A sample prompt of what you can find in this page
Prompt by DerFlai

visible noise prompts

very few results

18 days ago

Late 1990s digicam snapshot of a woman at Mamitas beach (Playa del Carmen). Her eyes are bright, cool blue with a hint of grey, slightly almond-shaped with naturally curled lashes and softly defined brows. Her nose is delicate and narrow with a softly rounded tip, clearly adorned with a small silver nose ring piercing on her left nostril, catching the light with a subtle metallic reflection. Her lips are full with natural fine lines, warm rose-brown in color, subtly highlighted by the flash. Her skin has a warm, sun-kissed bronze tone with visible freckles, natural pores, faint veins, and a subtle sheen that reflects the flash realistically. Her hair is deep brunette, long and wavy with curtain bangs, a few realistic flyaways framing her face, humidity-reactive strands catching light. waves coming in. night time. looks like it was shot on 16mm film, very grainy. handheld camera movement. Bright saturated colors. (sin texto en la imagen) Sahara kneels fully on the wet sand, her upper body leans forward. She gave a warm smile to the camera, knowing exactly what she's doing. Wardrobe & pose: She wears modern red beachwear —Her shrunken cut tee was designed as a modern and rebellious jab at societal standards, leaving little to the imagination, though she had to borrow it from a much shorter friend. — giving a relaxed, domestic vibe. The loose shirt rides slightly with the posture, adding natural folds and tension. A hint of red fabric peeking beneath the shirt. Lighting & aesthetic: Harsh on-camera digicam flash creates flat highlights and sharp shadows, while the cluttered environment adds visual noise. Coarse film grain, dust specks, slight color cast, and imperfect framing all enhance the authentic 90s lo-fi snapshot vibe. Technical tags: 2:3, full-body mirror selfie, digicam pop-flash, lo-fi realism, candid everyday snapshot, cluttered motel bathroom background.

7 months ago

A stunning futuristic depiction of a 28 years old female astronaut with a firm, athletically trained body and pale skin aboard an advanced spacecraft, wearing a short, sleek, form fitting and partially revealing white spacesuit. The suit is designed with a futuristic aesthetic, blending cutting edge technology and elegance. The material is a smooth, light blue latex with shiny silver accents fabric with a subtle sheen, accentuating her athletic physique. The outfit features deep cutouts at the chest, hip and leg areas, exposing skin in a way that highlights her form while maintaining a futuristic and functional look. The high collar and structured panels give it a space age appearance, while the open design emphasizes freedom of movement and aesthetic appeal. She has long (messy:1.1, curly:0.9) hair that falls over her shoulders. She poses for the camera and looks towards the camera with her head tilted slightly to the side. The background is the interior of a hightech spacecraft, with glowing control panels, illuminated switches, intricate machinery, thin pipes and a large observation window offering a breathtaking view of a distant planet against the starry expanse of space. The ground is covered with light mist. The lighting is dynamic, with soft highlights reflecting off her suit and metallic surfaces, adding depth and realism to the scene. The overall atmosphere is a blend of elegance, advanced technology and the thrill of space exploration, evoking themes of humanity's push into the cosmos and the resilience of the human spirit., (Fine art photography:1.5, cinematic, realistic skin texture:1.5, detailed skin texture, remarkable detailed pupils, realistic dull skin noise, visible skin detail, skin fuzz, dry skin, subsurface scattering, blush:0.5, goosebumps:0.5, volumetric light:1.3, warm backlight:1.3, dynamic shadows:1.2)

7 months ago

A stunning futuristic depiction of a 28 years old female astronaut with a firm, athletically trained body and pale skin aboard an advanced spacecraft, wearing a short, sleek, form fitting and partially revealing white spacesuit. The suit is designed with a futuristic aesthetic, blending cutting edge technology and elegance. The material is a smooth, light blue latex with shiny silver accents fabric with a subtle sheen, accentuating her athletic physique. The outfit features deep cutouts at the chest, hip and leg areas, exposing skin in a way that highlights her form while maintaining a futuristic and functional look. The high collar and structured panels give it a space age appearance, while the open design emphasizes freedom of movement and aesthetic appeal. She has long (messy:1.1, curly:0.9) hair that falls over her shoulders. She poses for the camera and looks towards the camera with her head tilted slightly to the side. The background is the interior of a hightech spacecraft, with glowing control panels, illuminated switches, intricate machinery, thin pipes and a large observation window offering a breathtaking view of a distant planet against the starry expanse of space. The ground is covered with light mist. The lighting is dynamic, with soft highlights reflecting off her suit and metallic surfaces, adding depth and realism to the scene. The overall atmosphere is a blend of elegance, advanced technology and the thrill of space exploration, evoking themes of humanity's push into the cosmos and the resilience of the human spirit., (Fine art photography:1.5, cinematic, realistic skin texture:1.5, detailed skin texture, remarkable detailed pupils, realistic dull skin noise, visible skin detail, skin fuzz, dry skin, subsurface scattering, blush:0.5, goosebumps:0.5, volumetric light:1.3, warm backlight:1.3, dynamic shadows:1.2)

5 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

This surreal and visually disorienting portrait is tightly framed in a vertical format, showing a distorted cluster of human faces and partial torsos seemingly fused together and sprawled across a textured cobblestone surface in an outdoor setting. Captured from a slight top-down angle at close range using an old iPhone, the image exhibits moderate sharpness with subtle digital noise and slightly blown-out highlights, adding to its raw, uncanny charm. The figures appear to be in a crawling position with various expressions—smiling, neutral, or twisted—facing outward and upward, creating a chaotic yet oddly unified composition. Clothing is minimal and largely obscured, though hints of neutral-toned fabric and skin are visible, blending with the warped forms. Natural sunlight casts strong, directional shadows across the frame, indicating late morning or early afternoon, while the warm skin tones and desaturated grays of the stone ground define the subdued color palette. Despite the phone camera's limited depth control, the entire scene is rendered in a uniformly flat focus that accentuates the eerie, unnatural smoothness of the digitally warped faces. The mood leans toward unsettling surrealism, amplified by the plasticky texture and improbable anatomical merging, creating a post-human visual that feels experimental and discomforting. This image exudes a candid, DIY digital art energy suited for avant-garde social media content, glitch art collections, or conceptual commentary pieces, with the clearest and most conventionally pleasant face anchoring the focal point amid the surrounding visual chaos.

3 months ago

texture Fashion editorial style expressionist cinematic photo A cyber-fashion inspired Asian woman lying on a beach towel, wearing reflective chrome goggles and retro white headphones, sunlit skin glowing with a soft, natural tan. She has long black hair with straight bangs, full lips, and detailed tattoos on both arms. She wears a vibrant bikini top with futuristic cuts. The beach scene has a clear blue sky, umbrellas, and colorful towels, captured in cinematic detail. High-resolution, hyperrealistic textures, sharp contrast, vivid color grading, summer techwear aesthetic, styled like a fashion editorial shoot, natural light, modern body art, DSLR-level detail, realistic skin with tattoo, photo, selfie, 0.5, 0.5x, 0.5x selfie, zoomed out selfie, beach sand, futuristic music player connected to headphones Ideal beach sand should appear soft and finely granulated, with a smooth but subtly uneven surface that catches natural light well. In close-up shots, the grains should be individually discernible, ranging in color from warm beige to golden tones, adding warmth and realism to the scene. Slight impressions—such as footprints, towel marks, or wind-swept patterns—can enhance visual interest without overpowering the subject. The texture should avoid harsh clumps or wet, muddy patches unless the goal is to portray post-tide or storm effects. Proper lighting, particularly during golden hour, brings out the sand's natural grain and depth, creating a rich, tactile foreground that complements the broader beach atmosphere., RAW candid cinema, 16mm, color graded portra 400 film, remarkable color, ultra realistic, textured skin, remarkable detailed pupils, realistic dull skin noise, visible skin detail, skin fuzz, dry skin, shot with cinematic camera . 35mm photograph, film, bokeh, professional, 4k, highly detailed . raw, emotional, dynamic, distortion for emotional effect, vibrant, use of unusual colors, detailed . High fashion, trendy, stylish, editorial, magazine style, professional, highly detailed top down close-up

4 months ago

Create a photorealistic 3D render of a floating black "A" letter geometric sculpture. The sculpture is made from a heavy, matte, porous material, resembling rough volcanic rock or textured cast iron, with clearly visible natural irregularities, pits, and a sandpaper-like surface quality. The material has no gloss—fully matte—but catches soft light at high angles, enhancing bumpiness. The object is an asymmetrical, visually confusing interlocked structure composed of thick angular slabs and sharp planes intersecting in impossible Escher-like ways. Key geometric features include: There’s a subtle engraving of the number “1” on the upper right side, flush with the surface, not colored or contrasted—just a soft indent visible under light. The background is a clean, flat light cream-beige gradient, completely smooth, noise-free. The sculpture is floating in mid-air, without a stand or platform. A soft, diffuse shadow below it on the ground plane reinforces the illusion of levitation. The lighting setup is studio-style, soft and non-directional, coming from above and slightly front-left. It’s evenly illuminating the form, revealing surface imperfections without harsh shadows. Lighting should feel realistic and neutral—no dramatic rim lights, no bloom or glare. The camera angle is slightly above and rotated about 20–30 degrees to the left, creating a dynamic diagonal composition. Depth of field should be very shallow or none at all—entire object in sharp focus. Avoid clean CAD-like shading or polygonal smoothness—preserve roughness, uneven light dispersion, and edge imperfections. The final aesthetic should feel like a real-world, modernist stone sculpture photographed in a minimal studio.