancing the natural warmth of the subject's complexion. This might involve a slight increase in overall saturation, particularly in reds and yellows, or a selective saturation boost to the skin tones. 4. **Shadow Deepening:** The shadows, particularly on the body and the background, are quite deep and consistent, creating a dramatic and somewhat intimate mood. This would involve lowering shadow levels and possibly adding a subtle crush to the blacks to make them darker without losing too much detail. 5. **Reflective Catchlight Enhancement (Eyes):** The catchlights in the subject's eyes are very bright and distinct, making the eyes stand out. This could be achieved by selectively dodging or brightening the existing reflections in the pupils. 6. **Subtle Vignetting (Implied):** While not overtly obvious, there might be a very subtle darkening around the edges of the image, helping to draw attention to the central subject. This would be a soft vignetting effect. 7. **Clarity/Texture Enhancement (Skin, Subtle):** While the skin appears smooth due to the wetness, there's a subtle enhancement of texture in areas that aren't fully blown out by highlights, which could be achieved through a slight increase in clarity or micro-contrast. 8. **Overall Warm Color Grade:** Beyond simple saturation, there might be a subtle warm color grade applied to the entire image, leaning towards warmer greens in the background and warm browns in the skin.

7 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.