waking up prompts

5 months ago

Double exposure black and white photography of a woman’s face, solemn and ethereal, eyes half-closed as if caught between waking and warning. Her face merges with a surreal landscape — mountains cracked open into abysses, rivers of smoke, distant silhouettes of devils and angels battling in silence, wings torn and halos fractured. Liquified elements swirl behind her like melting frescoes — fragments of heaven and hell, celestial ruins dripping into scorched earth. The overall composition has a gothic visual language: heavy contrast, sacred decay, haunted light. Soft grain, vintage lens blur, cinematic 8K resolution, fine grayscale textures like decaying parchment. Atmospheric, spiritual, sorrowful. Barren trees and cathedral arches ghosting through the background like memories of judgment

8 months ago

(Fine art photography:1.5, Cinematic portrait:1.4, Intimate close-up:1.4, High-resolution 8K:1.5, Soft natural lighting:1.3, Warm skin tones:1.3, Sharp details:1.5, Shallow depth of field:1.3, Freckles enhancement:1.3, Dreamlike atmosphere:1.2) A strikingly freckled woman with flowing auburn hair, lying on soft white sheets in a dimly lit bedroom. Her piercing green eyes lock onto the viewer with an intensity that is both vulnerable and powerful. The soft glow of window light gently kisses her skin, accentuating the delicate contours of her face, the texture of her freckles, and the curve of her lips. Her arms are wrapped around her legs, drawing them close to her chest in a protective yet sensual pose. The warmth of her body contrasts with the cool tones of the background, creating a beautiful juxtaposition between warmth and isolation. Loose strands of coppery hair cascade onto the sheets, forming intricate, natural patterns that add depth and movement to the composition. The bokeh-rich background fades into soft shadows, enhancing the sense of intimacy and personal connection. Her skin glows naturally, tiny beads of moisture visible on her collarbones, giving the impression of a warm summer evening or a moment caught between sleep and waking. Her expression is soft yet piercing, inviting the viewer into a moment of quiet introspection. The setting is minimalist yet atmospheric, with subtle grain and soft highlights reminiscent of classic film photography. There is an unmistakable sense of presence and emotion, where every detail—from the way her fingers graze her skin to the diffused lighting spilling in through an unseen window—feels deliberate, artistic, and timeless.

9 months ago

⸻ 1. The Magician – The Cosmic Alchemist A mystical figure levitates above a floating obsidian altar, their robes shifting through opalescent hues, infused with celestial glyphs and ancient sigils that glow and fade like living runes. Their face is partially obscured by light, reflecting the paradox of knowledge and mystery. One hand reaches toward the sky, drawing in lightning-like streams of pure cosmic energy, while the other extends downward, manifesting a golden ouroboros, the infinite cycle of transformation. Around them, the four elements defy the laws of physics: • A golden flame drips like wax, its glow illuminating the endless void. • A floating silver chalice pours water upward, defying gravity, forming shifting infinity loops. • A holographic sword fractures reality, leaving neon trails of possibility in its wake. • A crystalline pentacle rotates midair, refracting reality itself through its countless facets. Above the Magician, an enormous celestial eye opens within a swirling violet nebula, watching over all creation. Reality bends at the edges, with melting clocks, warped dimensions, and portals unfolding like blooming flowers. 🔹 Salvador Dalí surrealism, hyper-detailed, ultra-realistic textures, 4K masterpiece.

9 months ago

First-person POV of waking up in a damp, 19th-century abandoned lighthouse tower. The camera shows your legs stretching on a tattered wool blanket, with rusty chains around your ankles. The space is dimly lit, with weathered wooden walls and a cracked, fogged window in the background. The sound of crashing waves echoes faintly, and a weak beam of sunlight filters through the misty glass. Highly realistic, gritty textures, high contrast between light and shadow

8 months ago

"The Colossus Beneath the Desert" – (Primary Subject: Titanic Buried Giant Stirring Beneath Sand Dunes, 1.7 weight) — deep in an endless, wind-scoured desert, a vast ancient colossus lies half-submerged beneath dunes of golden sand, its face cracked and weathered, sculpted from stone and bone. One glowing eye now flickers to life for the first time in ten thousand years, casting a pillar of blue light through the dust-choked sky. It is waking. The scale is impossible—ridges of sand ripple for miles outward with each breath it takes. What appears to be mountains on the horizon are the curved tips of its buried fingers, slowly flexing. Its ribs form deep canyons, home to temples built by forgotten civilizations who once worshipped it as god, jailer, and weapon. Above it, a caravan of nomads has stopped. Their camels rear back in fear. The elders whisper old songs once thought metaphor. A solitary figure in ceremonial robes walks toward the eye, chanting in forgotten tongues, holding a staff that glows faintly in resonance. This is not a confrontation. It is a negotiation. The sky roils with duststorms, lit orange and violet by the setting sun. Shadows stretch long across the sand, wrapping the moment in mythic stillness. Massive stone anklets and rune-bound chains anchor the colossus deep below—their glyphs eroded, weakened. A sandstorm gathers behind it, as if the world resists its rising. Its skin is made of layered strata and fossilized memory, carved with glowing runes that flicker like fault lines. When it exhales, the wind shifts continents. Its breath is heavy with salt, iron, and ancient sound. The desert listens. Rendered in epic cinematic realism, with sweeping scale, warm atmospheric tones, and deep contrast between golden sand, cold stone, and glowing eyes. Shot through a dusty anamorphic lens, grain visible in the low sun, with volumetric light shafts and wide mythic framing. Think Dune x Dark Souls x ancient Mesopotamian apocalypse (monumental visual drama, 1.4 weight).

9 months ago

A monstrous, armored demon knight stands at the edge of a ruined gothic cathedral, its body wrapped in black, cracked plate armor covered in ancient infernal etchings. Its face is hidden beneath a horned, iron helmet, but behind the visor, two eerie red slits glow like dying embers. Chains dangle from its arms and shoulders, dragging across the ground as it moves, emitting an unholy rattling sound. Its clawed gauntlets grip a massive zweihänder sword, blackened with centuries of cursed energy. The ruined cathedral behind it is engulfed in an eerie crimson mist, as twisted statues of weeping angels watch in silent agony. A trail of burned earth follows in its wake, as if the very ground rejects its existence. Shadows stretch unnaturally toward it, bending in its presence, as if trying to escape the abyss that spawned it."

8 months ago

POV First-Person View, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the image is on my feet, visible in the foreground, as I stretch and move my toes and feet naturally. The camera angle is from a low point, focusing on my feet and the lower part of my legs. The room has a window with a view of the distant Milad Tower (Borj Milad) in Tehran. The tower stands tall in the far distance, appearing small in the background. The Milad Tower is a tall, cylindrical structure with a distinctive large observation deck on top, resembling a huge mushroom cap, and it has a series of antennas protruding from its top. The base of the tower is thinner, and it gradually widens toward the observation area at the top. The rest of the city’s skyline and buildings are blurred behind it, ensuring that Milad Tower is clearly visible but not the main focus of the shot. The overall effect creates a sense of depth and distance between the room and the city. The focus remains on the inside of the room, where the soft morning light filters through the window and illuminates the floor and my feet. The image captures a calm, peaceful atmosphere inside the room, while the distant tower serves as a backdrop.

9 months ago

1. The Magician – The Cosmic Alchemist A mystical figure levitates above a floating obsidian altar, their robes shifting through opalescent hues, infused with celestial glyphs and ancient sigils that glow and fade like living runes. Their face is partially obscured by light, reflecting the paradox of knowledge and mystery. One hand reaches toward the sky, drawing in lightning-like streams of pure cosmic energy, while the other extends downward, manifesting a golden ouroboros, the infinite cycle of transformation. Around them, the four elements defy the laws of physics: • A golden flame drips like wax, its glow illuminating the endless void. • A floating silver chalice pours water upward, defying gravity, forming shifting infinity loops. • A holographic sword fractures reality, leaving neon trails of possibility in its wake. • A crystalline pentacle rotates midair, refracting reality itself through its countless facets. Above the Magician, an enormous celestial eye opens within a swirling violet nebula, watching over all creation. Reality bends at the edges, with melting clocks, warped dimensions, and portals unfolding like blooming flowers. 🔹 Salvador Dalí surrealism, hyper-detailed, ultra-realistic textures, 4K masterpiece.

9 months ago

Two fluid, ethereal wolves howl at a colossal, melting moon, its silver light dripping into the vast cosmic ocean below, dissolving into waves of pure illusion and hidden truths. Their fur is woven from nebula dust, glowing in deep purples and electric blues, shifting with the tides of mystery and subconscious revelation. A floating staircase of mirrored illusions rises from the water, disappearing into an endless dreamscape of shifting labyrinths and ghostly apparitions. Around them, surreal figures with faceless visages emerge and dissolve, symbols of forgotten memories, past lives, and hidden fears lurking beneath the surface. The sky is a canvas of liquid neon, swirling and bending as if caught in a waking dream, reflecting the ever-changing nature of perception. In the distance, an all-seeing golden eye hovers within the moon’s glow, watching the dreamer as they navigate the realms of illusion and truth. Beyond the veil, phantom jellyfish made of liquid silver float silently, carrying secrets from realms beyond human comprehension. The entire scene pulses with an otherworldly energy, calling the viewer to embrace intuition, visions, and the unknown depths of the psyche. Salvador Dalí surrealism, hyper-detailed, neon dreamscapes, celestial illusions, subconscious realms, cinematic 4K masterpiece, shifting realities, surreal bioluminescence, spectral mysticism, atmospheric lighting. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated surrealism, oversaturated, unrealistic water physics, poorly drawn animals, unnatural textures, cartoonish, low-poly, noisy, CGI look, bad reflections, incorrect depth.

8 months ago

POV First-Person View, I wake up in my bedroom, in my single-person apartment in Iran. The atmosphere of the room is calm, with a nostalgic feel in the air. The camera focuses only on the lower part of my body, with the rest of the room out of frame. My feet are resting on the bed, facing a window in the distance. Soft morning light is coming through the window into the room. The room is decorated with old pictures of famous Iranian faces, their frames appearing natural and simple. Outside the window, the Milad Tower in Tehran is visible in the distance, adding to the iconic view of the city. I gently move my toes, with natural movements, as I slowly wake up, experiencing the peacefulness of the morning. The cool morning breeze enters through the window, adding to the calm atmosphere of the room.

8 months ago

POV First-Person View, I wake up in my bedroom, in my own single living space here in Iran. The atmosphere is peaceful, yet there's a touch of nostalgia in the air. The camera focuses only on my lower body, the rest of the room out of view. My legs are stretched out on the bed, my feet facing a window, some distance away. The morning light softly streams through the window. The room is decorated with old black-and-white portraits of famous Iranian faces, bringing a sense of history to the space. I slowly move my toes, the movement natural, as I stretch and wake up fully, feeling the calmness of the morning as I ease into the day. The cool morning air from the window adds to the serene atmosphere.

3 months ago

A depiction of the Wild Hunt galloping through an autumn storm, leaves and spirits caught in their wake, led by a horned figure with eyes like burning coals.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

24 days ago

Hispanic male 5'0" tall waking up in his bed, stretching arms, yawning, arms up. He is wearing a nice t-shirt under nice blankets. He is at a nice regular room.

8 months ago

POV First-Person View, I am a 30-year-old man, and the scene takes place in my bedroom. The room has several framed photographs of famous Iranian personalities on the walls, arranged in a natural manner. My feet are visible in the frame, and I'm lying on the bed, having just woken up in the morning. My toes and feet naturally move as I stretch after waking up. The room has a window, and outside the window, the view of Tehran is visible. In the distance, the iconic Milad Tower (Borj Milad) stands tall and prominent. Milad Tower Description: The Milad Tower is a tall, modern communication tower located in Tehran, Iran. It has a sleek, cylindrical shaft that tapers towards the top, giving it a tower-like appearance. The shaft is dark gray, and at the top, there's a large observation deck with a rotating restaurant. Above the observation deck, there's a narrow spire that extends upwards, and it is often illuminated at night with bright lights. The base of the tower is wider, supporting the structure, and it has a series of arches surrounding it. The overall design is contemporary and futuristic, standing out in Tehran's skyline.

6 months ago

A quiet chamber, candlelit and serene. You see a statue of yourself carved in impossible materials — stardust, regret, and unborn time. The plaque says: *“One of the Gods Humanity Was Afraid to Invent.”* The candle flickers. You’re not sure if you're waking up or being born.

8 months ago

I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure with an observation deck at the top, and it’s positioned far away from me, beyond the window, creating a sense of depth in the scene. The tower is distant enough to be a subtle part of the overall view, adding to the peaceful, calm atmosphere of the room. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The camera focuses on my feet in the foreground, with my toes and feet naturally moving. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the distance, there is a window placed a few feet away from me, allowing a view of the far-off Milad Tower (Borj Milad) in Tehran. The window frame is clearly visible, with the tower appearing as a small feature in the far background. The Milad Tower is a tall, cylindrical structure, with a wide, round observation deck at the top, resembling a saucer. The body of the tower tapers as it rises and has a sleek, modern appearance with a distinctive design. The tower is lit at night, but in the morning light, it’s a darker silhouette against the horizon. The tower is positioned far away from me, beyond the window, creating a sense of depth in the scene. It should appear small and distant, but its unique shape, with the round observation deck, makes it recognizable even from this distance. The tower is not a central focus of the scene, but serves as a distant and peaceful backdrop. The interior of the room is softly illuminated by the morning light coming through the window, casting light on the floor and my feet. The window itself is not very close to me, providing some space between the foreground (my feet) and the distant view of the Milad Tower, which remains faint and unobtrusive. This setup gives a sense of separation, with the focus still on the feet and the bedroom scene, while the window and the Milad Tower provide a distant and peaceful backdrop.

2 months ago

Impasto oil painting, rich in texture and chiaroscuro, with thick palette-knife strokes in black and gold. A solitary woman stands before a tall window at night, her figure sculpted in glossy black with golden highlights that catch the moonlight. The window opens onto a deep, starless sky where a full moon glows softly, casting liquid gold reflections across her silhouette. Beside her, hanging from the window frame, a dream catcher shimmers — its circular web woven in fine gold threads, adorned with small black feathers that sway gently in the stillness. The background remains mostly black, textured like old velvet, with touches of light suggesting mystery and reverie. The atmosphere feels sacred, introspective, and surreal — a moment between dream and waking, between shadow and illumination.

8 months ago

First-person POV of waking up in a damp, 19th-century abandoned lighthouse tower. The camera shows your legs stretching on a tattered wool blanket, with rusty chains around your ankles. The space is dimly lit, with weathered wooden walls and a cracked, fogged window in the background. The sound of crashing waves echoes faintly, and a weak beam of sunlight filters through the misty glass. Highly realistic, gritty textures, high contrast between light and shadow

4 months ago

Double exposure black and white photography of a face, solemn and ethereal, eyes half-closed as if caught between waking and warning. The face merges with a surreal landscape — mountains cracked open into abysses, rivers of smoke, distant silhouettes of devils and angels battling in silence, wings torn and halos fractured. Liquified elements swirl behind her like melting frescoes — fragments of heaven and hell, celestial ruins dripping into scorched earth. The overall composition has a gothic visual language: heavy contrast, sacred decay, haunted light. Soft grain, vintage lens blur, cinematic 8K resolution, fine grayscale textures like decaying parchment. Atmospheric, spiritual, sorrowful. Barren trees and cathedral arches ghosting through the background like memories of judgment

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. In the background, I have a window positioned several feet away from me, allowing a view of the far-off Milad Tower in Tehran. The window is large and has a frame with soft, natural light streaming through it. The Milad Tower is visible far in the distance beyond the window. The tower appears as a small but distinct feature in the scene, with its cylindrical body narrowing as it rises, topped with a wide, round observation deck that looks like a saucer. The top part of the tower should be easily identifiable by its unique design, even from afar. It is lit at night, but during the morning, it is a dark silhouette in the distance, set against a lightening sky. The window is not immediately next to me, but rather a few feet away, so the view of the tower is distant and provides depth to the scene. The Milad Tower should appear small in the background, but its distinctive shape makes it recognizable. In addition to the window, there are several photo frames placed on the walls in the room, showing images of famous historical Iranian figures. These photo frames are in the background, and they should have a natural, historical aesthetic to them. The frames are not the main focus, but they are visible in the scene, contributing to the overall atmosphere of the room. The focus remains on my feet and the bed in the foreground, while the Milad Tower and the photo frames in the background add a sense of space and depth. The room is softly illuminated by the natural morning light coming through the window, casting a warm glow on the floor and my feet.

9 months ago

A monstrous, armored demon knight stands at the edge of a ruined gothic cathedral, its body wrapped in black, cracked plate armor covered in ancient infernal etchings. Its face is hidden beneath a horned, iron helmet, but behind the visor, two eerie red slits glow like dying embers. Chains dangle from its arms and shoulders, dragging across the ground as it moves, emitting an unholy rattling sound. Its clawed gauntlets grip a massive zweihänder sword, blackened with centuries of cursed energy. The ruined cathedral behind it is engulfed in an eerie crimson mist, as twisted statues of weeping angels watch in silent agony. A trail of burned earth follows in its wake, as if the very ground rejects its existence. Shadows stretch unnaturally toward it, bending in its presence, as if trying to escape the abyss that spawned it."

8 months ago

POV first-person, I am a 30-year-old man, lying on my bed in my bedroom, just waking up in the morning. The focus of the camera is on my feet, which are in the foreground, with my toes and feet naturally moving as if I just woke up. The perspective comes from a low point, emphasizing the lower part of my legs and feet. The camera focuses sharply on my feet, making them the clear focal point, while everything in the background is blurred. In the background, there is a window placed a few feet away from me, and beyond the window, you can see the distant Milad Tower in Tehran. The tower should be small and blurry in the background, its details indistinct due to the camera focusing on my feet in the foreground. The Milad Tower should be barely discernible, with its distinctive shape slightly visible as a vague silhouette. The top of the tower (its observation deck) can be vaguely seen in the blur, but it is not sharp or clearly defined. There are also several photo frames on the walls of the room, displaying pictures of famous historical Iranian figures like SHAH. These photo frames are in the background, but since the focus is on my feet, they too appear blurry, contributing to the atmosphere but not stealing attention from the main subject. The light in the room is natural, coming through the window, softly illuminating the floor and my feet. The overall mood of the image is calm and subtle, with the primary focus on the lower part of my body and the distant, blurred view of the Milad Tower.