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8 months ago

An 80s senior portrait photo with a side-view double exposure in the top left. Subject: Blonde woman in her senior year of high school, with her hair in a high ponytail. She has blue eyes and a friendly smile. In the main photo she is saluting the viewer. In the double exposure she is in a side-view, looking upward. Clothing: The individual in the image is wearing a black and white color-blocked blouse with a sharp collar, paired with a high-waisted, gingham-patterned skirt in shades of black, white, and possibly gray. The blouse has an oversized fit, while the skirt is fitted at the waist and flares out slightly. The individual is also holding a black handbag with a structured design. She is wearing large dangling black and white earrings. In the double exposure image she is wearing a letterman's jacket for Adams High School and holding a tennis racket. In this double exposure her hair is down. Photographic Features Double exposure: The image includes a side view of the woman as a double exposure that is large and overlapping the main image and should fill the upper left quadrant. In traditional film photography, double exposure involves exposing the same frame of film twice. The photographer would first take the main portrait shot. Then, without advancing the film, they would take a second shot of the subject’s face, often with a different lighting setup to create a softer, ethereal look. This would result in both images being superimposed on the same frame. This photo should be feathered to allow the backgrounds still blend together without a harsh background outline. Lighting: The lighting in these photos was typically studio lighting, which was bright and even, minimizing shadows. The superimposed face often had a soft, diffused light to give it an ethereal, almost heavenly glow. Depth of Field: The main image usually had a sharp focus, capturing the details of the subjects. The superimposed face, however, was often slightly blurred or softened to create a dreamy effect and to distinguish it from the main image. Color Grading: The colors in these photos were often vibrant and saturated, typical of the film used during that era. The superimposed face might have a slightly different color tone, often with a bluish or purplish tint to enhance the dreamy, otherworldly effect. Camera Used: These portraits were typically taken with medium-format or 35mm film cameras, which were common in professional photography studios at the time. Film Used: The film used was usually color negative film, which was popular for its ability to capture vibrant colors and fine details. Brands like Kodak and Fujifilm were commonly used. Age of Photo: These types of portraits were particularly popular in the late 70s and throughout the 80s. The fashion styles, hairstyles, and overall aesthetic are strong indicators of this time period. Overall Impression These portraits have a nostalgic charm and are often remembered fondly for their unique and somewhat whimsical style. They capture a moment in time and reflect the photographic trends and techniques of the era.

Slinkychips PRO
1 96

3 months ago

Prompt principal (Stable Diffusion) “Realistic sports photography, 40-year-old male padel player, brunette buzz-cut (almost bald), five-day stubble, striking a powerful overhead smash above his shoulders on a professional blue padel court, using a dark pro padel paddle with holes (no tennis racket), distant full-body shot, dynamic pose frozen mid-air, dark blurred background to accentuate motion, natural side lighting creating dramatic highlights and realistic shadows, detailed clothing textures (technical T-shirt, shorts), visible ball trajectory blur, crisp depth of field, 85 mm lens look, f/2.8, ISO 400, 1/2000 s –‐ green eyes sharply in focus — sharp, photorealistic, high detail, RAW style” Variaciones Ángulo bajo + contraluz “Low-angle view, golden-hour backlighting, warm rim-light outlining the athlete, flare highlights, cinematic sports photo, ⌀85 mm, f/2.0, 1/4000 s, ISO 200” Plano lateral con motion blur de fondo “Side-view pan shot, background motion blur streaks, cool color grading, shutter 1/125 s, follows player, sense of speed, sports reportage style” Iluminación artificial nocturna “Night match under stadium LED floodlights, high-contrast lighting, cool white highlights, darker shadows, slight rain mist particles backlit, dramatic ambience” Prompt negativo (sugerencia) “tennis racket, extra limbs, extra balls, duplicate players, watermark, logo, text, cartoon, lowres, out of focus, deformed hands, bad anatomy, poorly rendered face, overexposed, underexposed” Parámetros recomendados Parámetro Valor sugerido Notas Modelo base SD 1.5 / SDXL (fotográfico) O usa tu checkpoint fotográfico favorito (por ej., Realistic Vision). Sampler DPM++ 2M Karras (ó Euler a) Karras suaviza luces; Euler a da contraste. Steps 30-40 (1.5) / 25-30 (SDXL) Menos ruido residual en caras. CFG Scale 6.5 – 7.5 Suficiente fidelidad sin over-constrain. Resolución 1344 × 768 px (16∶9) Escena panorámica con margen lateral. Aspect ratio --ar 16:9 (controlnet/resizable) Mantiene sensación de pista amplia. Seed Ajusta; prueba 123456 para reproducibilidad Cambia para variar composición. High-res fix / Upscale Latent → 2×, R-ESRGAN 4xSharp (0.33 denoise) Mejora texturas de pala y ropa. ControlNet (pose) Activado (weight 0.8) Introduce esqueletos de smash para consistencia corporal. LoRA / Embedding (opcional) “Sports-Photog-LoRA” @ 0.6 strength Refuerza estética fotográfica real. Explicación técnica Composición Partimos de un plano lejano (long shot) con fondo oscurecido mediante bokeh y sub-exposición selectiva; esto dirige la atención al smash y al contraste azul de la pista. El ángulo de 85 mm simula un tele corto común en fotografía deportiva. Iluminación Natural side lighting crea modelado en músculos y marca la barba. Para la variante nocturna, los LEDs ↑ contraste: compensa con rango dinámico (ISO 1600, pasos extra). Color & detalle La paleta fría (azul pista + verde ojos) contrasta con piel cálida; el prompt fija el paddle oscuro para evitar confusión con raqueta. Negativo & CFG El negative prompt elimina artefactos frecuentes (doble pala, tenis, textos). CFG ≈ 7 mantiene obediencia sin rigidez; sube a 8-9 si se desvían detalles clave (calvicie, ojos verdes). Flujo SDXL Genera base a 512 × 896 px (ratio 9:16 invertido si prefieres vertical), hi-res fix 2×, denoise ~ 0.25 con R-ESRGAN. Opcional: ControlNet Pose o OpenPose para clavar anatomía del smash.

7e9a584fbe5
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