A sample prompt of what you can find in this page
Prompt by Alarato

View from behind the character FLUX prompts

very few results

7 months ago

A breathtaking 16K ultra-realistic cinematic masterpiece depicting a celestial squadron of fierce yet divine female angels standing in perfect military formation, their profiles aligned in a powerful side-view row as if awaiting orders from their unseen captain. Each warrior is uniquely designed but unified in celestial grandeur, their piercing gazes locked forward with unwavering discipline. The scene is set against an expansive, dreamlike sky of swirling nebulae, soft golden clouds, and distant floating citadels bathed in ethereal light. The angels stand upon a radiant, translucent platform suspended in the heavens, their presence casting delicate glows and shimmering particle effects that dance in the cosmic breeze. Character Details: First Angel (Leader): Tall and commanding, her long platinum hair flows like liquid starlight, adorned with a delicate golden circlet. Her armor is ornate—gleaming white and gold with celestial engravings, a tattered azure cloak billowing behind her, emblazoned with a radiant halo sigil. Her eyes glow like twin supernovae, focused and unyielding. Second Angel (Lieutenant): Slightly shorter but equally formidable, her silver-blue armor is etched with constellations, her wings (partially unfurled) shimmering with iridescent feathers. Her expression is calm but alert, a celestial spear resting vertically at her side. Third Angel (Guardian): Younger but no less fierce, her rose-gold armor is lighter, adorned with flowing ribbons that defy gravity. Her gaze is intense, her lips parted slightly as if whispering a divine mantra. Lighting & Atmosphere: The scene is bathed in a divine golden glow, with volumetric god rays piercing the clouds, illuminating the angels’ armor with a lifelike metallic sheen. Soft lens flares and subtle bokeh effects add depth, while microscopic details—individual strands of hair, the texture of feathered wings, and the weathered imperfections of their armor—heighten realism. Mood & Composition: Awe-inspiring and majestic, evoking the solemnity of a sacred oath. The angels’ synchronized stance conveys unity and unbreakable loyalty, their presence both serene and formidable. The background hints at an approaching celestial event—a distant supernova or the arrival of their commander—adding narrative tension.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

7 months ago

Main Theme: Create a black and grey tattoo design of the orisha Ogum, depicted as a powerful, divine African warrior. The design should cover from the shoulder to the elbow, forming a complete and fluid composition. The design should be detailed, realistic, and well-balanced, with no anatomical reference. It should feel like a true arm sleeve tattoo, wrapping from the shoulder to the elbow, with smooth transitions and a harmonious flow. Character Pose and Frame: Ogum is to be depicted in a strong side-view pose, from the chest up, with his torso angled to create depth and volume. His body should face forward, but his head should be slightly turned towards the viewer. His strong, intense expression should radiate spiritual power. The design should completely fill the shoulder to elbow area, following the arm’s natural flow without distorting the design. The composition must have no cropped elements, and all features must fit organically in the vertical space of the arm. Visual Character: Ogum should have a muscular, powerful build. His head is bald, with a well-groomed beard. His eyes are glowing white, conveying intense spiritual energy. His facial features should have a warrior-like expression, stern and fierce, as if emanating divine power. Focus on capturing the strength and intensity of Ogum's features, with realistic textures that emphasize his divine energy. Essential Elements (all must be included): Ogum’s sword: Held in one hand, angled to complement the natural flow of the arm. The sword should have sacred, forged details that are powerful and intricate, with the blade extending downwards towards the forearm. Round warrior shield: Positioned near Ogum’s body, with carved or embossed details. The shield should reflect protection and power, integrated seamlessly into the design without overwhelming other elements. Dracaena trifasciata (Sword of Saint George): This plant should subtly wrap around the sword or shield, or flow upwards in the background, symbolizing protection and strength, without disrupting the overall flow. Elaeis guineensis (African oil palm leaf): This plant element should be in the background, surrounding Ogum’s head and shoulders, creating a strong, protective silhouette. Mariwo (raffia strands): Subtle raffia strands should flow around the design like a halo or war banner, adding a sacred, energetic element in the background. Atmosphere and Mood: The atmosphere should be spiritual and intense. The lighting should be dramatic, with strong chiaroscuro contrasts that add depth and dimension. Use deep blacks and bright highlights to enhance Ogum’s features and the sacred elements around him. Incorporate subtle textures like smoke or divine rays behind Ogum to suggest power and movement. These textures should be integrated into the background, enhancing the energy of the composition without cluttering the design. Keep the background clean, avoiding modern or chaotic elements, and focus on adding symbolic textures and divine energy around the central figure. Tattoo Style: Black and grey realism with spiritual fantasy elements. The design should have high contrast, smooth shading transitions, and fine details that emphasize Ogum's face, sword, shield, and the symbolic elements. The shading should flow naturally with the contours of the arm, avoiding flatness. Ensure that the composition is balanced, with the central elements standing out, while the background textures enhance the overall power and mood without overcrowding the design.

7 months ago

A breathtaking 16K ultra-realistic cinematic masterpiece depicting a celestial squadron of fierce yet divine female angels in perfect military formation, their profiles lined up in a powerful side-view row, as if awaiting orders from their invisible captain. Each warrior has a unique design, but is unified in celestial grandeur, their penetrating gazes turned forward with unwavering discipline. The scene takes place in a wide, dreamlike sky with swirling nebulae, soft golden clouds and distant floating citadels bathed in ethereal light. The angels are on a radiant, translucent platform suspended in the heavens, their presence casting delicate sparkles and shimmering particle effects that dance in the cosmic breeze. Character details: First angel (leader): Tall and imposing, his long platinum hair flows like liquid starlight, adorned with a delicate golden ring. Her outfit is ornate - gleaming white and gold with celestial engravings - with a tattered blue cloak fluttering behind her, emblazoned with a radiant halo symbol. Her eyes shine like twin supernovas, focused and unwavering. Second Angel (Lieutenant): A little shorter, but just as formidable, her silver-blue outfit is emblazoned with constellations and her wings (partially open) glow with iridescent feathers. Her expression is calm but alert, with a celestial spear resting vertically at her side. Third Angel (Guardian): Younger, but no less fierce, his pink-gold outfit is lighter, adorned with flowing ribbons that defy gravity. His gaze is intense, his lips slightly parted as if he were whispering a divine mantra. Lighting and atmosphere: The scene is bathed in a divine golden glow, with volumetric divine rays piercing the clouds, illuminating the angels' armor with a realistic metallic sheen. Soft lens flares and subtle bokeh effects add depth, while microscopic details - individual strands of hair, the texture of feathered wings and the worn imperfections of their armor - add to the realism. Mood and composition: Inspiring and majestic, evoking the solemnity of a sacred oath. The synchronized posture of the angels conveys unity and unbreakable loyalty, their presence is both serene and formidable. The background suggests an approaching celestial event - a distant supernova or the arrival of its commander - adding tension to the narrative.