A sample prompt of what you can find in this page
Prompt by a1832b460c2

without wings prompts

very few results

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

3 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

5 months ago

A grotesquely massive super-heavyweight IFBB Pro bodybuilder in his early 30s is actively hitting the official Front Double Biceps pose at center stage, his entire body tense and flexed. His feet are shoulder-width apart, knees slightly bent for balance. Both arms are fully raised and flexed at shoulder height, elbows bent at 90 degrees, fists clenched with intense pressure. His biceps explode with size and vascularity, his arms towering like living columns of muscle. His lats flare outward beneath the arms like wings, abs are sharply carved, pecs striated and full. His thighs are enormous and veiny, glutes round and locked, calves thick and defined. He wears only a minimal white string jockstrap, tightly stretched across his prominent bulge. He has detailed tattoos inked across his **lower abdomen and upper thighs**, wrapping around the muscular contours of his body — intricate, masculine designs that enhance his physical dominance without distracting from muscle symmetry. He has the face of a handsome Hollywood actor — clean-shaven, symmetrical bone structure, strong jawline, piercing eyes, and neatly styled short hair. His expression is confident and composed. He looks directly into the camera, locking eyes with the viewer in a bold, dominant way. **This is not a low-angle view. The camera is not placed below the subject. There is no upward tilt. The camera is positioned exactly at the same height as the bodybuilder’s eyes, aligned straight with his gaze. The viewer is standing directly in front of him, face-to-face, seeing him from a flat, neutral, symmetrical perspective.** Several other massive, sweaty bodybuilders are visible behind him on stage, waiting their turn. The shot is ultra photorealistic, full-body, vertical 9:16, cinematic lighting, 8K UHD. A powerful depiction of symmetry, strength, and gay-coded masculinity.