A sample prompt of what you can find in this page
Prompt by ElectricL

volumetric haze and ambient dust prompts

very few results

9 months ago

Wide-angle cinematic photograph, shot with a 24mm lens and infinite depth of field (2.0), ensuring sharp focus on every element (2.0). A beautiful young woman sits casually by the back wheel of a Ferrari F40 (1.8), leaning against the car with one knee bent (1.7). She wears high-waisted jeans and a fitted white tank top (1.8). Her face is vividly detailed with natural skin texture, subtle highlights, and lifelike imperfections (2.0). Her wavy hair flows slightly in the summer night breeze, catching faint highlights from the car’s lights and starlight (1.9). The Ferrari F40 is viewed from a three-quarter angle (2.0), showcasing its low-slung wedge shape, iconic pop-up headlights, aggressive air intakes, and slatted rear vents (2.0). The glossy deep Ferrari red paint reflects subtle glimmers from the night sky (2.0), with faint smudges and scratches adding realism to its polished surface (2.0). The headlights emit sharp, volumetric beams that cut through a thin, misty ground haze (2.0), while the warm red taillights cast soft glows, reflecting faintly off the slightly dewy asphalt (2.0). Tiny details, like condensation forming around the taillights (1.8) and star reflections in the car's paint (1.8), enhance the realism. The night sky is dark and dramatic, rendered in deep indigo and black, avoiding oversaturated tones (2.0). It is filled with countless vivid stars, each sharp and distinct, with the glowing Milky Way stretching prominently across the horizon (2.0). Subtle celestial gradients and faint nebulae add depth and atmosphere (1.9). The ground haze interacts dynamically with the car’s beams (1.8), creating cinematic depth without obscuring the details. The composition is rich with blink-and-you-miss-it details (1.9): fine strands of the woman’s hair catching the light, faint dust particles floating in the haze illuminated by the beams (1.8), and tiny scratches on the Ferrari’s polished surface (2.0). The balance of cool ambient tones from the sky and warm, dramatic lighting from the car creates a high-contrast aesthetic (2.0). Everything—from the woman’s face to the car and the vivid starry sky—is rendered with razor-sharp clarity (2.0), achieving a professional, high-end photographic quality.

5 months ago

(Primary Subject: Woman, 3D-Printed in Realistic Modern Printer, 1.7 weight) — inside a dim, cluttered bedroom illuminated by the soft, flickering glow of LED strip lights and the rhythmic hum of a modern consumer-grade 3D printer, a surreal scene unfolds. A half-assembled woman is being slowly 3D-printed, layer by layer, inside the printer’s transparent enclosure—her form emerging from glowing PLA-like filament in smooth, hyper-detailed strokes (hyper-realistic printing detail, smooth skin texture, 1.6 weight). Her upper body—torso, arms, and part of her face—is almost complete, formed from semi-translucent material that glows faintly in the ambient light. Thin wisps of support scaffolding cling to her like cyber-organic scaffolds. Her lower half remains unformed, an unfinished spiral of molten filament still being printed as the nozzle moves with quiet precision (realistic filament printing, printer detail, suspended form, 1.5 weight). Seated nearby, a man in casual clothes sits cross-legged on the floor, bathed in warm, ambient screen light. He holds a crumpled instruction manual in one hand—clearly pulled from the open cardboard box lying beside him on the floor, its packaging marked with surreal branding: “SYNTH-CRAFT V2 | HOMEBODY EDITION” (instructional design realism, subtle surreal packaging, 1.4 weight). Loose tools, empty filament spools, soda cans, and old PC parts are scattered around the room, grounding the scene in everyday reality. Behind him, the room glows with scattered LED lighting in hues of electric blue, soft magenta, and warm amber, reflecting off his glasses and casting moody highlights onto the surrounding walls. Dust particles drift in the air, caught in the glow of the printer’s chamber, creating an eerie yet beautiful halo around the forming woman (cinematic atmosphere, volumetric light, dusty haze, 1.4 weight). Rendered with cinematic realism: soft film grain, subtle lens blur, realistic plastic sheen, and dramatic shallow depth-of-field—captured as if shot with a Leica Summilux lens. The entire image is grounded in the plausible, but steeped in a surreal undertone that suggests something far stranger is unfolding (photographic detail, cinematic framing, narrative tension, 1.3 weight). This is not just a print job—it’s manufactured intimacy, wrapped in plastic and instruction sheets.

8 months ago

A dynamic and chaotic scene (1.7) in the style of Makoto Shinkai (1.5), depicting an archangel ascending from a massive pile of demons (1.7), his wings colossal and glowing with divine radiance (1.6), folding and unfurling as he rises. The angel hovers above the writhing mass of hellspawn (1.7), his sword raised high in his right hand (1.7), glowing with an unrelenting holy fire (1.5), ready to deliver a devastating blow. His armor gleams with intricate celestial patterns (1.6), reflecting the blinding light that emanates from his presence (1.7). Above, molten lava hail rains down (1.8), adding intensity to the scene, the glowing droplets scarring the ground and demons alike (1.6). The infernal storm swirls violently in the sky, its fiery reds and molten yellows contrasting with the angel’s radiant divine light (1.6). Beneath him, a towering pile of demons of various forms (1.7) claw and writhe desperately, some grabbing at his legs and wings (1.6), while others cower or recoil from his blinding light. Each demon is unique and grotesque (1.7): some are humanoid with jagged horns and fiery eyes (1.5), others are monstrous amalgamations of talons, tentacles, and fangs (1.6), their shadowy, smoke-like forms twisting and merging (1.6). The pile of demons is vivid and horrifying, a nightmarish mountain of grotesque bodies and snarls (1.6), glowing faintly from the molten lava below (1.6). The archangel’s sword (1.6), raised high and gleaming with divine energy, is etched with golden runes (1.5), its radiant light piercing the dark chaos (1.6). The angel’s face, noble and determined (1.5), is illuminated by his blinding halo, a radiant burst of gold, fiery orange, and celestial blue (1.7), as his eyes burn with unyielding conviction. His wings are gigantic, spanning 25 meters (1.7), their feathers glowing with faint hues of purple, gold, and white light (1.6), spreading divine protection around him. The lava hailstorm intensifies (1.6), molten embers drifting through the air alongside swirling ash and glowing particles. Volumetric light streams pierce through the infernal darkness (1.5), casting dramatic highlights and shadows across the scene, making the angel’s form almost blinding to behold (1.7). The artistic composition emphasizes the dynamic motion and overwhelming chaos, with a stark contrast between the divine light of the archangel and the fiery abyss of the demons (1.6). The glowing embers, drifting molten hail, and the sheer number of varied demons (1.8) enhance the overwhelming odds against the angel, while his radiant, unyielding determination shines through. The overall mood is epic and grand, blending dark fantasy realism with cinematic movement inspired by Makoto Shinkai, creating a stunning, dramatic vision of the battle between divine and infernal forces. Wide-angle cinematic photograph, shot with a 24mm lens and infinite depth of field (2.0), ensuring sharp focus on every element (2.0). A beautiful young woman sits casually by the back wheel of a Ferrari F40 (1.8), leaning against the car with one knee bent (1.7). She wears high-waisted jeans and a fitted white tank top (1.8). Her face is vividly detailed with natural skin texture, subtle highlights, and lifelike imperfections (2.0). Her wavy hair flows slightly in the summer night breeze, catching faint highlights from the car’s lights and starlight (1.9). The Ferrari F40 is viewed from a three-quarter angle (2.0), showcasing its low-slung wedge shape, iconic pop-up headlights, aggressive air intakes, and slatted rear vents (2.0). The glossy deep Ferrari red paint reflects subtle glimmers from the night sky (2.0), with faint smudges and scratches adding realism to its polished surface (2.0). The headlights emit sharp, volumetric beams that cut through a thin, misty ground haze (2.0), while the warm red taillights cast soft glows, reflecting faintly off the slightly dewy asphalt (2.0). Tiny details, like condensation forming around the taillights (1.8) and star reflections in the car's paint (1.8), enhance the realism. The night sky is dark and dramatic, rendered in deep indigo and black, avoiding oversaturated tones (2.0). It is filled with countless vivid stars, each sharp and distinct, with the glowing Milky Way stretching prominently across the horizon (2.0). Subtle celestial gradients and faint nebulae add depth and atmosphere (1.9). The ground haze interacts dynamically with the car’s beams (1.8), creating cinematic depth without obscuring the details. The composition is rich with blink-and-you-miss-it details (1.9): fine strands of the woman’s hair catching the light, faint dust particles floating in the haze illuminated by the beams (1.8), and tiny scratches on the Ferrari’s polished surface (2.0). The balance of cool ambient tones from the sky and warm, dramatic lighting from the car creates a high-contrast aesthetic (2.0). Everything—from the woman’s face to the car and the vivid starry sky—is rendered with razor-sharp clarity (2.0), achieving a professional, high-end photographic quality.

8 months ago

In the heart of a massive volcanic chasm,Its enormous form radiates heat and power, glowing of molten fire. Around the forge, rivers of magma flow sluggishly, their fiery glow reflecting on the cavern walls, and cars paint creating an intense, otherworldly atmosphere. Steam and ash rise from the molten rivers, swirling chaotically in the stifling heat. red-hot its surface carved with intricate runes that pulse faintly with energy. The cavern is vast and filled with the relics of past c The air is thick with heat shimmer, craftsmanship Wide-angle cinematic photograph, shot with a 24mm lens and infinite depth of field (2.0), ensuring sharp focus on every element (2.0). A beautiful young woman sits casually by the back wheel of a Ferrari F40 (1.8), leaning against the car with one knee bent (1.7). She wears high-waisted jeans and a fitted white tank top (1.8). Her face is vividly detailed with natural skin texture, subtle highlights, and lifelike imperfections (2.0). Her wavy hair flows slightly in the summer night breeze, catching faint highlights from the car’s lights and starlight (1.9). The Ferrari F40 is viewed from a three-quarter angle (2.0), showcasing its low-slung wedge shape, iconic pop-up headlights, aggressive air intakes, and slatted rear vents (2.0). The glossy deep Ferrari red paint reflects subtle glimmers from the night sky (2.0), with faint smudges and scratches adding realism to its polished surface (2.0). The headlights emit sharp, volumetric beams that cut through a thin, misty ground haze (2.0), while the warm red taillights cast soft glows, reflecting faintly off the slightly dewy asphalt (2.0). Tiny details, like condensation forming around the taillights (1.8) and star reflections in the car's paint (1.8), enhance the realism. The night sky is dark and dramatic, rendered in deep indigo and black, avoiding oversaturated tones (2.0). It is filled with countless vivid stars, each sharp and distinct, with the glowing Milky Way stretching prominently across the horizon (2.0). Subtle celestial gradients and faint nebulae add depth and atmosphere (1.9). The ground haze interacts dynamically with the car’s beams (1.8), creating cinematic depth without obscuring the details. The composition is rich with blink-and-you-miss-it details (1.9): fine strands of the woman’s hair catching the light, faint dust particles floating in the haze illuminated by the beams (1.8), and tiny scratches on the Ferrari’s polished surface (2.0). The balance of cool ambient tones from the sky and warm, dramatic lighting from the car creates a high-contrast aesthetic (2.0). Everything—from the woman’s face to the car and the vivid starry sky—is rendered with razor-sharp clarity (2.0), achieving a professional, high-end photographic quality.

8 months ago

A dynamic and chaotic scene (1.7) in the style of Makoto Shinkai (1.5), depicting an archangel ascending from a massive pile of demons (1.7), his wings colossal and glowing with divine radiance (1.6), folding and unfurling as he rises. The angel hovers above the writhing mass of hellspawn (1.7), his sword raised high in his right hand (1.7), glowing with an unrelenting holy fire (1.5), ready to deliver a devastating blow. His armor gleams with intricate celestial patterns (1.6), reflecting the blinding light that emanates from his presence (1.7). Above, molten lava hail rains down (1.8), adding intensity to the scene, the glowing droplets scarring the ground and demons alike (1.6). The infernal storm swirls violently in the sky, its fiery reds and molten yellows contrasting with the angel’s radiant divine light (1.6). Beneath him, a towering pile of demons of various forms (1.7) claw and writhe desperately, some grabbing at his legs and wings (1.6), while others cower or recoil from his blinding light. Each demon is unique and grotesque (1.7): some are humanoid with jagged horns and fiery eyes (1.5), others are monstrous amalgamations of talons, tentacles, and fangs (1.6), their shadowy, smoke-like forms twisting and merging (1.6). The pile of demons is vivid and horrifying, a nightmarish mountain of grotesque bodies and snarls (1.6), glowing faintly from the molten lava below (1.6). The archangel’s sword (1.6), raised high and gleaming with divine energy, is etched with golden runes (1.5), its radiant light piercing the dark chaos (1.6). The angel’s face, noble and determined (1.5), is illuminated by his blinding halo, a radiant burst of gold, fiery orange, and celestial blue (1.7), as his eyes burn with unyielding conviction. His wings are gigantic, spanning 25 meters (1.7), their feathers glowing with faint hues of purple, gold, and white light (1.6), spreading divine protection around him. The lava hailstorm intensifies (1.6), molten embers drifting through the air alongside swirling ash and glowing particles. Volumetric light streams pierce through the infernal darkness (1.5), casting dramatic highlights and shadows across the scene, making the angel’s form almost blinding to behold (1.7). The artistic composition emphasizes the dynamic motion and overwhelming chaos, with a stark contrast between the divine light of the archangel and the fiery abyss of the demons (1.6). The glowing embers, drifting molten hail, and the sheer number of varied demons (1.8) enhance the overwhelming odds against the angel, while his radiant, unyielding determination shines through. The overall mood is epic and grand, blending dark fantasy realism with cinematic movement inspired by Makoto Shinkai, creating a stunning, dramatic vision of the battle between divine and infernal forces. Wide-angle cinematic photograph, shot with a 24mm lens and infinite depth of field (2.0), ensuring sharp focus on every element (2.0). A beautiful young woman sits casually by the back wheel of a Ferrari F40 (1.8), leaning against the car with one knee bent (1.7). She wears high-waisted jeans and a fitted white tank top (1.8). Her face is vividly detailed with natural skin texture, subtle highlights, and lifelike imperfections (2.0). Her wavy hair flows slightly in the summer night breeze, catching faint highlights from the car’s lights and starlight (1.9). The Ferrari F40 is viewed from a three-quarter angle (2.0), showcasing its low-slung wedge shape, iconic pop-up headlights, aggressive air intakes, and slatted rear vents (2.0). The glossy deep Ferrari red paint reflects subtle glimmers from the night sky (2.0), with faint smudges and scratches adding realism to its polished surface (2.0). The headlights emit sharp, volumetric beams that cut through a thin, misty ground haze (2.0), while the warm red taillights cast soft glows, reflecting faintly off the slightly dewy asphalt (2.0). Tiny details, like condensation forming around the taillights (1.8) and star reflections in the car's paint (1.8), enhance the realism. The night sky is dark and dramatic, rendered in deep indigo and black, avoiding oversaturated tones (2.0). It is filled with countless vivid stars, each sharp and distinct, with the glowing Milky Way stretching prominently across the horizon (2.0). Subtle celestial gradients and faint nebulae add depth and atmosphere (1.9). The ground haze interacts dynamically with the car’s beams (1.8), creating cinematic depth without obscuring the details. The composition is rich with blink-and-you-miss-it details (1.9): fine strands of the woman’s hair catching the light, faint dust particles floating in the haze illuminated by the beams (1.8), and tiny scratches on the Ferrari’s polished surface (2.0). The balance of cool ambient tones from the sky and warm, dramatic lighting from the car creates a high-contrast aesthetic (2.0). Everything—from the woman’s face to the car and the vivid starry sky—is rendered with razor-sharp clarity (2.0), achieving a professional, high-end photographic quality.

7 months ago

A hyperrealistic 1980s-style cinematic scene showing the Terminator from The Terminator movie, viewed from behind, as he runs toward a classic 80s-style gym. The scene captures him mid-stride in a dynamic, action-filled motion, wearing iconic 80s-style athletic wear: a retro, tight-fitting, neon-colored windbreaker jacket with matching shorts and classic high-top sneakers. His body is muscular and powerful, reflecting his combat-ready physique, and his posture exudes strength and determination as he runs. The 80s sport aesthetic is vivid, with bright neon colors like teal, magenta, and electric blue reflecting off his outfit as he moves. His iconic robotic features are subtly visible under the athletic outfit—metallic parts of his endoskeleton glint under the ambient light of the setting. The surrounding New York streets are atmospheric and foggy, with old-school streetlights and atmospheric neon glows casting colored reflections on rain-soaked pavement. The gym looms in the distance—classic 80s-style with retro neon signs advertising "Bodybuilding & Fitness," surrounded by classic brick facades and atmospheric mist. The air is filled with subtle smoke and dust, reflecting the dramatic volumetric lighting. The Terminator's hands are clenched with determination, veins and muscle detail visible through his jacket, perfectly rendered with hyperreal anatomy, as he pushes himself forward toward his goal. The atmosphere is gritty yet vibrant, capturing the spirit of the 80s with its urban gym vibes, retro fitness culture, and iconic neon visuals. Volumetric lighting breaks through the misty air, casting sharp light beams across the street and emphasizing his athletic form and movement. Every detail—his clothing, the reflections, the neon haze, the gym in the distance—is rendered with photorealistic precision, creating a cinematic masterpiece full of retro-futuristic energy.