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a still life oil on canvas painting by Winslow Homer of an antebellum style mansion in the woods in the deep south. moss hangs from the cypress trees. Cotton grows in a nearby field.

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a still life oil on canvas painting by Andrew Wyatt of an antebellum style mansion in the woods in the deep south. moss hangs from the cypress trees. Cotton grows in a nearby field

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A green and black reticulated python has slithered itself into a perfect figure eight as it lies in the sand in this painting by Max Ernst

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A reticulated python has slithered itself into a perfect figure eight as it lies in the sand in this painting by Joos de Momper

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in a painting by Leonardo da Vinci we see a fiddler is fiddling in Florence. She and her cello are captured with great accuracy. Off to the side of the painting, ascending a narrow road into a village, are a procession of young Communicants all in white, their countenances holy and distracted. s'fumato

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in this masterpiece painting by Jan van Eyck a female baker looks at us and reaches out as if to hold us. she is a good looking woman of about 28 years old. Her baking utensils and such are about her on the counter. it is early morning.

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in this masterpiece painting by Joos de Momper, a female baker looks at us and reaches out as if to hold us. she is a good looking woman of about 28 years old. Her baking utensils and such are about her on the counter. it is early morning.

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in an unsigned and recently discovered painting by Yves Tanguy, a trio consisting of mother, father and daughter are facing us, expressionless and unreadable. in the background large beanstalks grow and rise into the sky and then vanish in the clouds. 32k

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in an unsigned and recently discovered painting by Jan van Eyck, a trio consisting of mother, father and daughter are facing us, expressionless and unreadable. in the background large beanstalks grow and rise into the sky and then vanish in the clouds. 32k

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Hyper realistic eye level exterior photo of a mid century modern style house overlooking the ocean, daylight, indirect lighting, AD magazine, Frank Lloyd, Eames, Mies van der Rohe

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in an unsigned painting by Rene Magritte a beautiful woman faces us and reaches out as if to sooth our fears. her anatomy is perfect. She is standing in a cul-de-sac in a quiet neighborhood. it is golden hour.

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in an unsigned painting by Rene Magritte a woman faces us and reaches out with her right hand, which is anatomically correct, as if to sooth our pain. she has a kind and benevolent expression. an elusive smile taunts the viewer. the setting is a backyard and the time of day is the golden hour.

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in an unsigned painting by Rene Magritte a woman faces us and reaches out with her right hand as if to sooth our pain. she has a kind and benevolent expression. an elusive smile taunts the viewer. the setting is a backyard and the time of day is the golden hour.

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in a painting in the style of Jan van Eyck a couple walk hand-in-hand while strolling on the surface of the moon. They aren't wearing and don't need to wear spacesuits. In the background we see Earth rise

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a masterpiece painting in the style of Winslow Homer of a husband and wife burying something out in the yard of their house. We don't see what they're burying but it is a cold and windy day. the light of a fire glows from a window and a wisp of smoke appears from the chimney

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a masterpiece painting in the style of John Constable of a husband and wife burying something out in the yard of their house. We don't see what they're burying but it is a cold and windy day.

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a masterpiece painting in the style of John Constable of the ruins of an old castle in the English countryside.

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a masterpiece painting in the style of Jan van Eyck depicting a canal where a barge is being towed from the banks by horses. The barge is loaded with pigs on their way to slaughter. It is autumn

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on the surface of Europa plains are riddled with deep crevices while other features include methane ice mountains and small geysers of water ice. there are no clouds and Europa is a moon of Jupiter in deep space

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A surrealist painting by Joos de Momper depicting the end of the world as we know it. The landscape is fractured and melting, as if reality itself is dissolving. Gigantic, distorted clocks drip over crumbling skyscrapers, symbolizing time unraveling. The sky is a swirling vortex of unnatural colors—deep purples, fiery oranges, and electric blues—where celestial bodies collide and shatter like glass. Ethereal, ghostly figures float above the ruins, their faces serene yet melancholic, witnessing the world’s transformation. In the foreground, a lone figure with an expression of awe and sorrow stands on the edge of a broken earth, gazing at a massive, surreal sun setting for the last time. The scene blends elements of dreamlike beauty and apocalyptic dread, evoking a sense of both finality and transcendence.

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