A sample prompt of what you can find in this page
Prompt by Pall

20th century FLUX prompts

very few results

8 months ago

A young, light-skinned woman, likely in her 20s, with a graceful posture and a contemplative expression. She has a sophisticated, Art Nouveau-inspired hairstyle with soft, voluminous curls adorned with a delicate, flower-like headpiece. Her light-brown hair is emphasized by the lighting. Her eyes gaze contemplatively, and subtle blush highlights her cheeks. Her lips are a soft pink shade, and she's wearing a delicate pearl necklace. The woman is dressed in a flowing, elaborate, light-pink, embroidered gown with a rich, detailed pattern and gold embellishments. The fabric appears to be a silk or velvet-like material, with intricate gold embroidery and semi-precious stone accents that add depth. The dress has a loose, flowing silhouette that emphasizes the woman's form, with long, elegant sleeves. Surrounding her are lush, detailed, various shades of pink and white lilies, creating a floral backdrop. Lily motifs are woven into the dress's design. The background features an array of soft, pastel shades, including light blues, pinks, and creams, creating a dreamy, ethereal atmosphere. The background's coloration and the lighting suggest a soft, diffused, almost indoor light. The overall style is akin to a portrait from the early 20th century, rendered with a painterly quality that emphasizes the details of both the subject and the floral surroundings. Elegant, detailed flowers, softly lit from the front and upper right, in bright colours with dark green foliage. The perspective is a slightly elevated, portrait-style view, designed to focus on the woman and her serene expression, with the flowers and background contributing to the overall feeling of beauty and tranquility. Ultra detailed, soft lighting, romantic, portrait style, high detail, --ar 1:1.4 --v 5 --ar 1:1.3

4 months ago

Make a simple LOGO/Symbol that represents the following information.. History of the Hakka People - Key Points Here's a breakdown of Hakka history in point form, covering their origins, migrations, culture, and modern situation: **I. Origins & Early History (Pre-Song Dynasty - Before 960 AD)** * **Han Chinese Roots:** The Hakka are a subgroup of the Han Chinese, *not* a separate ethnic group. Their name “Hakka” (客家) literally means “guest families.” * **Northern Origins:** Most scholars believe the Hakka originated from areas of North and Central China (Henan, Shanxi, Shaanxi) during periods of upheaval. * **Multiple Migrations:** They weren’t a single migration, but *waves* of migration southward over centuries, starting as early as the Qin and Han dynasties (221 BC – 220 AD). * **Avoiding Conflict:** These migrations were often driven by political instability, war, and famine. The Hakka tended to move *away* from conflict, not to conquer. * **Early Settlers in Jiangxi:** The Jiangxi province became an early and important staging ground for their southern migrations. **II. The Long Migration & Settlement (Song - Ming Dynasties - 960 - 1644 AD)** * **Southern Migration Intensifies:** The Song Dynasty (960-1279) saw a significant acceleration of Hakka migration southwards. * **Conflict with Existing Populations:** As they moved south, the Hakka often settled in marginal lands or areas already inhabited by other groups (including other Han Chinese, and minority groups like the She and Yao). This led to frequent conflicts and clashes. * **“Guest” Status:** They were often seen as outsiders or "guests" by the existing populations, hence the name “Hakka.” They were often denied full integration. * **Settlement in Guangdong, Fujian, Jiangxi:** The Hakka eventually settled primarily in the provinces of Guangdong, Fujian, and Jiangxi, as well as parts of Sichuan, Hunan, and Guangxi. * **Fortified Villages (Weitou):** Due to constant threats and conflict, the Hakka developed a unique architectural style – fortified, circular villages known as *Weitou* (围头). These served as both homes and defensive structures. * **Development of Distinct Culture:** During this period of migration and isolation, the Hakka developed their own distinct language, customs, and traditions. **III. Qing Dynasty & Modern Era (1644 - Present)** * **Qing Dynasty Stability:** The Qing Dynasty (1644-1912) brought a period of relative stability, allowing the Hakka to consolidate their settlements and develop their economy. * **Continued Marginalization:** However, they remained largely marginalized from mainstream Chinese society, often facing discrimination and economic hardship. * **Taiping Rebellion (1850-1864):** A significant number of Hakka joined the Taiping Rebellion, a large-scale uprising against the Qing Dynasty. This further complicated their relationship with the central government. * **Overseas Migration:** In the late 19th and early 20th centuries, many Hakka emigrated overseas, primarily to Southeast Asia (Malaysia, Indonesia, Thailand, Singapore) and other parts of the world. They became successful merchants and entrepreneurs. * **Communist Revolution (1949):** After the Communist Revolution in 1949, the Hakka were initially seen as a potentially rebellious group due to their history of independence and resistance. * **Recognized as a Minority Group:** In the 1990s, the Chinese government officially recognized the Hakka as one of China’s 56 ethnic groups, though they are still considered a subgroup of the Han Chinese. * **Cultural Revival & Tourism:** In recent decades, there has been a growing interest in Hakka culture and heritage, with efforts to preserve their traditions, language, and architecture. Hakka villages are becoming popular tourist destinations. * **Diaspora Connections:** The Hakka diaspora remains strong, with significant communities around the world maintaining connections to their ancestral homeland. **Key Characteristics of Hakka Culture:** * **Language:** Hakka language (Hakka Hua), a Sinitic language distinct from Mandarin and Cantonese. * **Architecture:** Circular fortified villages (Weitou). * **Cuisine:** Unique Hakka cuisine, known for preserved foods, stuffed tofu, and savory flavors. * **Ancestor Veneration:** Strong emphasis on ancestor worship. * **Matrilineal Traditions (in some areas):** Some Hakka communities retain elements of matrilineal inheritance and family structures. * **Emphasis on Education:** Historically, the Hakka placed a high value on education. This list provides a concise overview of Hakka history and culture. It’s a complex and fascinating story of migration, adaptation, and resilience.

4 months ago

A luminous portrait of a stunning young Southern belle, captured in soft, natural light with painterly precision. She is shown from the waist up in a graceful three-quarter pose, her body turned slightly but her gaze confidently meeting the viewer. Her expression is poised, serene, and intelligent, with a subtle, knowing smile that hints at charm and inner strength. Her skin is fair with a warm, peach-blush undertone, painted with soft but visible brush strokes that convey texture and life. A delicate sheen highlights her cheekbones, collarbone, and the tip of her nose, suggesting the warmth of a Southern afternoon. Her hair is styled in soft, waved curls typical of the early 1920s — pinned loosely to one side beneath a wide-brimmed straw hat trimmed with silk ribbon and garden roses. Her chestnut or golden locks catch the light with layered, expressive strokes, the texture evident and painterly. She wears a delicate lace-trimmed summer dress, off-white or ivory, with puffed sleeves and a high waistline. The fabric flows lightly around her shoulders and chest, painted with soft, tactile folds, the transparency of the lace catching the ambient light with gentle intricacy. The background is a picturesque Southern garden or veranda, rendered loosely to emphasize atmosphere over detail: faint silhouettes of magnolia trees, creeping wisteria, and a blush-toned sky hinting at the late afternoon. The background colors—muted sage green, pale rose, and amber—are chosen to complement her complexion and attire, providing a nostalgic, romantic glow without stealing focus. Light falls around her in a haloed, cinematic softness, as if the air itself is warm with memory. Painted in a style that blends John Singer Sargent’s fluid realism, Cecilia Beaux’s emotional subtlety, and Impressionist Southern romanticism, the portrait celebrates early 20th-century elegance through expressive, high-detail brushwork. Every element—the texture of lace, the sheen of skin, the tousled edge of a curl—feels alive and timeless, evoking the golden age of Southern grace and personal mystique.

5 months ago

A beautiful and historical Persian garden in the 1950s to 1970s, reflecting the elegance of the Pahlavi era, with lush greenery, vibrant flowers, and carefully designed water features. The garden is located in Karaj, Iran, featuring intricate Persian tile work, classical columns, and domed architectural structures. The sunlight casts a warm glow over the stone pathways, which are surrounded by meticulously landscaped areas of tall trees, shrubs, and ornamental flowers. The air is filled with the peaceful sounds of flowing water from fountains and pools, adding to the serene atmosphere." Detailed Description: Architecture and Design: The garden features traditional Persian elements such as tall, slender columns and domed structures. The buildings surrounding the garden show clear influence from both classical Iranian and European architectural styles common in the Pahlavi era, with detailed tile work in shades of blue and turquoise. The roof of the buildings is adorned with intricate mosaics. Water Features: One of the most prominent features of the garden is its central fountain and multiple water channels running throughout, typical of Persian gardens. The central fountain is a large, circular, marble basin with a finely detailed water spout, spraying water high into the air. Surrounding this fountain are smaller water channels running along the pathways, flanked by flower beds and shrubs. Flower Beds and Greenery: The garden is meticulously landscaped with symmetrical flower beds that include a variety of vibrant, colorful flowers such as roses, tulips, and jasmine. Lush green lawns stretch between rows of neatly trimmed hedges, providing both aesthetic beauty and an atmosphere of peace and calm. Pathways and Lighting: Stone pathways lead visitors through the garden, bordered by rows of tall, elegant trees such as cypress and pine. The soft, golden light of the 1950s/1970s-era outdoor lighting, with lamps shaped like vintage streetlights, casts a soft glow on the garden after sunset. Atmosphere of the Pahlavi Era: The overall atmosphere captures the optimistic, modernist spirit of the Pahlavi era, with the design choices of the time reflecting both traditional Persian culture and the modernization happening across Iran. The colors are vibrant, with the golden hour light contributing to the nostalgic and rich look of the scene. The social and historical context of the Pahlavi era is evident in the overall style and aesthetic of the garden, which combines both classical Persian and early modernist influences. Color and Style: The images should be in full color, with a warm and rich color palette reflective of the mid-20th century, focusing on the bright, lively colors typical of Persian gardens—greens of the trees and plants, blues and turquoises of the tiles, and the soft, golden lighting of the era.

5 months ago

A beautiful and historical Persian garden in the 1950s to 1970s, reflecting the elegance of the Pahlavi era, with lush greenery, vibrant flowers, and carefully designed water features. The garden is located in Karaj, Iran, featuring intricate Persian tile work, classical columns, and domed architectural structures. The sunlight casts a warm glow over the stone pathways, which are surrounded by meticulously landscaped areas of tall trees, shrubs, and ornamental flowers. The air is filled with the peaceful sounds of flowing water from fountains and pools, adding to the serene atmosphere." Detailed Description: Architecture and Design: The garden features traditional Persian elements such as tall, slender columns and domed structures. The buildings surrounding the garden show clear influence from both classical Iranian and European architectural styles common in the Pahlavi era, with detailed tile work in shades of blue and turquoise. The roof of the buildings is adorned with intricate mosaics. Water Features: One of the most prominent features of the garden is its central fountain and multiple water channels running throughout, typical of Persian gardens. The central fountain is a large, circular, marble basin with a finely detailed water spout, spraying water high into the air. Surrounding this fountain are smaller water channels running along the pathways, flanked by flower beds and shrubs. Flower Beds and Greenery: The garden is meticulously landscaped with symmetrical flower beds that include a variety of vibrant, colorful flowers such as roses, tulips, and jasmine. Lush green lawns stretch between rows of neatly trimmed hedges, providing both aesthetic beauty and an atmosphere of peace and calm. Pathways and Lighting: Stone pathways lead visitors through the garden, bordered by rows of tall, elegant trees such as cypress and pine. The soft, golden light of the 1950s/1970s-era outdoor lighting, with lamps shaped like vintage streetlights, casts a soft glow on the garden after sunset. Atmosphere of the Pahlavi Era: The overall atmosphere captures the optimistic, modernist spirit of the Pahlavi era, with the design choices of the time reflecting both traditional Persian culture and the modernization happening across Iran. The colors are vibrant, with the golden hour light contributing to the nostalgic and rich look of the scene. The social and historical context of the Pahlavi era is evident in the overall style and aesthetic of the garden, which combines both classical Persian and early modernist influences. Color and Style: The images should be in full color, with a warm and rich color palette reflective of the mid-20th century, focusing on the bright, lively colors typical of Persian gardens—greens of the trees and plants, blues and turquoises of the tiles, and the soft, golden lighting of the era.