A sample prompt of what you can find in this page
Prompt by ElectricL

visible grain prompts

hundreds of results

9 months ago

cinematic photograph, medium-format film aesthetic (1.6), high-end film photography (1.8), low-key photography (2.0), raw and unfiltered (1.9), visible grain (1.7), natural imperfections, detailed skin texture, subtle blemishes, realistic skin pores with a natural matte finish (2.0), dramatic highlights and shadows (2.0), fine art photography (1.8), inspired by Helmut Newton (1.9), petite French woman, 151 cm tall (1.9), slender hourglass figure (1.8), long dark messy hair flowing naturally to the small of her back (1.8), seated gracefully on a full-scale dark brown leather Chesterfield sofa, its iconic tufted leather design accentuated by the warm, golden light of a directional antique floor lamp (1.9), minimalist wall behind the sofa with neutral desaturated tones, avoiding yellow hues (1.7), large abstract art mounted above the sofa, subtle and proportional (1.7), illuminated by a single directional light source, the antique floor lamp positioned to the right of the subject (2.0), soft warm golden light casting volumetric beams through the textured air (1.9), dramatic sculptural shadows falling across her figure, the leather sofa, and the rustic hardwood floor (2.0), moody and intimate ambiance with shadowy corners fading into darkness (2.0), black sheer stockings, semi-transparent, clinging lightly to her thighs and calves, accentuating her figure (1.8), natural pubic hair explicitly visible, full and thick, 1980s-style, fully covering her genital area (2.0), pubic hair blending naturally with the lighting, realistic texture and density (2.0), confident yet relaxed seated posture with back straight and hands lightly resting on the sofa’s edge (1.8), cinematic sculptural light interplay between her skin, the sofa leather, and the hardwood floor textures (2.0), timeless fine art aesthetic (2.0), cinematic elegance with warm directional lighting (2.0), moody and intimate atmosphere (2.0).

9 months ago

cinematic photograph, medium-format film aesthetic (1.6), high-end film photography (1.8), low-key photography (2.0), raw and unfiltered (1.9), visible grain (1.7), natural imperfections, detailed skin texture, subtle blemishes, realistic skin pores with a natural matte finish (2.0), dramatic highlights and shadows (2.0), fine art photography (1.8), inspired by Helmut Newton (1.9), petite French woman, 151 cm tall (1.9), slender hourglass figure (1.8), long dark messy hair flowing naturally to the small of her back (1.8), seated gracefully on a full-scale dark brown leather Chesterfield sofa, its iconic tufted leather design accentuated by the warm, golden light of a directional antique floor lamp (1.9), minimalist wall behind the sofa with neutral desaturated tones, avoiding yellow hues (1.7), large abstract art mounted above the sofa, subtle and proportional (1.7), illuminated by a single directional light source, the antique floor lamp positioned to the right of the subject (2.0), soft warm golden light casting volumetric beams through the textured air (1.9), dramatic sculptural shadows falling across her figure, the leather sofa, and the rustic hardwood floor (2.0), moody and intimate ambiance with shadowy corners fading into darkness (2.0), black sheer stockings, semi-transparent, clinging lightly to her thighs and calves, accentuating her figure (1.8), natural pubic hair explicitly visible, full and thick, 1980s-style, fully covering her genital area (2.0), pubic hair blending naturally with the lighting, realistic texture and density (2.0), confident yet relaxed seated posture with back straight and hands lightly resting on the sofa’s edge (1.8), cinematic sculptural light interplay between her skin, the sofa leather, and the hardwood floor textures (2.0), timeless fine art aesthetic (2.0), cinematic elegance with warm directional lighting (2.0), moody and intimate atmosphere (2.0).

5 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

5 months ago

(Fine art photography:1.5, Cinematic portrait:1.4, Intimate close-up:1.4, High-resolution 8K:1.5, Soft natural lighting:1.3, Warm skin tones:1.3, Sharp details:1.5, Shallow depth of field:1.3, Freckles enhancement:1.3, Dreamlike atmosphere:1.2) A strikingly freckled woman with flowing auburn hair, lying on soft white sheets in a dimly lit bedroom. Her piercing green eyes lock onto the viewer with an intensity that is both vulnerable and powerful. The soft glow of window light gently kisses her skin, accentuating the delicate contours of her face, the texture of her freckles, and the curve of her lips. Her arms are wrapped around her legs, drawing them close to her chest in a protective yet sensual pose. The warmth of her body contrasts with the cool tones of the background, creating a beautiful juxtaposition between warmth and isolation. Loose strands of coppery hair cascade onto the sheets, forming intricate, natural patterns that add depth and movement to the composition. The bokeh-rich background fades into soft shadows, enhancing the sense of intimacy and personal connection. Her skin glows naturally, tiny beads of moisture visible on her collarbones, giving the impression of a warm summer evening or a moment caught between sleep and waking. Her expression is soft yet piercing, inviting the viewer into a moment of quiet introspection. The setting is minimalist yet atmospheric, with subtle grain and soft highlights reminiscent of classic film photography. There is an unmistakable sense of presence and emotion, where every detail—from the way her fingers graze her skin to the diffused lighting spilling in through an unseen window—feels deliberate, artistic, and timeless.

5 months ago

"The Colossus Beneath the Desert" – (Primary Subject: Titanic Buried Giant Stirring Beneath Sand Dunes, 1.7 weight) — deep in an endless, wind-scoured desert, a vast ancient colossus lies half-submerged beneath dunes of golden sand, its face cracked and weathered, sculpted from stone and bone. One glowing eye now flickers to life for the first time in ten thousand years, casting a pillar of blue light through the dust-choked sky. It is waking. The scale is impossible—ridges of sand ripple for miles outward with each breath it takes. What appears to be mountains on the horizon are the curved tips of its buried fingers, slowly flexing. Its ribs form deep canyons, home to temples built by forgotten civilizations who once worshipped it as god, jailer, and weapon. Above it, a caravan of nomads has stopped. Their camels rear back in fear. The elders whisper old songs once thought metaphor. A solitary figure in ceremonial robes walks toward the eye, chanting in forgotten tongues, holding a staff that glows faintly in resonance. This is not a confrontation. It is a negotiation. The sky roils with duststorms, lit orange and violet by the setting sun. Shadows stretch long across the sand, wrapping the moment in mythic stillness. Massive stone anklets and rune-bound chains anchor the colossus deep below—their glyphs eroded, weakened. A sandstorm gathers behind it, as if the world resists its rising. Its skin is made of layered strata and fossilized memory, carved with glowing runes that flicker like fault lines. When it exhales, the wind shifts continents. Its breath is heavy with salt, iron, and ancient sound. The desert listens. Rendered in epic cinematic realism, with sweeping scale, warm atmospheric tones, and deep contrast between golden sand, cold stone, and glowing eyes. Shot through a dusty anamorphic lens, grain visible in the low sun, with volumetric light shafts and wide mythic framing. Think Dune x Dark Souls x ancient Mesopotamian apocalypse (monumental visual drama, 1.4 weight).

4 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

3 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

3 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

3 months ago

cinematic photograph, medium-format film aesthetic (1.6), high-end film photography (1.8), low-key photography (2.0), raw and unfiltered (1.9), visible grain (1.7), natural imperfections, detailed skin texture, subtle blemishes, realistic skin pores with a natural matte finish (2.0), dramatic highlights and shadows (2.0), fine art photography (1.8), inspired by Helmut Newton (1.9), petite French woman, 151 cm tall (1.9), slender hourglass figure (1.8), long dark messy hair flowing naturally to the small of her back (1.8), seated gracefully on a full-scale dark brown leather Chesterfield sofa, its iconic tufted leather design accentuated by the warm, golden light of a directional antique floor lamp (1.9), minimalist wall behind the sofa with neutral desaturated tones, avoiding yellow hues (1.7), large abstract art mounted above the sofa, subtle and proportional (1.7), illuminated by a single directional light source, the antique floor lamp positioned to the right of the subject (2.0), soft warm golden light casting volumetric beams through the textured air (1.9), dramatic sculptural shadows falling across her figure, the leather sofa, and the rustic hardwood floor (2.0), moody and intimate ambiance with shadowy corners fading into darkness (2.0), black sheer stockings, semi-transparent, clinging lightly to her thighs and calves, accentuating her figure (1.8), natural pubic hair explicitly visible, full and thick, 1980s-style, fully covering her genital area (2.0), pubic hair blending naturally with the lighting, realistic texture and density (2.0), confident yet relaxed seated posture with back straight and hands lightly resting on the sofa’s edge (1.8), cinematic sculptural light interplay between her skin, the sofa leather, and the hardwood floor textures (2.0), timeless fine art aesthetic (2.0), cinematic elegance with warm directional lighting (2.0), moody and intimate atmosphere (2.0).