mudshark PRO

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

Depict a vast, hyperrealistic landscape where the Eye of Isis (or Horus) is quietly composed into the world, as if shaped by time, nature, or divine design — but not overtly drawn. The eyebrow becomes a long cloud arc or shadow ridge that frames the sky — noticeable only after stepping back. The pupil is the sun or moon, but its placement and the radial lighting subtly reinforce the eye’s center. The “white” of the eye is terrain below: fields, rivers, cliffs, or roads forming the general curvature and flow of the eye. A river or road might curve as the lower lash line, or a glinting field may reflect like an inner canthus. The result should not “look like an eye” at first — but the composition, structure, and flow suggest one once you step back. Think: a god’s eye hidden in plain sight, only visible to those who look long enough.

5 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

5 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

6 months ago

hyperspace seen from cockpit

6 months ago

hyperspace seen from cockpit

6 months ago

hyperspace seen from cockpit

6 months ago

Photorealistic comic book cover illustration, full body shot of a beautiful young woman , she is dressed in a modern fashion. Behind her is mos eisley spaceport against a blue sky, a sci-fi style base behind her, hand drawn, in the form of an old drawing, extremely detailed, in the style of Moebius, Metal Hurlant, Heavy Metal comic, full color, grain effects, film effects --no helmet --chaos 35 --ar 4:5 --stylize 400 --v 6.1

6 months ago

Photorealistic comic book cover illustration, full body shot of a beautiful young woman , she is dressed in a modern fashion. Behind her is mos eisley spaceport against a blue sky, a sci-fi style base behind her, hand drawn, in the form of an old drawing, extremely detailed, in the style of Moebius, Metal Hurlant, Heavy Metal comic, full color, grain effects, film effects --no helmet --chaos 35 --ar 4:5 --stylize 400 --v 6.1

6 months ago

Photorealistic comic book cover illustration, full body shot of a beautiful young woman , she is dressed in a modern fashion. Behind her is mos eisley spaceport against a blue sky, a sci-fi style base behind her, hand drawn, in the form of an old drawing, extremely detailed, in the style of Moebius, Metal Hurlant, Heavy Metal comic, full color, grain effects, film effects --no helmet --chaos 35 --ar 4:5 --stylize 400 --v 6.1

6 months ago

Photorealistic comic book cover illustration, full body shot of a beautiful young woman , she is dressed in a modern fashion. Behind her is mos eisley spaceport against a blue sky, a sci-fi style base behind her, hand drawn, in the form of an old drawing, extremely detailed, in the style of Moebius, Metal Hurlant, Heavy Metal comic, full color, grain effects, film effects --no helmet --chaos 35 --ar 4:5 --stylize 400 --v 6.1

6 months ago

Photorealistic comic book cover illustration, full body shot of a beautiful young woman , she is dressed in a modern fashion. Behind her is mos eisley spaceport against a blue sky, a sci-fi style base behind her, hand drawn, in the form of an old drawing, extremely detailed, in the style of Moebius, Metal Hurlant, Heavy Metal comic, full color, grain effects, film effects --no helmet --chaos 35 --ar 4:5 --stylize 400 --v 6.1

6 months ago

Photorealistic comic book cover illustration, full body shot of a beautiful young woman , she is dressed in a modern fashion. Behind her is mos eisley spaceport against a blue sky, a sci-fi style base behind her, hand drawn, in the form of an old drawing, extremely detailed, in the style of Moebius, Metal Hurlant, Heavy Metal comic, full color, grain effects, film effects --no helmet --chaos 35 --ar 4:5 --stylize 400 --v 6.1

6 months ago

Beautiful Woman with a smile appears from colorful flowers, cinematic lighting, photo realistic, by Karol Bak <lora:add_detail:0.8>

7 months ago

<(masterpiece, realistic:1.3), (extremely intricate:1.2)>, portrait of a girl, face, close up, pointy ears, dress, half-closed eyes, jewelry, sitting, strapless, strapless dress, breasts, watermark, bare shoulders, tiara, grey dress, cleavage, long hair, braid, grey hair, long eyelashes, solo, profile, solo, elf,

8 months ago

4:3 Show a lively rooftop party with a beautiful raver girl joyfully dancing, glow sticks in hand. Neon lights surround her, creating a vibrant environment. The night skyline shines in the background, represented in a captivating digital art style.

8 months ago

4:3 Create a photorealistic scene featuring a beautiful raver girl with glow sticks dancing joyfully on a rooftop. Neon lights illuminate the surroundings, enhancing the festive vibe of the night. Highlight her expressive movements and the colorful glow of the sticks.