with the camera angle slightly from behind prompts

8 months ago

An ultra-realistic, high-definition 8K image of a man holding a camera in his hand, taking a selfie while running at full speed, with a massive black bear chasing him from behind. The man is mid-stride, his body angled slightly forward, clearly pushing himself to his physical limits to escape. His facial expression is a mix of pure terror and adrenaline, with wide-open eyes and his mouth in a scream or shout. Sweat drips down his face, and his clothes are slightly disheveled from the intense movement. The black bear behind him is enormous and menacing, with sharp teeth bared and powerful muscles visible beneath its thick, glossy fur. Its claws dig into the dirt as it charges aggressively. The proximity between the man and the bear creates an edge-of-your-seat tension. The scene is shot in a dramatic GoPro-style wide-angle perspective, emphasizing the man in the foreground while showing the bear looming in the background. Motion blur enhances the feeling of high-speed movement, with the dense forest around them slightly out of focus due to the action. The forest features tall trees with sunlight filtering through the canopy, casting dappled light and shadows. The ground is covered with leaves, dirt, and roots, creating a dynamic, rugged environment. Every detail, from the man's sweat to the bear's fur and the forest's textures, is rendered with photorealistic clarity. The overall atmosphere is intense, cinematic, and adrenaline-fueled.

3 months ago

{ "subject": { "gender": "female", "pose": "back facing the camera, one hand behind holding a handbag", "clothing": { "type": "sundress", "color": "off-white", "style": "spaghetti strap, low-back" }, "accessories": { "hat": { "type": "bucket hat", "color": "cream", "brand": "Jacquemus" }, "bag": { "type": "shoulder bag", "color": "glossy red", "brand": "Jacquemus", "position": "held behind back" } }, "hair": { "length": "medium", "color": "dark brown", "style": "loose, straight" }, "skin": { "tone": "medium tan", "highlights": "sunlit with golden reflections" } }, "camera": { "angle": "eye-level, rear view", "lens": "standard lens", "aperture": "f/4", "shutter_speed": "1/1000s", "iso": 100, "brand": "Canon", "model": "EOS 5D Mark IV" }, "lighting": { "type": "natural sunlight", "direction": "from above, slight front-right", "quality": "hard light with defined shadows", "time_of_day": "midday" }, "aesthetic": { "theme": "summer minimalism", "color_palette": ["sky blue", "cream", "deep red"], "mood": "elegant, sun-drenched, stylish", "vibe": "luxury beachwear campaign" }, "environment": { "background": "clear blue sky", "location": "outdoor, possibly beach or open coastal area" }, "branding": { "visible_logos": ["Jacquemus on hat", "Jacquemus on handbag"], "style": "clean product focus" } }

3 months ago

{ "scene": { "setting": "rocky desert or mountainous landscape", "time_of_day": "daytime with strong sunlight and shadows", "atmosphere": "dusty, dramatic", "background": { "elements": "large rocky cliffs and dusty terrain", "color_palette": ["earth tones", "gray", "beige", "white"] } }, "subject": { "gender": "female", "pose": "walking forward confidently", "expression": "serious, focused", "gaze_direction": "forward", "clothing": { "outfit": { "type": "white tailored suit", "components": ["blazer", "high-neck top", "wide-leg trousers"], "fit": "structured and elegant" }, "accessories": { "eyewear": "dark sunglasses", "earrings": "small hoops or studs" } }, "hair": { "style": "slicked back", "color": "dark" } }, "companions": { "creatures": "six octopus-like beings", "description": { "body": "pearly, iridescent skin", "features": "tentacles trailing, each held by a chain leash", "style": "surreal, fashion-forward, alien or fantasy elements" } }, "camera": { "angle": "low and frontal", "lens": "wide-angle to capture subject and creatures", "framing": "full-body shot with companions", "focus": "sharp on subject, slightly blurred background" }, "lighting": { "type": "natural sunlight", "direction": "from above and slightly behind", "effect": "high contrast with long shadows" }, "aesthetic": { "theme": "surreal fashion fantasy", "mood": "dominant, powerful, avant-garde", "style": "editorial, cinematic, science fiction crossover", "color_palette": ["white", "pearlescent beige", "earthy brown", "cool gray"] } }

1 month ago

A lo-fi 2010s iPhone selfie ofa casual girl, no clear subject or specific composition—just a casual, unintentional snapshot. the photo evokes a sense of edge, slight touch of blur. flash photography. grainy texture. edited and soft focus, capturing an imperfect moment. closeup low angle candid photographs from behind. (loseup) girl, natural pale skin, freckles, inside a airplane, inside the plane, photo style is amateur, no makeup, standing in alley, view from behind, looking to me, she is looking over shoulder, angry, looking to camera, 'print shirt' oversize olive garco pants, short tight pink tshirt, flat belly.

1 month ago

Ultra photorealistic 2010s iPhone snapshot, she wears ultra-short gym shorts, breathable perforated tech fabric with dynamic shaping and micro-shadow gradients, and a grey sports top. Camera placed slightly behind her, photo framed from a natural central angle, tightly composed on the gym shorts and lower back area, 4k. While she reaches forward across the sofa to grab the TV remote, the fabric shows natural shaping and realistic tension. Authentic lo-fi aesthetic, slightly accidental motion blur, cozy evening indoor lighting, natural warm tones, subtle nostalgic vibe, realistic fabric physics with soft tension, smooth micro-folds where the material stretches, subtle pressure points forming natural shadow gradients for authentic contour shaping, authentic iPhone 4 sensor grain, muted colors, imperfect framing, cinematic depth of field, cozy living room background, timeless early-2010 vibe.

7 months ago

Studio Product shot, a close up shot, 2 peach colour slim cans of soft drink , cans haVE PEACHY logo ALONG THE LENGTH,around the word PEACHY are several Peach with leaves images one Can stands upright, second can lays horizontal at slight angle on an wide royal blue table, edges of table are NOT visible,behind table is a peach colour backdrop., waist high shot just above table surface height 50mm lens full frame camera, lighting is full coverage, cans causes a slight shadow on the table top. can has WET surface frosting effect AS IF TAKEN FROM A CHILLER and several water drops running down the side, water droplets on the table around the cans, CANS FILLS MOST OF FRAME., Horizontall can must have PEACHY WRITTEN ALONG THE SIDE, TOP OF HORIZONTALL CAN SHOW UNOPENED RING PULL TAB.BOTH CANS HAVE A WET SURFACE.

5 months ago

Create a hyper-stylized 3D floating head of a bratty, glamorous female avatar with a bothered, unimpressed expression — half-lidded eyes, arched brows, and a subtle lip curl that conveys classic 'mean girl' attitude. Her skin is fair, porcelain-smooth with a glossy, almost airbrushed vinyl finish. Highlighter is dramatically applied to her cheekbones and the tip of her nose, catching the soft studio lighting with a dewy, reflective glow. It has a text behind: Write "PROMPTHERO" in caps in Bold Black Helvetica behind the subject, covered by the head but visible enough to read it Her eyes are adorned with shimmering holographic eyeshadow — iridescent and multidimensional, shifting from purples to teals with realistic specular glints. Her thick, jet-black hair is slick, glossy, and styled with precision, falling in sculpted waves or a sleek updo, reflecting light like polished acrylic. A small metallic nose piercing (stud or hoop) sits on one nostril — the surface is chrome-like, with subtle reflections and a brushed metal texture, adding a touch of edge to her polished look. The head is fully isolated with a 15 degree tilt - floating cleanly against a plain white neutral background, mimicking a premium product render. The lighting is bright and diffuse, like a fashion studio setup, with no harsh shadows — emphasizing the gloss and plasticity of surfaces. Use subsurface scattering to give the skin depth and warmtxh Mood: bratty, fashionable, coolly detached Camera angle: close-up portrait, straight-on view. Focal length: 85mm, to slightly compress facial features and enhance softness. Textures: ultra-smooth, cartoon-style with high gloss, smooth plastic surface finish skin, lips, and hair.

1 month ago

{ "scene": { "setting": "rocky desert or mountainous landscape", "time_of_day": "daytime with strong sunlight and shadows", "atmosphere": "dusty, dramatic", "background": { "elements": "large rocky cliffs and dusty terrain", "color_palette": ["earth tones", "gray", "beige", "white"] } }, "subject": { "gender": "female", "pose": "walking forward confidently", "expression": "serious, focused", "gaze_direction": "forward", "clothing": { "outfit": { "type": "white tailored suit", "components": ["blazer", "high-neck top", "wide-leg trousers"], "fit": "structured and elegant" }, "accessories": { "eyewear": "dark sunglasses", "earrings": "small hoops or studs" } }, "hair": { "style": "slicked back", "color": "dark" } }, "companions": { "creatures": "six octopus-like beings", "description": { "body": "pearly, iridescent skin", "features": "tentacles trailing, each held by a chain leash", "style": "surreal, fashion-forward, alien or fantasy elements" } }, "camera": { "angle": "low and frontal", "lens": "wide-angle to capture subject and creatures", "framing": "full-body shot with companions", "focus": "sharp on subject, slightly blurred background" }, "lighting": { "type": "natural sunlight", "direction": "from above and slightly behind", "effect": "high contrast with long shadows" }, "aesthetic": { "theme": "surreal fashion fantasy", "mood": "dominant, powerful, avant-garde", "style": "editorial, cinematic, science fiction crossover", "color_palette": ["white", "pearlescent beige", "earthy brown", "cool gray"] } }

7 months ago

"A young couple from the 1950s walking along the wide, asphalted Vali Asr Street in Tehran. The street is lined with tall, leafy plane trees (Chenar), their shadows creating a beautiful pattern on the road. There are no street signs or large billboards. The couple walks hand in hand, with the camera angle slightly from behind, showing the street clearly. The girl has voluminous curly hair, cat-eye eyeliner, and red lipstick, dressed in a floral patterned dress with a wide collar and a flared skirt typical of the 1950s. The boy, with neatly styled hair and a thin mustache, wears a light-colored, wide-collared suit, with a shirt and a thin tie. Both are gazing at each other with soft expressions, their faces clear and detailed, showing their emotions. The street is filled with colorful cars from the era, including a classic Peking, moving down the road, while the sidewalk has vintage streetlights placed at the edges. The atmosphere is vibrant, with the warm sunlight filtering through the trees, casting gentle shadows on the street. The iconic trees of Vali Asr Street frame the scene, and the historic architecture of the time is visible in the background, creating a nostalgic, 1950s Tehran atmosphere."

1 month ago

Ultra-realistic cinematic photo of a young athletic European woman in her early twenties with fair, slightly pale skin and soft natural features, long black hair tied into a sleek ponytail, performing the advanced tripod headstand yoga pose (Mukta Hasta Sirsasana A) in a modern yoga studio. Camera positioned slightly behind and above her at a 45° downward angle, focusing on body alignment, hip positioning, and leggings fabric behavior. She wears seamless high-performance leggings in deep burgundy, made of matte compression fabric with smooth tension across the hips, realistic stretch around the glutes, and subtle micro-folds on the outer thighs, paired with a premium light grey sports bra made of soft, adaptive, moisture-reactive material. The elevated angle highlights natural balance, controlled posture, and authentic fabric response. Soft natural daylight from a large side window creates cinematic highlights, depth and soft shadows across skin and material. 8K HDR hyperrealism, photorealistic yoga studio, vertical 9:16 composition.

8 months ago

A **highly detailed, action-packed scene** featuring the **Fantastic Four** in their **classic blue suits** with the iconic **white “4” emblem**, staying true to **Jack Kirby’s original comic book style**. The team is dynamically posed in a moment of **high-stakes action** against a **colossal cosmic threat**. - **Mr. Fantastic (Reed Richards)** is at the forefront, his **body stretching and twisting in impossible ways**, extending across the battlefield with an **elongated arm grabbing a collapsing piece of debris**. His **face shows intense focus**, and his **gray temples stand out against his dark hair** as he strategizes under immense pressure. - **The Thing (Ben Grimm)** is mid-action, his **massive orange, rock-like form braced against a powerful shockwave**, throwing a **devastating punch** at an enemy with his signature battle cry: **"IT’S CLOBBERIN’ TIME!"** His **rocky hide is intricately detailed**, with **realistic cracks and depth**, giving him a **monolithic, powerful presence**. - **Human Torch (Johnny Storm)** is soaring through the sky, his **entire body engulfed in flames**, leaving behind a **bright, fiery trail**. His **eyes glow intensely with fire**, and he hurls a **controlled stream of fire** at an **approaching enemy spaceship**, his famous catchphrase **"Flame On!"** integrated into the energy burst. - **Invisible Woman (Sue Storm)** stands confidently, her **hands raised as she generates a massive, shimmering force field** to shield her teammates. The **transparent energy distorts light realistically**, with **subtle glowing edges**, while another force field encases **a group of civilians she is protecting** from falling debris. The backdrop is a **dramatic cosmic battleground**, possibly **New York City under siege**, or **outer space**, with a **menacing Galactus, Doctor Doom, or Annihilus looming in the background**. The colors are **bold and vibrant**, using **classic Marvel comic book shading and inking techniques** to capture the **nostalgic, dynamic energy of a 1960s-70s Fantastic Four comic book cover**. The **camera angle is dynamic and slightly tilted**, emphasizing **perspective, scale, and movement** as **debris flies, energy beams streak across the air, and the Fantastic Four’s abilities explode into action**. The **lighting is high-contrast and dramatic**, blending **classic comic panel aesthetics with a modern, cinematic feel**, incorporating **motion blur and deep shadows** for enhanced realism while **retaining the comic book charm**. A **masterpiece of superhero action**, blending **hyper-detailed comic book stylization, cinematic intensity, and larger-than-life cosmic storytelling**. **Ultra-detailed 8K resolution, trending on ArtStation, with Unreal Engine 5-level fidelity. Vertical aspect ratio.**

7 months ago

A very old chinese man, possibly 100 years old, paints the lips of a female robot with a thin brush in one hand. He looks intently at the robot.. He wears white overalls that are splattered with paint. He's a painter. Behind them is a 1950's style portrait of a smiling woman. It is in focus. The robot's face is exactly the style and colouring as the woman in the portrait. The robot's eyes are closed and sits on a workbench with it's head slightly turned to the camera. wide angle.

7 months ago

An ultra-realistic, zoomed out, front facing, full-body portrait of a regal young Japanese samurai wearing a intricate samurai helmet with long flowing black hair behind, with deep crimson intricate samurai armor with golden accents, he walking forward towards the camera with measured steps, he is holding a katana that has slight embers emanating off the blade. Behind him, an ultra-realistic, unreal engine 5, photorealistic, ray-traced, Substance Painter detailing with mixed-media digital painting of a full body Phoenix spreading its massive flaming golden-red wings, flaming head, flaming eyes, and embers drifting through the air as the sky glows with a setting sun. Cherry blossoms swirl around them, caught in a warm breeze, as they exude an aura of unwavering determination and honor. Character design with a final boss concept feel. The image combines advanced digital artistry techniques, including ray tracing and ZBrush sculpting, with mixed-media digital painting. The image combines advanced digital artistry techniques, including V-ray tracing and ZBrush sculpting, Unreal Engine 5 rendering, and Substance Painter detailing with mixed-media digital painting. Every element is brought to life in UHD resolution detail, photorealistic, realistic light, wide angle, kinkfolk photography.

1 month ago

A lo-fi 2010s iPhone selfie ofa casual girl, no clear subject or specific composition—just a casual, unintentional snapshot. the photo evokes a sense of edge, slight touch of blur. flash photography. grainy texture. edited and soft focus, capturing an imperfect moment. closeup low angle candid photographs from behind. (loseup) girl, natural pale skin, freckles, inside a airplane, inside the plane, photo style is amateur, no makeup, standing in alley, view from behind, looking to me, she is looking over shoulder, angry, looking to camera, 'print shirt' oversize olive garco pants, short tight pink tshirt, flat belly.

6 months ago

A surreal HD 8K image of a woman holding a camera in her hand, taking a picture while running at full speed, a giant black bear chasing her from behind. The man was in the middle, his body leaning slightly forward, apparently pushing himself to her limits to escape. Her facial expressions were pure horror and adrenaline, eyes wide open, screaming or yelling. Sweat dripped on her face, her clothes dissatisfied with his strong movements. The black bear behind her was huge and sinister, with sharp teeth exposed under its thick fur, visible muscles. Its claws dug into the dirt while actively charging. The distance between the woman and the bear creates tension in the seat. The scene is shot from a dramatic Gopro style wide angle perspective, emphasizing the person in the foreground while showing the bear looming in the background. Motion blur enhances the feeling of high-speed motion, dense forest The black bear behind him is enormous and menacing, with sharp teeth bared and powerful muscles visible beneath its thick, glossy fur. Its claws dig into the dirt as it charges aggressively. The proximity between the man and the bear creates an edge-of-your-seat tension. The scene is shot in a dramatic GoPro-style wide-angle perspective, emphasizing the man in the foreground while showing the bear looming in the background. Motion blur enhances the feeling of high-speed movement, with the dense forest around them slightly out of focus due to the action. The forest features tall trees with sunlight filtering through the canopy, casting dappled light and shadows. The ground is covered with leaves, dirt, and roots, creating a dynamic, rugged environment. Every detail, from the man's sweat to the bear's fur and the forest's textures, is rendered with photorealistic clarity. The overall atmosphere is intense, cinematic, and adrenaline-fueled.

7 months ago

A young couple from the 1950s walking along the wide, asphalted streets of Vali Asr Street (formerly Pahlavi Street) in Tehran. The scene is set in the heart of the city, with the distinct architecture and atmosphere of the time. The girl, with voluminous, curly hair, cat-eye eyeliner, and red lipstick, wears a floral patterned dress with a wide collar and a flared skirt typical of the 1950s. The boy, with neatly styled hair and a thin mustache, wears a light-colored wide-collared suit with a shirt and thin tie. The couple walks hand in hand, surrounded by a few pedestrians. The street is wide and lined with tall plane trees, casting dappled shadows onto the asphalt. Streetlamps, situated near the edge of the sidewalk, illuminate the path. The classic Persian storefronts have minimal signage, some in traditional fonts. A few old cars from the era drive by, and a tram passes in the background. The atmosphere is lively but not crowded, with the gentle hum of the city in the air. Sunlight filters through the trees, casting a warm, golden glow over the scene. The camera angle is slightly from behind the couple, allowing the street to stretch ahead with the iconic trees and towering buildings of the time visible in the background, evoking the nostalgic charm of 1950s Tehran.

9 months ago

A very old man, possibly 100 years old, paints the lips of a female robot with a thin brush in one hand. He looks intently at the robot.. He wears white overalls that are splattered with paint. He's a painter. Behind them is a 1950's style portrait of a smiling woman. It is in focus. The robot's face is exactly the style and colouring as the woman in the portrait. The robot's eyes are closed and sits on a workbench with it's head slightly turned to the camera. wide angle.

9 months ago

A very old man, possibly 100 years old, uses two hand to paint the lips of a female robot with a thin brush. He looks intently at the robot. He wears white overalls that are splattered with paint. He's a painter. Behind them is a 1950's style portrait of a smiling woman. It is in focus. The robot's face is exactly the style and colouring as the woman in the portrait. The robot's eyes are closed and sits on a workbench with it's head slightly turned to the camera. wide angle.

7 months ago

Studio Product shot, a close up shot, A peach colour slim can of soft drink , can has PEACHY logo vertically on it, Can sits on an aqua marine square table, behind table is a peach colour backdrop., high angle view/shot 50mm lens full frame camera, lighting is full coverage, can causes a slight shadow on the table top.

6 months ago

A young red head woman with pale, porcelain skin and long, flowing auburn hair kneels on a dark, matte surface, her diaphanous white dress clinging to her gentle contours. She is captured in a tenebrous, introspective pose, her eyes closed in quiet contemplation. A single, focused light source from above and slightly behind her casts dramatic shadows, emphasizing the S-curve of her back and the delicate fabric. The camera angle is low, enhancing her ethereal beauty against the impenetrable blackness. The scene is bathed in high-contrast, volumetric lighting with subtle halation, creating a mood of vulnerability and ethereal calm. Symbolist chiaroscuro and tenebrist techniques, combined with film grain and a teal and orange color grading, add depth and texture. The lighting setup features a soft, warm spotlight positioned at a 45-degree angle, casting a gentle glow that highlights her features and creates a high dynamic range.

7 months ago

Studio Product shot, a close up shot, 2 peach colour slim cans of soft drink , cans has PEACHY logo vertically on it, one Can stands upright, second can lays horizontal at slight angle on an wide royal blue table, edges of table are NOT visible,behind table is a peach colour backdrop., waist high shot just above table surface height 50mm lens full frame camera, lighting is full coverage, can causes a slight shadow on the table top. can has WET surface frosting effect AS IF TAKEN FROM A CHILLER and several water drops running down the side, water droplets on the table around the cans, CANS FILLS MOST OF FRAME.

11 days ago

A lo-fi 2010s iPhone selfie ofa casual girl, no clear subject or specific composition—just a casual, unintentional snapshot. the photo evokes a sense of edge, slight touch of blur. flash photography. grainy texture. edited and soft focus, capturing an imperfect moment. closeup low angle candid photographs from behind. (loseup) girl, natural pale skin, freckles, inside a airplane, inside the plane, photo style is amateur, no makeup, standing in alley, view from behind, looking to me, she is looking over shoulder, angry, looking to camera, 'print shirt' oversize olive garco pants, short tight pink tshirt, flat belly.

1 month ago

A lo-fi 2010s iPhone selfie ofa casual girl, no clear subject or specific composition—just a casual, unintentional snapshot. the photo evokes a sense of edge, slight touch of blur. flash photography. grainy texture. edited and soft focus, capturing an imperfect moment. closeup low angle candid photographs from behind. (loseup) girl, natural pale skin, freckles, inside a airplane, inside the plane, photo style is amateur, no makeup, standing in alley, view from behind, looking to me, she is looking over shoulder, angry, looking to camera, 'print shirt' oversize olive garco pants, short tight pink tshirt, flat belly.

5 months ago

An anime-style scene of a lone climber reaching the summit of an impossibly tall, jagged mountain at dawn. Character Design: A determined young adventurer — windswept hair, torn gloves, and dust-covered cloak. Their expression shows exhaustion mixed with awe and quiet triumph. Kneeling with one hand on the peak, breathing heavily, eyes wide as they take in the view. Their backpack is worn, and a glowing pendant or token from a mentor dangles from their chest — a reminder of their journey. Environment Details: The mountain trail below spirals downward endlessly into clouds, showing sheer vertical cliffs, broken gear, and markers of failed past attempts. Surrounding the peak: glowing golden sun rising from behind a distant horizon, casting beams of light across the scene. Winds swirl around, carrying snowflakes and glowing particles like embers. In the sky, the clouds part to reveal a vast view of the world below — forests, rivers, cities — all beneath the character’s feet. Emotional Tone: The scene must feel epic, breathtaking, and humbling — like the moment of conquering something once thought impossible. Colors: Cold blue shadows below, warm gold-orange sunrise above. Mood: A fusion of exhaustion and serenity — a visual metaphor for perseverance and breakthrough. Style Reference: Makoto Shinkai x Studio Ghibli blend — wide, cinematic angle, soft glowing particles, detailed sky gradients, and emotional realism. Camera Angle: Wide-angle third-person view from behind and slightly above the character, showing both the character and the vast world they've risen above.