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A surrealist painting depicting the end of the world as we know it. The landscape is fractured and melting, as if reality itself is dissolving. Gigantic, distorted clocks drip over crumbling skyscrapers, symbolizing time unraveling. The sky is a swirling vortex of unnatural colors—deep purples, fiery oranges, and electric blues—where celestial bodies collide and shatter like glass. Ethereal, ghostly figures float above the ruins, their faces serene yet melancholic, witnessing the world’s transformation. In the foreground, a lone figure with an expression of awe and sorrow stands on the edge of a broken earth, gazing at a massive, surreal sun setting for the last time. The scene blends elements of dreamlike beauty and apocalyptic dread, evoking a sense of both finality and transcendence.

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In this painting done by Joos de Momper a spoon wrestles with a fork in a lot at the end of the towns main street. The spectators (carrots and turnips) shout and jeer the contestants. highly detailes, 32k

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in this scene by Jan van Eyck a small town parade is disrupted by hordes of flying knives and forks and spoons who menace the townsfolk and who carry off a flag and a small ear of corn, 32k, perfect anatomies and lighting

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in this scene by Jan van Eyck a horseshoe crab walks down a street in a sleepy southeastern town in Virginia and as it does it encounters the mayor-the meeting is amicable, 32k, bismuth

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in this scene by Jan van Eyck a horseshoe crab walks down a street in a sleepy southeastern town in Virginia and as it does it encounters the mayor-a Blue ringed octopus. the meeting is amicable, 32k, bismuth

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in this scene by Joos de Momper a horseshoe crab walks down a street in a sleepy southeastern town in Virginia and as it does it encounters the mayor-a Blue ringed octopus. the meeting is amicable, 32k, bismuth

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two rattle snakes on the smooth desert floor entwine themselves to create a perfect shape of a double-helix DNA strand, 32k, early morning light, windswept

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two rattle snakes on the smooth desert floor entwine themselves to create a perfect shape of a DNA strand, 32k, early morning light, windswept,

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A woman with wings silently soars over a town at night and we see this from her perspective. A half-moon gives her an otherworldly glow.

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A surreal aerial view of a quiet town at midnight, enveloped in deep blues and purples. The town's buildings and winding streets appear dreamlike, with soft, elongated shadows stretching unnaturally. Only a few scattered lights glow from windows, casting an eerie warmth against the cold night. Above, the sky is vast and consuming, with a barely-there sliver of a moon illuminating faint wisps of swirling clouds. The perspective is distorted, as if seen through a dream, with rooftops bending and streets curving in impossible ways. There’s an otherworldly stillness, as if time itself is suspended. The scene exudes a sense of mystery, wonder, and quiet isolation.

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a Jan van Eyck painting of a beautiful young woman with sun-kissed skin and flowing hair gently rises into the air above a pristine Caribbean beach, lifted by a cluster of colorful helium balloons. She had been sunbathing on the golden sand, her swimsuit still glistening with tiny specks of saltwater. As she ascends, she gazes down at the crystal-clear turquoise waters below. The sunlight dances on the gentle waves, creating a dazzling effect, while a warm ocean breeze rustles the balloons. The scene is both serene and thrilling, capturing a moment of unexpected weightlessness and quiet awe.

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A beautiful young woman with sun-kissed skin and flowing hair gently rises into the air above a pristine Caribbean beach, lifted by a cluster of colorful helium balloons. She had been sunbathing on the golden sand, her swimsuit still glistening with tiny specks of saltwater. As she ascends, she gazes down at the crystal-clear turquoise waters below, where the dark, shadowy shapes of sharks glide just beneath the surface. The sunlight dances on the gentle waves, creating a dazzling effect, while a warm ocean breeze rustles the balloons. The scene is both serene and thrilling, capturing a moment of unexpected weightlessness and quiet awe.

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Goddess close-up portrait ribcagel. jellyfish phoenix head, nautilus, orchid, skull, betta fish, bioluminiscent creatures, intricate artwork . octane render, trending on artstation,t symmetrical artwork. cinematic, hyper realism, high detail, octane render, 8k

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a man, facing the viewer, holds the lines to a few large, round helium balloons and gently floats into the air above his neighborhood. he can see the houses below, some birds pass him and he can also see the coastline a little way off. it is a color scene

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a man holds the lines to a few large, round helium balloons and gently floats into the air above his neighborhood. he can see the houses below, some birds pass him and he can also see the coastline a little way off. it is a color scene

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a man uses a few large, round helium balloons and gently floats into the air above his neighborhood. he can see the houses below, some birds pass him and he can also see the coastline a little way off.

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A surreal painting set in the grand city of Constantinople, featuring a single man whose face is divided into two distinct halves—one side depicting an aged, bearded scholar with deep lines of wisdom, the other a young, clean-shaven merchant with eyes full of ambition. His clothing is a fusion of Byzantine nobility’s rich fabrics and the modest garments of a tradesman. The background showcases the vibrant streets of Constantinople, with the Hagia Sophia rising majestically in the golden light. Amidst the scene, a mysterious figure levitates in the air, draped in flowing robes, as if caught between heaven and earth. The figure glows with an ethereal light, their presence adding an air of mysticism to the historical setting. The painting is rich in warm tones, with intricate details in the architecture, textiles, and expressions, blending realism with surrealism

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Create a surrealist masterpiece in the combined styles of Jan van Eyck and René Magritte. The scene depicts a partially sunken grotto, where the lower half is submerged in still, mirror-like water, reflecting the dreamlike architecture above. Elegant marble steps, pristine and glistening, ascend from the water to the non-sunken portion, leading into an ethereal light. From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

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A surrealist painting by Jan van Eyck and Max Ernst wherein a mirrored monolith sits on the floor of a desert. growing out of the sides and tops of this monolith are arms and hands (all anatomically accurate) that are reaching and writhing, some are almost tangled. The time of day is morning. The sky is a soft azure with only a few puffy clouds passing

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this surrealist image by Joos de Momper with a different face on each of the four models here are connected by a cable that runs out of one window and then back into another until all faces are connected.

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