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30 days ago

a stairway has been built starting in the desert of Arabia and has risen far beyond the clouds into the heavens where it then splits and morphs into other stairs, planets and nebulea

30 days ago

im looking for an exceptionally rendered painting by lukas van Leyden and m.c. escher have worked together to build and paint the unusual chapel in an old gothic ruins of a church. crumbling walls are propped up with planks of wood, hoists for lifting heavy stones are poised and ready, strangely shaped corridors persist, an overly-cautious bishop attempts to bless the gargoyles climbing to their eventual perches at key points. it is a bright autumn day. the image is spectacular. please render it.

1 month ago

Ultra-detailed black-and-white drawing in the precise, mathematically surreal style of M. C. Escher — a perfectly aligned checkerboard surface in flawless perspective stretches across the scene. On the left, a rigid line of uniformed policemen marches forward; on the right, a determined crowd of protesters walks toward them. At the exact center where the two groups meet, their human forms begin a seamless Escher-like tessellation morph: clothing patterns and body shapes transform into alternating light-and-dark bird forms, wings emerging from arms, legs tapering into tails, faces becoming beaks. The morphing figures interlock geometrically, each transition stage rendered with perfect precision. From the center upward, the fully formed birds spiral into a mathematically perfect vortex, a whirlwind of feathers drawn with crisp shading, pulled toward a vanishing point in the sky. Shadows and lighting are stark and architectural, enhancing the impossible geometry — graphite shading, infinite detail, surreal symmetry, no color, Escher-level precision.

1 month ago

In the style of M.C. Escher, surreal imaginative transformation on a wide panoramic canvas: on the far left, a single woman walks her dog on a leash across a perfectly aligned checkerboard ground of greys and whites. Moving left to right, the dog gradually morphs into the woman, while the woman morphs into the dog. At the midpoint they are one fused human-canine hybrid, with clear symmetrical transformation details. By the right side, the roles have reversed — the former dog is now human walking the former woman, now a dog. The checkerboard floor recedes in precise perspective but twists subtly toward the center, creating an optical illusion. Finely detailed black-and-white ink lines, crosshatching texture, mathematically perfect geometry, ultra-high detail

1 month ago

a drawing in the style of M. C. Escher starts on the left side of the image where a single woman walks her dog on a leash then the dog begin to morph into the women walking it and the women begins morphing into the dog that she's walking. the ground is a checkerboard pattern of grey's and whites that brings yet another element into this piece. follow my instructions and make the drawing

1 month ago

a drawing in the style of M. C. Escher starts on the left side of the image where a single woman walks her dog on a leash then the dog begin to morph into the women walking it and the women begins morphing into the dog that she's walking. the ground is a checkerboard pattern of grey's and whites that brings yet another element into this piece. follow my instructions and make the drawing

1 month ago

in the style of M. C. Escher a checkerboard tablecloth on a square table has two colors-black and white. at the edge of the tablecloth the squares are shaped like crocodiles while the other colored squares are sharks. as we go toward the center of the tablecloth the animals types have changed leaving, at last in the center, a shark

1 month ago

in the style of M. C. Escher a checkerboard tablecloth on a square table has two colors-black and white. at the edge of the tablecloth the squares are shaped like crocodiles while the other colored squares are sharks. as we go toward the center of the tablecloth the animals types have changed leaving, at last in the center, whichever animal get's there first

1 month ago

in the style of M. C. Escher a checkerboard tablecloth on a square table has two colors-black and white. at the edge of the tablecloth the squares are shaped like crocodiles while the other colored squares are sharks. as we go toward the center of the tablecloth the animals types have changed leaving, at last in the center, whichever animal get's there first

1 month ago

new drawing. Using both M. C. Eschers styles and mixing it with Jan van Eyck's style though it will be a graphite drawing. Central item is a hoop of metal. Wrapped around and coiling around the left side of the hoop is a python and as it gets to the top of the hoop it's head becomes an orchid. On the right side of the hoop is a rattlesnake coiling around the hoop and as it gets to the top of the hoop it' head turns into a rose. We do see a shadow of this on the ground.

1 month ago

draw a checkerboard patterned tablecloth on a square table drawn in the fashion of Escher, with the shapes at the edges will be fish, and the other color in the pattern shaped like birds. Eac haped animal becomes more and more alive until, at the center we have our main animal-part bird, part fish,

1 month ago

in this masterpiece painting by Pieter Jan Saenredam two women find a splendid spot for their picnic, where they can lay out their blanket and set down their items. Nearby is a gently flowing stream along which grow poplars and a few pines.

1 month ago

a renaissance noblewoman brings two handmaidens with her to shop in Bruges in this painting by Jan van Eyck the handmaids are rude and refuse to listen to their mistress who is offering them new undergarments

1 month ago

a renaissance noblewoman brings two handmaidens with her to shop in Bruges. the handmaids are rude and refuse to listen to their mistress who is offering them new undergarments

2 months ago

an image by Joachim Patinir of a maid stopping to window shop in a store of fine clothing displayed in a shop window in Bruges.

2 months ago

in a painting by Joos de Momperwe see a painting, in a museum, of itself hanging on the wall, looking like a picture-in-picture effect.

2 months ago

in a painting by Joe Menghini we see a painting, in a museum, of itself hanging on the wall, looking like a picture-in-picture effect.

2 months ago

in this image by Jan van Eyck several women by a wharf argue with the fisherman who is selling gift-wrapped boxes each with a pretty bow. The women are perplexed as to why there are no fish for sale.

2 months ago

in this image by Joos de Momper and Max Ernst several women by a wharf argue with the fisherman who is selling gift-wrapped boxes each with a pretty bow. The women are perplexed as to why there are no fish for sale.

2 months ago

A painting in the refined, Northern Renaissance style of Jan Gossaert. A line of men and women in early 16th-century Flemish attire walk solemnly toward the viewer in a shallow, stone-paved square framed by Romanesque arches and distant architectural detail. As they near the foreground, their orderly procession is interrupted by an invisible force—an unseen ramp or barrier—causing each figure, in sequence, to flip upside-down in mid-step. Their robes and cloaks billow with the unnatural motion, limbs caught mid-air, expressions frozen in surprise or confusion. After inverting, they appear to be carried backward, feet-first, along the path from which they came. Despite the unnatural phenomenon, the lighting is serene and classical, with crisp, directional sunlight casting defined shadows across the scene. The atmosphere is both reverent and bizarre, rendered with Gossaert’s meticulous attention to drapery, flesh, and architectural perspective. The image invites allegory, mystery, and quiet disorientation.

2 months ago

A painting in the refined, Northern Renaissance style of Jan Gossaert. A line of men and women in early 16th-century Flemish attire walk solemnly toward the viewer in a shallow, stone-paved square framed by Romanesque arches and distant architectural detail. As they near the foreground, their orderly procession is interrupted by an invisible force—an unseen ramp or barrier—causing each figure, in sequence, to flip upside-down in mid-step. Their robes and cloaks billow with the unnatural motion, limbs caught mid-air, expressions frozen in surprise or confusion. After inverting, they appear to be carried backward, feet-first, along the path from which they came. Despite the unnatural phenomenon, the lighting is serene and classical, with crisp, directional sunlight casting defined shadows across the scene. The atmosphere is both reverent and bizarre, rendered with Gossaert’s meticulous attention to drapery, flesh, and architectural perspective. The image invites allegory, mystery, and quiet disorientation.

4 months ago

an image in the style of Pinturicchio depicting a small lake as seen from a ridge above the lake, a pretty blue reflecting the sky and surroundings. Two men fish from a small boat. exquisite detail. it is morning. the sky is clear with only a few clouds.

4 months ago

an image in the style of Artemisia Gentilescia depicting a small lake as seen from a ridge above the lake, a pretty blue reflecting the sky and surroundings. Two men fish from a small boat. exquisite detail. it is morning. the sky is clear with only a few clouds.

4 months ago

an image in the style of Quentin Matsys depicting a small lake as seen from a ridge above the lake, a pretty blue reflecting the sky and surroundings. Two men fish from a small boat. exquisite detail. it is morning. the sky is clear with only a few clouds.