Search prompts for Stable Diffusion, ChatGPT & Midjourney

A surrealist painting in the style of René Magritte: a woman sits alone on a small grassy hillock under a vast, pale blue sky. She is turned slightly away, her face buried in her hands as she cries. Her tears pour forth in impossible volume, streaming through her fingers, onto the ground then down the hill and transforming into a clear, winding river that carves through the quiet landscape. The surrounding terrain is sparse and still, emphasizing the unnatural abundance of her sorrow. The light is even and dreamlike, casting soft shadows. No fantastical elements distract—only the stark, poetic transformation of grief into water, rendered with the calm, precise surrealism of Magritte.

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A surreal seascape where a man and a woman stand side by side, their front-facing bodies completely cloaked in a soft blue and pink checkerboard pattern that obscures all features, blending their forms into geometric anonymity. Behind them stretches an endless ocean, its surface rolling with waves that shimmer in an uncanny checkerboard pattern of pale green and yellow. The sea undulates like a living quilt, each square catching the light differently, creating an illusion of motion and stillness at once. The sky above is blank and dreamlike, as if forgotten by color or time.

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A surrealist painting with a seamless blend of two contrasting weather scenes. One side depicts a vibrant Caribbean day—turquoise waters, golden sand, palm trees swaying gently under a bright blue sky. The other side transitions fluidly into a dark, stormy seascape with churning waves, heavy ominous clouds, and wind-whipped trees. There is no visible divide; the shift in mood and weather is gradual and dreamlike, as if nature is quietly shifting between serenity and chaos. Hyper-detailed, oil painting style with rich textures and soft, surreal lighting.

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a forest scene, very tranquil but a bit eerie plays host to a couple dancing in a clearing. This couple is ghost-like in their appearance but their dancing is marvelous.

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Picture a person coming toward the viewer, in a surreal garden filled with impossible geometries and dreamlike landscapes, painted in the style of Joos de Momper. The person looks at us as if they know us.

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Picture a surreal garden filled with impossible geometries and dreamlike landscapes, painted in the style of Joos de Momper.

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a Max Ernst watercolor painting in a low-angle perspective of a small hamlet in the foothills in Newtown, Connecticut. It is late autumn and so the foliage is golds and reds. a farmer rides a wagon pulled by one horse in front.

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a John Constable watercolor painting in a high angle perspective of a small hamlet in the foothills in New Hampshire. It is late autumn and so the foliage is golds and reds. a farmer rides a wagon pulled by one horse.

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a John Constable watercolor painting in a high angle perspective of a small hamlet in Lankfordshire. It is late autumn and so the foliage is golds and reds. A hay wagon is pulled by one horse in front of it.

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a John Constable watercolor painting in a high angle perspective of a small hamlet in Lankfordshire. It is late autumn and so the foliage is golds and reds. a farmer rides a wagon pulled by one horse.

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a Winslow Homer watercolor painting in a high angle perspective of a small hamlet in Vermont's Green Mountains. It is late autumn and so the foliage is golds and reds. a farmer rides a wagon pulled by one horse.

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a racially diverse crowd of men and women stand together facing the viewer. it is the 1940's. The background is a scene of a run-down city. The scene has a flair of the work of Dali.

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a racially diverse crowd of men and women stand together facing the viewer. it is the 1940's. The background is a scene of a run-down city. The scene has a flair of the work of Edward Hopper.

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a fashion-diverse crowd of men and women stand together facing the viewer. it is the 1940's. The background is a scene of a run-down city. The scene has a flair of the work of Edward Hopper.

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a fashion-diverse crowd of men and women stand together facing the viewer. it is the 1930's. The background is a dystopian scene of a run-down city though the crowd is not dressed shabbily. The scene has a flair of the work of Edward Hopper or Rene' Magritte.

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a racially diverse crowd of women stand together facing the viewer. it is the 1930's. Our crowd is well behaved however and they face front dispassionately though their eyes are beginning to wander. The background is a dystopian scene of a ruined city though the crowd is well dressed. it has a flair of the work of Edward Hopper or Rene' Magritte.

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a racially diverse crowd of men and women stand together facing the viewer. it is the 1960's and there is tension in the air. Our crowd is well behaved however and they face front dispassionately though their eyes are not averted. The background is a dystopian scene of a ruined city though the crowd is well dressed. it has a flair of the work of Edward Hopper or Rene' Magritte.

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in this 1500's era painting by Jan van Eyck a husband, standing in profile on the left in a sparsely decorated room, reaches for his wife who is standing on the right in the painting and she is reaching for her husband. An arched window at the back of the room lets in the golden hour sun. the dress is of the period. there is no radiator under the window.

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in this Hans Memler painting a husband, standing in profile on the left in a sparsely decorated room, reaches for his wife who is standing on the right in the painting and she is reaching for her husband. An arched window at the back of the room lets in the golden hour sun.

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in this Jan van Eyck painting a husband, standing in profile on the left in a sparsely decorated room, reaches for his wife who is standing on the right in the painting and she is reaching for her husband. An arched window at the back of the room lets in the golden hour sun.

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