mudshark PRO

15 days ago

midnight dynamic view, future city with massive cars and gigantic structures, dystopian bladerunner theme --ar 9:16

15 days ago

illustration, concept art style, dynamic view, future city with massive cars and gigantic structures, dystopian theme, expert drawing technique --ar 9:16

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. Blood splatters on their pale face hint at a recent battle. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. Blood splatters on their pale face hint at a recent battle. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. Blood splatters on their pale face hint at a recent battle. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. Blood splatters on their pale face hint at a recent battle. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

15 days ago

3 quarter angle of a futuristic cyberpunk humanoid facing the camera with a sleek black latex bodysuit, wearing a high-tech visor displaying glowing police text. Their head is partially covered in wet bioluminescent, tubes, cables and wires that extend downward blending with her long wet hair and the suit. Blood splatters on their pale face hint at a recent battle. The setting is a dimly lit, hallway Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling, evoking a dystopian, sci-fi atmosphere. The environment reflects on the wet floor, adding an eerie, high-tech feel. Hyper-detailed, cinematic lighting, realistic textures, and a mix of biomechanical and digital aesthetics. Photographed in a hyperrealistic cyberpunk film noir style, using a shallow depth of field, rich textures, and cinematic lighting reminiscent of 80s sci-fi aesthetics.

16 days ago

She came from Planet Claire I knew she came from there She drove a Plymouth Satellite A-faster than the speed of light Planet Claire has pink air All the trees are red No one ever dies there No one has a head Some say she's from Mars Or one of the seven stars that shine after three-thirty in the morning Well, she isn't! She came from Planet Claire

16 days ago

She came from Planet Claire I knew she came from there She drove a Plymouth Satellite A-faster than the speed of light Planet Claire has pink air All the trees are red No one ever dies there No one has a head Some say she's from Mars Or one of the seven stars that shine after three-thirty in the morning Well, she isn't! She came from Planet Claire

16 days ago

She came from Planet Claire I knew she came from there She drove a Plymouth Satellite A-faster than the speed of light Planet Claire has pink air All the trees are red No one ever dies there No one has a head Some say she's from Mars Or one of the seven stars that shine after three-thirty in the morning Well, she isn't! She came from Planet Claire

16 days ago

She came from Planet Claire I knew she came from there She drove a Plymouth Satellite A-faster than the speed of light Planet Claire has pink air All the trees are red No one ever dies there No one has a head Some say she's from Mars Or one of the seven stars that shine after three-thirty in the morning Well, she isn't! She came from Planet Claire

16 days ago

She came from Planet Claire I knew she came from there She drove a Plymouth Satellite A-faster than the speed of light Planet Claire has pink air All the trees are red No one ever dies there No one has a head Some say she's from Mars Or one of the seven stars that shine after three-thirty in the morning Well, she isn't! She came from Planet Claire

16 days ago

She came from Planet Claire I knew she came from there She drove a Plymouth Satellite A-faster than the speed of light Planet Claire has pink air All the trees are red No one ever dies there No one has a head Some say she's from Mars Or one of the seven stars that shine after three-thirty in the morning Well, she isn't! She came from Planet Claire

16 days ago

She came from Planet Claire I knew she came from there She drove a Plymouth Satellite A-faster than the speed of light Planet Claire has pink air All the trees are red No one ever dies there No one has a head Some say she's from Mars Or one of the seven stars that shine after three-thirty in the morning Well, she isn't! She came from Planet Claire

16 days ago

She came from Planet Claire I knew she came from there She drove a Plymouth Satellite A-faster than the speed of light Planet Claire has pink air All the trees are red No one ever dies there No one has a head Some say she's from Mars Or one of the seven stars that shine after three-thirty in the morning Well, she isn't! She came from Planet Claire

17 days ago

beautiful female cowboy horse back riding on the surface of the moon

17 days ago

beautiful female cowboy horse back riding on the surface of the moon

17 days ago

beautiful female cowboy horse back riding on the surface of the moon

17 days ago

beautiful female cowboy horse back riding on the moon

18 days ago

Semi-realism, artist:moriimee, ma1ma1helmes_b_illu,sketch, (1girl, solo, masterpiece, best quality, amazing quality, absurdres, newest, simple background), BREAK, wings, from side, shirt, short hair, black background, angel wings, night, glowing, dripping, long sleeves, barefoot, feathered wings, white shirt, volumetric lighting, reflection, water