ElectricL

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AUTOMATIC1111 DALL-E

6 months ago

(Fine art photography:1.5, Cinematic portrait:1.4, Intimate close-up:1.4, High-resolution 8K:1.5, Soft natural lighting:1.3, Warm skin tones:1.3, Sharp details:1.5, Shallow depth of field:1.3, Freckles enhancement:1.3, Dreamlike atmosphere:1.2) A strikingly freckled woman with flowing auburn hair, lying on soft white sheets in a dimly lit bedroom. Her piercing green eyes lock onto the viewer with an intensity that is both vulnerable and powerful. The soft glow of window light gently kisses her skin, accentuating the delicate contours of her face, the texture of her freckles, and the curve of her lips. Her arms are wrapped around her legs, drawing them close to her chest in a protective yet sensual pose. The warmth of her body contrasts with the cool tones of the background, creating a beautiful juxtaposition between warmth and isolation. Loose strands of coppery hair cascade onto the sheets, forming intricate, natural patterns that add depth and movement to the composition. The bokeh-rich background fades into soft shadows, enhancing the sense of intimacy and personal connection. Her skin glows naturally, tiny beads of moisture visible on her collarbones, giving the impression of a warm summer evening or a moment caught between sleep and waking. Her expression is soft yet piercing, inviting the viewer into a moment of quiet introspection. The setting is minimalist yet atmospheric, with subtle grain and soft highlights reminiscent of classic film photography. There is an unmistakable sense of presence and emotion, where every detail—from the way her fingers graze her skin to the diffused lighting spilling in through an unseen window—feels deliberate, artistic, and timeless.

6 months ago

Dark Fantasy, Cinematic, High Contrast, Ethereal Divine Light, Horror Atmosphere, Gothic Aesthetic) A monstrous shadow demon, its form ever-shifting like living smoke, lurks within the abyss. Its large, crooked grin glows faintly, stretched wide with eerie amusement, reminiscent of the Cheshire Cat, but far more sinister. Twin orange eyes burn like molten embers, piercing through the darkness, radiating pure malice. It moves within the shadows, slithering unseen through the night, feeding on fear, greed, and the darkest desires of those who dwell in the void. Tonight, however, it does not feast—it fights. Before it, the divine light pierces through the darkness, burning away its form like flame licking through parchment. The forces of light—radiant celestial beings, armored warriors of divine energy—stand firm, their glowing weapons carving through the swirling black mist that shapes the demon’s body. Golden rays of holy power clash against tendrils of shadow, forming a battlefield suspended between dimensions, where the war of purity and corruption wages endlessly. The demon recoils, its form distorting violently, its grin twisting into a snarl as the light sears through its essence. It is a creature that exists only in darkness—where the light touches, it begins to unravel. Yet, even as it retreats, it whispers in the air, its laughter a low, resonant echo that chills the bones of those who fight it. The light may burn it, but fear fuels it, and as long as darkness exists within the hearts of men, the demon will always return. The background is a surreal battlefield, an apocalyptic ruin where jagged spires and crumbling structures fade between shadow and reality. Above, the sky is torn in two—one half a swirling vortex of darkness, the other bathed in celestial radiance. The war between light and shadow rages on, an eternal clash of forces that neither side will ever truly win.

6 months ago

Dark Fantasy, Cinematic, High Contrast, Ethereal Divine Light, Horror Atmosphere, Gothic Aesthetic) A monstrous shadow demon, its form ever-shifting like living smoke, lurks within the abyss. Its large, crooked grin glows faintly, stretched wide with eerie amusement, reminiscent of the Cheshire Cat, but far more sinister. Twin orange eyes burn like molten embers, piercing through the darkness, radiating pure malice. It moves within the shadows, slithering unseen through the night, feeding on fear, greed, and the darkest desires of those who dwell in the void. Tonight, however, it does not feast—it fights. Before it, the divine light pierces through the darkness, burning away its form like flame licking through parchment. The forces of light—radiant celestial beings, armored warriors of divine energy—stand firm, their glowing weapons carving through the swirling black mist that shapes the demon’s body. Golden rays of holy power clash against tendrils of shadow, forming a battlefield suspended between dimensions, where the war of purity and corruption wages endlessly. The demon recoils, its form distorting violently, its grin twisting into a snarl as the light sears through its essence. It is a creature that exists only in darkness—where the light touches, it begins to unravel. Yet, even as it retreats, it whispers in the air, its laughter a low, resonant echo that chills the bones of those who fight it. The light may burn it, but fear fuels it, and as long as darkness exists within the hearts of men, the demon will always return. The background is a surreal battlefield, an apocalyptic ruin where jagged spires and crumbling structures fade between shadow and reality. Above, the sky is torn in two—one half a swirling vortex of darkness, the other bathed in celestial radiance. The war between light and shadow rages on, an eternal clash of forces that neither side will ever truly win.

6 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

6 months ago

(Spaghetti Western meets Hindu Mythology, Cinematic, Gritty, Mythic Americana, Clint Eastwood's Unforgiven-style storytelling, Hyperreal, Dust and Gunpowder, Sunset Over the Frontier) (Gritty Cinematic Western:1.8, Hindu Mythology Meets Old West:2.0, Dust & Heat Haze:1.6, Sunburnt Leather & Weathered Cloth:1.5, Volumetric Light Through Dust:1.4, Classic Spaghetti Western Composition:1.8) The frontier is vast, endless. The sun hangs low and swollen, a burning red eye sinking behind the jagged silhouette of the mountains, bleeding golden light across the dust-choked sky. A lone rider moves through the haze, his dark stallion kicking up a slow trail of dust, the sound of hooves muffled by the dry, cracked earth. Vishnu, the Divine Gunslinger, moves like a ghost through this godforsaken land, his presence a whisper on the wind, a warning before the storm. He is adorned in a weathered duster, its deep blue fabric threadbare yet regal, embroidered in golden Sanskrit that shifts and shimmers under the dying light. Beneath it, his celestial skin glows faintly, a blue so deep it seems carved from the twilight sky itself. His golden eyes burn like twin desert suns, reflecting the fire of the West, the violence of the frontier, the weight of justice balanced on the edge of a blade. From beneath his coat, his four arms rest with an unnatural stillness, each poised for retribution. One hand grips the Sudarshana Revolver, an ancient pistol forged from the molten core of a dying star, its barrel etched with the shifting symbols of the cosmos. Another holds a coiled lasso woven from the threads of fate, glowing with the light of constellations long dead. The third hand remains open, palm outward—a warning, or perhaps a blessing. The fourth clutches the eternal lotus, a reminder that even in this land of dust and death, something divine lingers. Behind him, the town of Black Hollow waits, a rotting wooden carcass of a town, its saloon doors swaying in the wind, the church bell rusted and long silent. Shadows move behind glassless windows, fear tightening in the chests of men who know their reckoning has come. The outlaws of this place have no gods, no law but steel and blood, and yet even they whisper his name. The wind shifts, carrying the scent of gunpowder and sagebrush, and in the distance, a gang of riders appear on the ridge, silhouetted against the sun. Their leader spits, grips his rifle, and laughs. "Ain't no man gets to play god out here," he sneers. The six-shooter spins once, slow, deliberate. A single breath. A moment stretched between eternity and the dust. Vishnu narrows his golden gaze beneath the wide brim of his hat. He speaks only once. "God don’t play, friend." Then the world moves like lightning, like judgment, like fate itself unfurling.

6 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

6 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.