with Wood's gritty prompts

3 months ago

A cinematic scene of a fierce, confident woman in a post-apocalyptic Western saloon setting, wearing a distressed cream corset with a large orange flower, tattered high-low layered skirt, black thigh-high stockings with red garters, lace-up black boots, and fingerless lace gloves. Her long wavy dark hair flows freely, with a black choker on her neck. She walks slowly through dusty light beams cutting through wooden slats, old whiskey bottles reflecting warm amber light, with floating dust particles adding texture. Her expression is strong yet calm, eyes forward, boots softly thudding on creaking wood floors. The scene has a moody, gritty Western steampunk atmosphere, warm cinematic color grading with deep shadows and golden highlights, shallow depth of field for subject isolation, subtle camera shake and slow dolly forward as she walks, emphasizing determination and elegance in a rugged world.

2 months ago

A cinematic scene of a fierce, confident woman in a post-apocalyptic Western saloon setting, wearing a distressed cream corset with a large orange flower, tattered high-low layered skirt, black thigh-high stockings with red garters, lace-up black boots, and fingerless lace gloves. Her long wavy dark hair flows freely, with a black choker on her neck. She walks slowly through dusty light beams cutting through wooden slats, old whiskey bottles reflecting warm amber light, with floating dust particles adding texture. Her expression is strong yet calm, eyes forward, boots softly thudding on creaking wood floors. The scene has a moody, gritty Western steampunk atmosphere, warm cinematic color grading with deep shadows and golden highlights, shallow depth of field for subject isolation, subtle camera shake and slow dolly forward as she walks, emphasizing determination and elegance in a rugged world,Make image design "Mia Khalifa

12 days ago

Ultra-realistic Dragan style portrait, cinematic wide shot, aspect ratio 3:2. An elderly European woman sits on the left side of the frame inside a rustic farmhouse, light coming from a stone wall window. Her deeply wrinkled face is lit by dramatic side light. She has a wooden pipe clenched between her lips, smoke rising and curling around her face, her eyes squinting in a grimace disturbed by the smoke. Focus on the knife firmly in hand and the pipe in mouth. Her thin, bony hand tightly grips a sharp kitchen knife, the blade stained with fresh blood. On the old wooden cutting board in front of her lies a slaughtered rooster, its body plucked and open, the severed head resting nearby, with blood stains spreading across the surface. On the table also a stained rag and a small bowl filled with water and blood. The atmosphere is raw, rural, and moody, with gritty textures of aged skin, knife blade, rooster feathers, blood stains, wood grain, and stone walls. Cinematic chiaroscuro, ultra-photorealistic 8K masterpiece, Dragan style, earthy tones with deep scarlet accents. Negative prompt: cartoon, illustration, painting, 3D, CGI, low resolution, blurry, oversaturated, cropped, out of frame, duplicate, disfigured, extra limbs, distorted hands, wrong anatomy, missing fingers, mutated, deformed knife, fake blood, plastic texture, glossy surface, artifacts, watermark, text

2 months ago

A highly detailed digital illustration in 9:16 format, depicting Steve McQueen as Bullitt from the 1968 cult classic film directed by Peter Yates. Bullitt is leaning casually against a door frame, wearing a sleek all-black outfit with a turtleneck sweater and a shoulder holster carrying a .38 caliber revolver. His expression is calm and confident, exuding effortless cool and nonchalance. The style captures the cinematic look and gritty atmosphere of late 1960s to early 1970s crime thrillers, with realistic textures, warm muted color tones, soft shadows, and film grain. The setting should feel urban, slightly noir, with subtle vintage details like old posters, wood trims, or a Mustang Fastback blurred in the background. Emphasize mood, posture, and lighting reminiscent of classic film stills

21 days ago

dystopian style Black and white fashion photography of a young Chinese Han-Sindhi woman in her mid-twenties standing with confident posture, hands on lapels, wearing Bandeau with center twist revealing A chiseled belly with sharp, angular abs, the shadows under each muscle group creating a geometric, high-contrast effect. and White cotton A-line mini skirt with pleated front panels and side pockets, in men's club with leather chairs, cigar smoke, and dark wood paneling in style of 'Brazil' directed by Terry Gilliam, surreal and bureaucratic dystopian world, retro-futuristic technology, decaying industrial landscapes, dreamlike visuals, dark humor, Kafkaesque absurdity, towering and labyrinthine bureaucratic structures, ominous masks, sterile buildings, gritty dilapidated streets, oversized typewriters, enigmatic figures in trench coats, challenge perceptions of reality and sanity

8 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. All female Rock-band, Four demonic female performers command the stage - a lead singer sings in the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms on a 4-string burning guitar, and a drummer unleashing infernal beats in the background. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

7 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer sings in the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms on a 4-string burning guitar, and a drummer unleashing infernal beats in the background. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

7 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer sings in the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms on a 4-string burning guitar, and a drummer unleashing infernal beats in the background. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

8 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer at the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms, and a drummer unleashing infernal beats. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

7 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer sings in the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms on a 4-string burning guitar, and a drummer unleashing infernal beats in the background. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

8 months ago

A close up picture of her guitar hands: A female demon character, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, styled with sharp, choppy bangs framing her heart-shaped face. Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp, the image is a fusion of Norse and Egyptian mysticism, evoking an otherworldly energy, as if the concert has become a ritualistic invocation of ancient powers.

2 months ago

A cinematic scene of a fierce, confident woman in a post-apocalyptic Western saloon setting, wearing a distressed cream corset with a large orange flower, tattered high-low layered skirt, black thigh-high stockings with red garters, lace-up black boots, and fingerless lace gloves. Her long wavy dark hair flows freely, with a black choker on her neck. She walks slowly through dusty light beams cutting through wooden slats, old whiskey bottles reflecting warm amber light, with floating dust particles adding texture. Her expression is strong yet calm, eyes forward, boots softly thudding on creaking wood floors. The scene has a moody, gritty Western steampunk atmosphere, warm cinematic color grading with deep shadows and golden highlights, shallow depth of field for subject isolation, subtle camera shake and slow dolly forward as she walks, emphasizing determination and elegance in a rugged world,Make the image design look like "Mia Khalifa"

8 months ago

Chainsaw cutting wood, flying sawdust particles, dynamic action shot, close-up detail, powerful tool, lumberjack, forestry work, motion blur, sparks, wood chips, intense lighting, rugged outdoor scene, high contrast, vibrant orange chainsaw, textured tree trunk, gritty realism, dramatic composition, professional equipment, photorealistic rendering, high-energy image

12 days ago

Ultra-realistic Dragan style portrait, cinematic wide shot, aspect ratio 3:2. An elderly European woman sits on the left side of the frame inside a rustic farmhouse. Her deeply wrinkled face is illuminated by dramatic side light from a stone wall window, creating strong chiaroscuro. She has a wooden pipe between her lips, smoke rising around her face, her eyes squinting in a grimace disturbed by the smoke. Her thin, bony hand firmly grips a sharp kitchen knife, working on a slaughtered rooster placed on an old wooden cutting board. The rooster’s body is plucked and open, with hyper-detailed textures of feathers, flesh, and preparation marks. Its severed head rests on the cutting board, with visible fresh blood stains and drops spreading across the aged wooden surface. On the table also a stained rag and a small bowl of water with faint reflections. The background shows rough stone walls, hanging cloths, rustic wooden furniture, and shafts of dusty light. The mood is raw, rural, moody, evoking timeless peasant life. Extreme photorealism with gritty Dragan-style textures: aged skin, smoke, knife blade, rooster’s feathers, blood stains, wood grain, stone, and fabric. Color grading in earthy browns, grays, and deep scarlet accents. Shot as if with a Canon EOS R5 + 35mm lens, f/8, cinematic masterpiece, 8K ultra-high detail. Negative Prompt: cartoon, illustration, painting, 3D, CGI, low resolution, blurry, oversaturated, cropped, out of frame, duplicate, disfigured, extra limbs, distorted hands, wrong anatomy, missing fingers, mutated, deformed knife, fake blood, plastic texture, glossy surface, artifacts, watermark, text

8 months ago

A high-left, wide-angle concert scene from , reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer at the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms, and a drummer unleashing infernal beats. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

8 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer at the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms, and a drummer unleashing infernal beats. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

29 days ago

Extreme closeup portrait of a female demon, bathed in a warm, lightHer physique, honed from the fires of the underworld has a ample bosom, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. She is clad in a black and red Latex bodysuit with a snakeskin pattern and bold cutouts that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires. She has a black and gold microphone in her hand. she's floating on a Catwalk that reach out from the rock music stage background (demone female music players in the back, aduience on left and right side) - glowing ruby overhead strips and black mirror floor, red and blue lights, always camera-right. strides onto the catwalk in a wide full-body frontal shot, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp,

8 months ago

On stage, wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer at the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms, and a drummer unleashing infernal beats. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers. 8K UHD

8 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. All female Rock-band, Four demonic female performers command the stage - a lead singer sings in the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms on a 4-string burning guitar, and a drummer unleashing infernal beats in the background. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

29 days ago

Extreme closeup portrait of a female demon, bathed in a warm, lightHer physique, honed from the fires of the underworld has a ample bosom, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. She is clad in a black and red Latex bodysuit with a snakeskin pattern and bold cutouts that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires. She has a black and gold microphone in her hand. she's floating on a Catwalk that reach out from the rock music stage background (demone female music players in the back, aduience on left and right side) - glowing ruby overhead strips and black mirror floor, red and blue lights, always camera-right. strides onto the catwalk in a wide full-body frontal shot, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp,

8 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. Four demonic female performers command the stage - a lead singer at the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms, and a drummer unleashing infernal beats. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers. 8K UHD

8 months ago

A female demon character, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, styled with sharp, choppy bangs framing her heart-shaped face. Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp, the image is a fusion of Norse and Egyptian mysticism, evoking an otherworldly energy, as if the concert has become a ritualistic invocation of ancient powers.

8 months ago

A wide-angle concert scene, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty atmospheric sensibilities. All female Rock-band, Four demonic female performers command the stage - a lead singer sings in the microphone with fierce presence, a guitarist wielding a burning hellfire guitar, a bassist weaving dark rhythms on a 4-string burning guitar, and a drummer unleashing infernal beats in the background. The stage is bathed in Kodak Ektar-inspired warm golden tones and ambient blue-red lighting, with atmospheric fog and ember sparks dancing through the air. The band members share the same aesthetic: athletic physiques, red snakeskin pattern bodypaint, long black hair, and curved horns. The scene captures the majestic cinematic composition of Ash Thorp, while Roger Dean's lighting techniques illuminate the dramatic performance. The stage itself seems alive with hellish energy, as if the concert has transformed into a ritualistic gathering of ancient powers.

29 days ago

Turn lens 90° Extreme closeup portrait of a female demon, bathed in a warm, lightHer physique, honed from the fires of the underworld has a ample bosom, while her raven tresses cascade down her back like a waterfall of night, styled with sharp, choppy bangs that frame her heart-shaped face like a dark, gothic halo. Large, curved horns protrude from her forehead, casting a faint, otherworldly glow. She is clad in a black and red Latex bodysuit with a snakeskin pattern and bold cutouts that shimmers like polished obsidian, accentuating her athletic curves. Black latex boots rise up her legs like dark, glossy spires. She has a black and gold microphone in her hand. she's floating away on a Catwalk that reach out from the rock music stage background (demone female music players in the back, aduience on left and right side) - glowing ruby overhead strips and black mirror floor, red and blue lights, always camera-right. strides onto the catwalk in a wide full-body frontal shot, reminiscent of Beksiński's dark mysticism and Giger's biomechanical nightmares, with Wood's gritty, atmospheric sensibilities, stands at the forefront of a rock music concert, her presence electrifying the air. With a Kodak Ektar lens-inspired aesthetic, warm, golden tones and subtle lens flare, the image exudes a sense of cinematic grandeur. Her athletic physique is accentuated by intricate, red snakeskin pattern shiny bodypaint, while her long, black hair cascades down her back like a dark waterfall, Large, curved horns protrude from her forehead, as if forged from the very metals of the earth. She plays a burning electric metal guitar, the instrument's body ablaze with fiery, hellish flames, as if the music itself has summoned forth the infernal forces. Ambient blue and red lighting effects dance across the scene, casting an ethereal, radiant glow, reminiscent of Syd Mead's hyper-realistic 3D renderings. The light dances across the metal accents of her boots, highlighting the detailed textures and surfaces, as if the gods themselves have descended upon the temple. With the atmospheric lighting of Roger Dean and the majestic cinematic composition of Ash Thorp,