A sample prompt of what you can find in this page
Prompt by ElectricL

volumetric dust prompts

hundreds of results

9 months ago

Wide-angle cinematic photograph, shot with a 24mm lens and infinite depth of field (2.0), ensuring sharp focus on every element (2.0). A beautiful young woman sits casually by the back wheel of a Ferrari F40 (1.8), leaning against the car with one knee bent (1.7). She wears high-waisted jeans and a fitted white tank top (1.8). Her face is vividly detailed with natural skin texture, subtle highlights, and lifelike imperfections (2.0). Her wavy hair flows slightly in the summer night breeze, catching faint highlights from the car’s lights and starlight (1.9). The Ferrari F40 is viewed from a three-quarter angle (2.0), showcasing its low-slung wedge shape, iconic pop-up headlights, aggressive air intakes, and slatted rear vents (2.0). The glossy deep Ferrari red paint reflects subtle glimmers from the night sky (2.0), with faint smudges and scratches adding realism to its polished surface (2.0). The headlights emit sharp, volumetric beams that cut through a thin, misty ground haze (2.0), while the warm red taillights cast soft glows, reflecting faintly off the slightly dewy asphalt (2.0). Tiny details, like condensation forming around the taillights (1.8) and star reflections in the car's paint (1.8), enhance the realism. The night sky is dark and dramatic, rendered in deep indigo and black, avoiding oversaturated tones (2.0). It is filled with countless vivid stars, each sharp and distinct, with the glowing Milky Way stretching prominently across the horizon (2.0). Subtle celestial gradients and faint nebulae add depth and atmosphere (1.9). The ground haze interacts dynamically with the car’s beams (1.8), creating cinematic depth without obscuring the details. The composition is rich with blink-and-you-miss-it details (1.9): fine strands of the woman’s hair catching the light, faint dust particles floating in the haze illuminated by the beams (1.8), and tiny scratches on the Ferrari’s polished surface (2.0). The balance of cool ambient tones from the sky and warm, dramatic lighting from the car creates a high-contrast aesthetic (2.0). Everything—from the woman’s face to the car and the vivid starry sky—is rendered with razor-sharp clarity (2.0), achieving a professional, high-end photographic quality.

5 months ago

"The Colossus Beneath the Desert" – (Primary Subject: Titanic Buried Giant Stirring Beneath Sand Dunes, 1.7 weight) — deep in an endless, wind-scoured desert, a vast ancient colossus lies half-submerged beneath dunes of golden sand, its face cracked and weathered, sculpted from stone and bone. One glowing eye now flickers to life for the first time in ten thousand years, casting a pillar of blue light through the dust-choked sky. It is waking. The scale is impossible—ridges of sand ripple for miles outward with each breath it takes. What appears to be mountains on the horizon are the curved tips of its buried fingers, slowly flexing. Its ribs form deep canyons, home to temples built by forgotten civilizations who once worshipped it as god, jailer, and weapon. Above it, a caravan of nomads has stopped. Their camels rear back in fear. The elders whisper old songs once thought metaphor. A solitary figure in ceremonial robes walks toward the eye, chanting in forgotten tongues, holding a staff that glows faintly in resonance. This is not a confrontation. It is a negotiation. The sky roils with duststorms, lit orange and violet by the setting sun. Shadows stretch long across the sand, wrapping the moment in mythic stillness. Massive stone anklets and rune-bound chains anchor the colossus deep below—their glyphs eroded, weakened. A sandstorm gathers behind it, as if the world resists its rising. Its skin is made of layered strata and fossilized memory, carved with glowing runes that flicker like fault lines. When it exhales, the wind shifts continents. Its breath is heavy with salt, iron, and ancient sound. The desert listens. Rendered in epic cinematic realism, with sweeping scale, warm atmospheric tones, and deep contrast between golden sand, cold stone, and glowing eyes. Shot through a dusty anamorphic lens, grain visible in the low sun, with volumetric light shafts and wide mythic framing. Think Dune x Dark Souls x ancient Mesopotamian apocalypse (monumental visual drama, 1.4 weight).

9 months ago

A head-on, close-up of a starfighter pilot mid-battle, dynamically framed to emphasize motion and intensity. The matte-black helmet dominates the frame, its large, reflective visor catching the chaotic glow of a massive enemy ship explosion (1.5) taking up a significant portion of the visor's surface—fiery orange and red debris scattering outward violently. Plasma fire streaks past (1.2), creating sharp motion blur along the visor’s edges, conveying high-speed movement through the battlefield. Inside the helmet, the HUD (0.8) is seamlessly projected onto the visor, tracking the pilot’s gaze as targeting reticles and pulsing red warning icons hover perfectly aligned where he’s looking—toward the exploding enemy ship. Subtle reflections of side cockpit instruments (1.2) in neon blues, greens, and reds flicker along the outer edges of the visor, their glow faint but visible in contrast to the fiery central reflection. Through the faint translucence of the visor, the pilot’s face (1.3) is visible in intense detail: his teeth gritted (1.5) with strain, his jaw tight, and his eyes narrowed with razor-sharp focus. Sweat glistens on his forehead, illuminated by the HUD’s pulsing glow. His neck muscles are tense, and veins stand out faintly, emphasizing the physical effort of a violent, high-G maneuver (1.3). The seat harness (0.9) is taut against his chest and shoulders, pulled tight as the fighter jolts in motion. *The cockpit atmosphere is alive with tension and movement. Narrow volumetric beams of light (1.1) spill through cracks in the canopy, catching dust motes and faint wisps of smoke suspended mid-air, adding cinematic texture. The reflections and light interplay dynamically across the visor and helmet, creating sharp contrasts between the deep cockpit shadows and the vivid glow of the HUD and explosion. The colors are cinematic and intense: fiery oranges and reds (1.5) dominate the explosion reflection, spilling sharp highlights across the helmet’s edges. Neon greens and reds (1.2) from the HUD provide a cool, contrasting glow, while deep blacks and grays anchor the cockpit environment. Subtle motion blur (1.3) around plasma streaks and light trails reinforces the pilot’s maneuvering speed and the chaos of the ongoing battle

9 months ago

A head-on, close-up of a starfighter pilot mid-battle, dynamically framed to emphasize motion and intensity. The matte-black helmet dominates the frame, its large, reflective visor catching the chaotic glow of a massive enemy ship explosion (1.5) taking up a significant portion of the visor's surface—fiery orange and red debris scattering outward violently. Plasma fire streaks past (1.2), creating sharp motion blur along the visor’s edges, conveying high-speed movement through the battlefield. Inside the helmet, the HUD (0.8) is seamlessly projected onto the visor, tracking the pilot’s gaze as targeting reticles and pulsing red warning icons hover perfectly aligned where he’s looking—toward the exploding enemy ship. Subtle reflections of side cockpit instruments (1.2) in neon blues, greens, and reds flicker along the outer edges of the visor, their glow faint but visible in contrast to the fiery central reflection. Through the faint translucence of the visor, the pilot’s face (1.3) is visible in intense detail: his teeth gritted (1.5) with strain, his jaw tight, and his eyes narrowed with razor-sharp focus. Sweat glistens on his forehead, illuminated by the HUD’s pulsing glow. His neck muscles are tense, and veins stand out faintly, emphasizing the physical effort of a violent, high-G maneuver (1.3). The seat harness (0.9) is taut against his chest and shoulders, pulled tight as the fighter jolts in motion. *The cockpit atmosphere is alive with tension and movement. Narrow volumetric beams of light (1.1) spill through cracks in the canopy, catching dust motes and faint wisps of smoke suspended mid-air, adding cinematic texture. The reflections and light interplay dynamically across the visor and helmet, creating sharp contrasts between the deep cockpit shadows and the vivid glow of the HUD and explosion. The colors are cinematic and intense: fiery oranges and reds (1.5) dominate the explosion reflection, spilling sharp highlights across the helmet’s edges. Neon greens and reds (1.2) from the HUD provide a cool, contrasting glow, while deep blacks and grays anchor the cockpit environment. Subtle motion blur (1.3) around plasma streaks and light trails reinforces the pilot’s maneuvering speed and the chaos of the ongoing battle

5 months ago

(Primary Subject: Woman, 3D-Printed in Realistic Modern Printer, 1.7 weight) — inside a dim, cluttered bedroom illuminated by the soft, flickering glow of LED strip lights and the rhythmic hum of a modern consumer-grade 3D printer, a surreal scene unfolds. A half-assembled woman is being slowly 3D-printed, layer by layer, inside the printer’s transparent enclosure—her form emerging from glowing PLA-like filament in smooth, hyper-detailed strokes (hyper-realistic printing detail, smooth skin texture, 1.6 weight). Her upper body—torso, arms, and part of her face—is almost complete, formed from semi-translucent material that glows faintly in the ambient light. Thin wisps of support scaffolding cling to her like cyber-organic scaffolds. Her lower half remains unformed, an unfinished spiral of molten filament still being printed as the nozzle moves with quiet precision (realistic filament printing, printer detail, suspended form, 1.5 weight). Seated nearby, a man in casual clothes sits cross-legged on the floor, bathed in warm, ambient screen light. He holds a crumpled instruction manual in one hand—clearly pulled from the open cardboard box lying beside him on the floor, its packaging marked with surreal branding: “SYNTH-CRAFT V2 | HOMEBODY EDITION” (instructional design realism, subtle surreal packaging, 1.4 weight). Loose tools, empty filament spools, soda cans, and old PC parts are scattered around the room, grounding the scene in everyday reality. Behind him, the room glows with scattered LED lighting in hues of electric blue, soft magenta, and warm amber, reflecting off his glasses and casting moody highlights onto the surrounding walls. Dust particles drift in the air, caught in the glow of the printer’s chamber, creating an eerie yet beautiful halo around the forming woman (cinematic atmosphere, volumetric light, dusty haze, 1.4 weight). Rendered with cinematic realism: soft film grain, subtle lens blur, realistic plastic sheen, and dramatic shallow depth-of-field—captured as if shot with a Leica Summilux lens. The entire image is grounded in the plausible, but steeped in a surreal undertone that suggests something far stranger is unfolding (photographic detail, cinematic framing, narrative tension, 1.3 weight). This is not just a print job—it’s manufactured intimacy, wrapped in plastic and instruction sheets.

6 months ago

(Spaghetti Western meets Hindu Mythology, Cinematic, Gritty, Mythic Americana, Clint Eastwood's Unforgiven-style storytelling, Hyperreal, Dust and Gunpowder, Sunset Over the Frontier) (Gritty Cinematic Western:1.8, Hindu Mythology Meets Old West:2.0, Dust & Heat Haze:1.6, Sunburnt Leather & Weathered Cloth:1.5, Volumetric Light Through Dust:1.4, Classic Spaghetti Western Composition:1.8) The frontier is vast, endless. The sun hangs low and swollen, a burning red eye sinking behind the jagged silhouette of the mountains, bleeding golden light across the dust-choked sky. A lone rider moves through the haze, his dark stallion kicking up a slow trail of dust, the sound of hooves muffled by the dry, cracked earth. Vishnu, the Divine Gunslinger, moves like a ghost through this godforsaken land, his presence a whisper on the wind, a warning before the storm. He is adorned in a weathered duster, its deep blue fabric threadbare yet regal, embroidered in golden Sanskrit that shifts and shimmers under the dying light. Beneath it, his celestial skin glows faintly, a blue so deep it seems carved from the twilight sky itself. His golden eyes burn like twin desert suns, reflecting the fire of the West, the violence of the frontier, the weight of justice balanced on the edge of a blade. From beneath his coat, his four arms rest with an unnatural stillness, each poised for retribution. One hand grips the Sudarshana Revolver, an ancient pistol forged from the molten core of a dying star, its barrel etched with the shifting symbols of the cosmos. Another holds a coiled lasso woven from the threads of fate, glowing with the light of constellations long dead. The third hand remains open, palm outward—a warning, or perhaps a blessing. The fourth clutches the eternal lotus, a reminder that even in this land of dust and death, something divine lingers. Behind him, the town of Black Hollow waits, a rotting wooden carcass of a town, its saloon doors swaying in the wind, the church bell rusted and long silent. Shadows move behind glassless windows, fear tightening in the chests of men who know their reckoning has come. The outlaws of this place have no gods, no law but steel and blood, and yet even they whisper his name. The wind shifts, carrying the scent of gunpowder and sagebrush, and in the distance, a gang of riders appear on the ridge, silhouetted against the sun. Their leader spits, grips his rifle, and laughs. "Ain't no man gets to play god out here," he sneers. The six-shooter spins once, slow, deliberate. A single breath. A moment stretched between eternity and the dust. Vishnu narrows his golden gaze beneath the wide brim of his hat. He speaks only once. "God don’t play, friend." Then the world moves like lightning, like judgment, like fate itself unfurling.

8 months ago

A close-up, cinematic painting of Gandalf the Grey, captured from the chest up with a focused, intimate crop. He looks directly into the viewer’s eyes, a gentle hint of a smile in his gaze, exuding wisdom and warmth. His hand is raised and open, fingers slightly curled as he conjures an ethereal, fiery dragon made entirely of fireworks and smoke that hovers just above his palm. The fireworks dragon is brilliantly detailed, its form composed of vibrant, swirling fire and faint, smoky wisps. The dragon appears to be alive, its body coiling gracefully in mid-air, each scale flickering with a fiery glow that pulses in shades of deep orange, crimson, and gold. Its eyes burn intensely, and its open jaws release tiny sparks, casting a warm, shifting light that illuminates Gandalf’s face and hand. Delicate trails of smoke spiral off its wings and tail, fading into the surrounding air, giving it an ephemeral, almost ghostly quality. The background is a rich, dark blue, fading into shadow to allow the glowing dragon to stand out vividly. Soft, volumetric lighting surrounds Gandalf’s hand and the dragon, creating a sense of depth and atmosphere as light reflects off particles of magic dust floating in the air. The dragon’s smoke and fire blend seamlessly, with the tail and wings leaving shimmering trails that drift away like the remnants of a sparkler, adding movement and a sense of awe to the scene. Rendering Style: Hyperrealistic and finely detailed, with an emphasis on soft, realistic shadows and complex, diffused lighting. Gandalf’s robes and hand are lit by the warm glow of the dragon, with subtle textures emphasized by the contrast of light and shadow. The painting captures an enchanting moment of magic, where every flicker of the dragon’s fiery form and every tendril of smoke is rendered with exquisite, lifelike precision, creating a scene that feels both mystical and deeply cinematic.

8 months ago

A hyperrealistic, cinematic portrait of a Soviet Spetsnaz soldier in Afghanistan during the late 1980s, standing defiantly against the harsh, rocky Afghan landscape. He holds a VSS Vintorez rifle equipped with a suppressor, gripped with confidence and readiness. His attire is a rugged blend of Soviet military gear and scavenged Afghan clothing, including a faded, dust-streaked keffiyeh loosely wrapped around his neck and a traditional Afghan tunic worn over his Soviet-issued fatigues, helping him blend into the surroundings while maintaining his elite military aura. Behind him, a steep, narrow chasm cuts through the mountains, adding to the dangerous and isolated feel of the environment. A thick haze of dust and sand lingers in the air, creating an atmospheric, sepia-toned light that casts long, dramatic shadows across his form and the landscape. Volumetric lighting breaks through the haze, illuminating particles in the air and accentuating the rugged texture of his weathered gear. Subtle details reveal his Spetsnaz identity: worn Soviet tactical boots, a small Spetsnaz insignia peeking from under his layers, and a sturdy utility belt holding a few essential tools. His expression is hard and determined, capturing the intensity of a soldier embedded deep in enemy territory. The muted tones of the rocky terrain and the rugged textures of his uniform and Afghan garments blend seamlessly, enhancing the realism of the scene. The image is rendered in a masterful, ArtStation-quality style, with intricate details like the worn grip on the VSS rifle, the fine dust coating his uniform, and the slight glint from the rifle’s suppressor. Lifelike shadows, dynamic lighting, and the gritty atmosphere of dust and smoke complete the scene, immersing the viewer in the harsh realities of 1980s Afghanistan

2 months ago

(A hyper-realistic, masterpiece-level photograph:1.3) of a woman floating in the cold, dark expanse of space (space environment:1.4). She is wearing a futuristic, sleek spacesuit (spacesuit:1.5), with the suit reflecting soft starlight and the surrounding cosmic glow. Her body is suspended in a weightless pose, as if she is drifting through the void, her legs slightly crossed, and her arms gently extended. The scene is both haunting and serene, with the surrounding atmosphere filled with a cold, ghostly aura (cold and haunting space:1.4). Above and around her are small, glowing stars (glowing stars:1.5), each tethered to floating debris or satellites by thin, delicate chains. These stars are scattered at various depths and distances throughout space, some glowing softly near her, while others float further away, deep into the cosmic void. Their warm yellow light contrasts sharply with the coldness of space, creating dynamic reflections on the woman's spacesuit and the surrounding cosmic dust. The stars and cosmic dust form intricate volumetric beams of light (volumetric lighting in space:1.4), casting reflections and shadows that stretch endlessly into the darkness. The light scatters across the floating debris, interacting with her spacesuit's helmet visor, creating shimmering, surreal patterns. Surrounding her in the distance are floating particles of cosmic debris and dust, glowing with a soft, bioluminescent-like aura (cosmic dust particles:1.4). These particles drift at different distances, enhancing the sense of depth in the vastness of space. Some particles float close to her, while others drift far into the background, adding texture and realism to the scene. The stars' glowing light creates a cinematic, volumetric effect that bounces off the metallic and glass surfaces of her suit, emphasizing the sleek, futuristic design. Air-like particles and space dust (realistic space particles:1.3) drift lazily around her, while her hair floats inside the helmet, mimicking the motionlessness of zero gravity. The overall mood is cold, haunting, and beautifully eerie (cold and haunting space:1.4), with the tethered stars, floating space debris, and glowing cosmic particles creating a surreal yet hyper-realistic otherworldly environment. The scene captures a moment of absolute stillness, making the viewer feel as though they are suspended in an infinite cosmic landscape

2 months ago

(A hyper-realistic, masterpiece-level photograph:1.3) of a woman floating in the cold, dark expanse of space (space environment:1.4). She is wearing a futuristic, sleek spacesuit (spacesuit:1.5), with the suit reflecting soft starlight and the surrounding cosmic glow. Her body is suspended in a weightless pose, as if she is drifting through the void, her legs slightly crossed, and her arms gently extended. The scene is both haunting and serene, with the surrounding atmosphere filled with a cold, ghostly aura (cold and haunting space:1.4). Above and around her are small, glowing stars (glowing stars:1.5), each tethered to floating debris or satellites by thin, delicate chains. These stars are scattered at various depths and distances throughout space, some glowing softly near her, while others float further away, deep into the cosmic void. Their warm yellow light contrasts sharply with the coldness of space, creating dynamic reflections on the woman's spacesuit and the surrounding cosmic dust. The stars and cosmic dust form intricate volumetric beams of light (volumetric lighting in space:1.4), casting reflections and shadows that stretch endlessly into the darkness. The light scatters across the floating debris, interacting with her spacesuit's helmet visor, creating shimmering, surreal patterns. Surrounding her in the distance are floating particles of cosmic debris and dust, glowing with a soft, bioluminescent-like aura (cosmic dust particles:1.4). These particles drift at different distances, enhancing the sense of depth in the vastness of space. Some particles float close to her, while others drift far into the background, adding texture and realism to the scene. The stars' glowing light creates a cinematic, volumetric effect that bounces off the metallic and glass surfaces of her suit, emphasizing the sleek, futuristic design. Air-like particles and space dust (realistic space particles:1.3) drift lazily around her, while her hair floats inside the helmet, mimicking the motionlessness of zero gravity. The overall mood is cold, haunting, and beautifully eerie (cold and haunting space:1.4), with the tethered stars, floating space debris, and glowing cosmic particles creating a surreal yet hyper-realistic otherworldly environment. The scene captures a moment of absolute stillness, making the viewer feel as though they are suspended in an infinite cosmic landscape

5 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting