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Alarato
posted 4 months ago
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Wide cinematic shot,
taken from behind,
in a vast,
sun-scorched desert.
A dilapidated,
rusted bus stop bench is positioned facing the horizon,
with the camera directly behind the bench and the seated characters,
creating a rear view composition.
Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA,
facing forward,
looking into the distance.
NO FACES VISIBLE.
NO EYE CONTACT.
– A Muslim in traditional attire
– An Orthodox Jew with a black coat and hat
– A Catholic nun in full habit
– A Sikh man with turban and beard
– A Buddhist monk in saffron robes
– A morbidly obese Superman,
cape tattered,
dragging in the dust
– A tired executive in a suit,
holding a briefcase loosely by his side.
All appear weary,
slouched,
fatigued,
in a state of silent resignation.
Above the bus stop hangs a weathered,
cracked metal sign,
faded and peeling,
sketchy that reads: "Nobody has made it out alive.
"
The desert around them is vast and empty,
the ground cracked and sun-bleached.
Long shadows stretch across the landscape.
The composition is still and surreal,
full of existential weight.
BACK VIEW ONLY.
FULLY REAR-FACING COMPOSITION.
CAMERA BEHIND BENCH AND ALL CHARACTERS.
Ultra-cinematic lighting,
shot with Cooke lenses,
ARRI Alexa sensor,
8K resolution,
high dynamic range,
golden hour ambiance,
dramatic shadows,
fine film grain.
Color grading in the style of Denis Villeneuve or Roger Deakins,
evoking loneliness and silent endurance.
add to the sign this :"Nobody has made it out alive.
"
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