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8ea3df5c026
posted 2 days ago
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Ultra-realistic cinematic concept art,
full-body wide shot of a Moroccan man in his late 20s seated on a massive throne of ruins.
He has warm light brown skin,
no beard,
a clean-shaven face with a medium taper fade and a buzz cut.
His expression is powerful,
cold,
direct — eyes locked on the viewer with intensity and pain.
His body language is grounded and dominant: feet spread,
elbows resting hard on carved throne arms,
posture that blends street realism with royal command.
The throne is not traditional — it is a hybrid of ancient Moroccan imperial ruins and post-apocalyptic urban wreckage.
Formed from fractured marble blocks,
scorched books,
rusted rebar,
shattered minaret tiles,
broken TV monitors,
and gold-inlaid ruins,
with cracks and vines growing through it.
Behind the throne,
arches partially collapsed,
lined with torn drapery and melted metal.
The structure screams both legacy and collapse — a king forged from chaos.
The artist wears a reinvented Moroccan royal war outfit:
A long,
tailored black trench coat,
shaped like a regal robe but made from military-grade ballistic fabric,
Embroidered in faded gold zellige patterns along the sleeves,
shoulders,
and hem.
Underneath: a cracked body armor chestplate engraved with Amazigh symbols and Islamic geometric lines.
On his shoulders: a torn deep red velvet cape,
flowing like a fallen banner,
frayed and dirtied.
His legs wear matte dark trousers with subtle armored plating,
tucked into weathered black leather boots,
heavy and scratched from survival.
His fingers wear steel rings with tribal and ruined motifs,
chipped,
not decorative — symbols of survival.
Around his head: a fractured iron-gold crown,
forged from scrap metal and twisted antique gold — sharp,
asymmetrical,
glowing subtly.
It’s dented,
weighted,
and war-torn — not for glory,
but legacy.
Background / Environment:
The backdrop shows the ruins of a Moroccan city — think Casablanca or Rabat in collapse.
Cracked high-rises leaning,
burnt-out satellite dishes,
graffiti-covered walls,
warped domes and arches barely standing.
In the sky: a golden-orange sunset bleeds through massive storm clouds,
with shafts of cinematic light piercing across the dust.
Ash particles drift in the air.
A half-burned Moroccan flag is faintly visible fluttering from a collapsed radio tower far behind the throne.
Ground textures include broken tiles,
scattered cassette tapes,
spilled tea glasses,
cracked pavement with Arabic writing faded beneath dust.
Typography:
The album title “Trône sur les Ruines” appears in large serif cracked gold metallic text,
clean,
minimal,
and powerful.
Placement: top left or bottom right corner of the composition.
Optional effect: subtle emboss or cracked texture across the lettering.
Color Palette:
Ash Grey
Coal Black
Moroccan Red
Bronze Gold
Dusk Orange
Storm Blue
Desert Sand
Mood Tags:
Royal rage,
fallen empire,
poetic survival,
legacy from pain,
king of nothing turned king of everything,
cinematic Moroccan realism.
Style Tags
(for PromptHero / Leonardo)
:
Ultra-realistic,
hyper-detailed,
full-body cinematic portrait,
Moroccan man,
brutalist throne,
post-apocalyptic ruins,
storm light,
dramatic shadows,
royal streetwear,
warrior king aesthetic,
poster quality,
wide-angle.
Inspiration:
Yeezus by Kanye West,
Live.
Love.
A$AP,
French war photography,
dystopian film concept art,
Moroccan imperial architecture,
7liwa & Booba attitude.
Generation parameters
Model used
Prompt category
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