precise perspective FLUX prompts

4 months ago

A vast surreal desert landscape stretching infinitely, dotted with futuristic monoliths and abandoned retro-tech, drawn in precise lineart. Above, the sky mirrors the terrain perfectly, but with shifting seasonal layers—lush spring forests bloom upside-down in one quadrant, golden autumn meadows flicker in another. Floating satellites orbit between the mirrored sky and ground. The color palette is clean pastel tones, infused with dreamlike light. Wide-angle perspective, soft haze, minimalist but emotionally resonant — masterpiece, 8k, extremely detailed, mirrored seasons, Moebius lineart x Stålenhag tone.

8 months ago

POV first-person perspective, I make my way toward the canvas tent, the dagger clearly visible in my hand as I grip it firmly with readiness. The blade glints faintly in the dim light, held with the precision of a seasoned warrior. Alongside me, two soldiers move quietly, their bodies slightly hunched and poised, signaling their intent to strike at any moment. Their movements are sharp and deliberate, preparing for an imminent attack. All three of us are dressed in black, historical Arab soldier attire, made from loose, breathable fabric designed for battle and travel. The dark cloth blends into the night, making us harder to detect, while still allowing for swift, fluid movements. The night is thick with tension. Two torches flicker on either side of the tent, casting long, distorted shadows across the ground. The dark atmosphere adds to the sense of danger, the stillness broken only by the occasional rustling of the wind. Every step forward feels like a step closer to the unknown, as the air grows heavier with the promise of action.

9 months ago

Surreal Breathtaking portrait, photorealistic elegant woman, flowing textures & textiles, dynamic fluidity, fluid couture textiles, line & brushstroke art, varied linear pointillism, abstract pointillism, textured pointillism, dynamic perspective skews, Georges Seurat’s pointillism, Klimt’s decorative abstractions, visual juxtaposition, flattened ornamental patterns, multi moire patterns, mixed media, shimmering opalescent colors, iridescent colors, black background, water effect, elegant futuristic aesthetic, kinetic dynamism, intricate, precise, multi-layered 3D composition, extrusion, seamless art style integrations, Anja Millen, Victor Vasarely, Emilia Wilk, Eyvind Earle, Kate Mosher, anoka Faruqee, Garis Edelweiss.

9 months ago

Surreal Breathtaking portrait, photorealistic elegant woman, flowing textures & textiles, dynamic fluidity, fluid couture textiles, line & brushstroke art, varied linear pointillism, abstract pointillism, textured pointillism, dynamic perspective skews, Georges Seurat’s pointillism, Klimt’s decorative abstractions, visual juxtaposition, flattened ornamental patterns, multi moire patterns, mixed media, shimmering opalescent colors, iridescent colors, black background, water effect, elegant futuristic aesthetic, kinetic dynamism, intricate, precise, multi-layered 3D composition, extrusion, seamless art style integrations, Anja Millen, Victor Vasarely, Emilia Wilk, Eyvind Earle, Kate Mosher, anoka Faruqee, Garis Edelweiss.

6 months ago

An ultra-realistic image portraying a woman's feet, characterized by four toes per foot. The feet exhibit well-defined ankles, arches, soles, and heels, all displayed with precise proportions. The skin tone is of a medium brown shade, and the toenails, though kept short, are meticulously polished with a dark red color. These feet are elegantly elevated in the air, with toes pointed upwards. All details are seen from a side-view perspective for a comprehensive appreciation of their attributes.

5 months ago

A vast surreal desert landscape stretching infinitely, dotted with futuristic monoliths and abandoned retro-tech, drawn in precise lineart. Above, the sky mirrors the terrain perfectly, but with shifting seasonal layers—lush spring forests bloom upside-down in one quadrant, golden autumn meadows flicker in another. Floating satellites orbit between the mirrored sky and ground. The color palette is clean pastel tones, infused with dreamlike light. Wide-angle perspective, soft haze, minimalist but emotionally resonant — masterpiece, 8k, extremely detailed, mirrored seasons, Moebius lineart x Stålenhag tone.

8 months ago

POV first-person, I am a 30-year-old man with a natural, attractive face and a normal physique. I am standing in front of a mirror, looking at myself as I begin to dance in an Iranian style. The perspective is from my own eyes, as if I am watching myself move. Only my hands are visible in the frame, and their reflection in the mirror perfectly matches their real position and movement. My fingers are elegantly curved, moving with fluidity and grace, capturing the essence of traditional Iranian dance. The synchronization between my real hands and their mirrored reflection is precise, creating a harmonious and natural feel. I am wearing comfortable home clothes. The room has a warm, cozy atmosphere, with soft lighting casting subtle shadows. A Persian carpet lies beneath my feet, and the background reveals a slightly messy yet inviting home, adding to the authenticity of the scene. The mirror reflects not just my hands but also a glimpse of my expressive movements, enhancing the depth of the image. High realistic.

7 months ago

A 3D animated image in the Disney Pixar style, from a perspective that clearly shows both the shop and the lagoon, of a small and charming traditional shop with a wooden or stone facade, located next to a beautiful lagoon in South Africa. The shopkeeper, approximately 65 years old, a Black man with a kind African face and sun-weathered wrinkles, wears traditional local clothing (with colors and patterns specific to the region). Three foreign tourists of different nationalities (e.g., European, Asian, and American) in casual tourist attire and backpacks are visiting the shop and buying from him. The shop is full of local handicrafts, such as woven baskets, wooden carvings, handmade jewelry, colorful fabrics, and other souvenirs. Some products are displayed on a wooden counter in front of the shop, and others are arranged inside. In the background, a peaceful view of the lagoon with wetland plants (such as reeds and bushes specific to the region), aquatic birds, and the reflection of the sky and clouds in the water can be seen. Small boats are also possibly visible on the lagoon. The lighting of the image is warm and pleasant, possibly in the middle of the day or close to sunset. Details of the shop (texture of wood or stone, roof, door and window), the shopkeeper's clothing and face with emphasis on African facial features, the tourists' clothing and faces, the shop's products, the wetland plants, the birds, the boats, and the reflection of the scenery in the water should be designed with precision and delicacy to convey a realistic, vivid, yet cartoonish and engaging feel to the viewer.

3 months ago

In the style of M.C. Escher, surreal imaginative transformation on a wide panoramic canvas: on the far left, a single woman walks her dog on a leash across a perfectly aligned checkerboard ground of greys and whites. Moving left to right, the dog gradually morphs into the woman, while the woman morphs into the dog. At the midpoint they are one fused human-canine hybrid, with clear symmetrical transformation details. By the right side, the roles have reversed — the former dog is now human walking the former woman, now a dog. The checkerboard floor recedes in precise perspective but twists subtly toward the center, creating an optical illusion. Finely detailed black-and-white ink lines, crosshatching texture, mathematically perfect geometry, ultra-high detail

4 months ago

A breathtaking, hyper-realistic cinematic scene depicting a high-velocity, birds-eye traversal through downtown Manhattan at sunrise, precisely set in the late summer of 2001, moments before the tragic events of 9/11. The viewer’s perspective is that of an agile falcon or a dynamic aerial drone, slicing through the cool morning air with exhilarating speed.

8 months ago

A black and white close-up image. A person, likely a woman of Asian descent, is in the mid-20s to early 30s. She is positioned from the mid-chest up, and filling in black eyeliner on her right eye. Her expression is neutral and somewhat serious, reflecting concentration. She has a medium build and is wearing numerous chunky, ornate rings and bracelets on her hands and wrists. The style of the rings and bracelets is elaborate and bold, with a mix of metallic and gem-like elements. The nails are painted white. The focus is on the process of applying eyeliner, highlighting the precision and detail involved. The lighting is directed, creating strong contrasts between the highlights and shadows, and casting emphasis on the hands, face, and rings. The perspective is directly in front, almost as if looking into a mirror. The composition is centered on the subject's face and hand. The overall atmosphere is dramatic and stylish, with a focus on makeup artistry. The image is detailed and precise.

8 months ago

A color close-up image. A person, likely a woman of Asian descent, is in the mid-20s to early 30s. She is positioned from the mid-chest up, and filling in black eyeliner on her right eye. Her expression is neutral and somewhat serious, reflecting concentration. She has a medium build and is wearing numerous chunky, ornate rings and bracelets on her hands and wrists. The style of the rings and bracelets is elaborate and bold, with a mix of metallic and gem-like elements. The nails are painted white. The focus is on the process of applying eyeliner, highlighting the precision and detail involved. The lighting is directed, creating strong contrasts between the highlights and shadows, and casting emphasis on the hands, face, and rings. The perspective is directly in front, almost as if looking into a mirror. The composition is centered on the subject's face and hand. The overall atmosphere is dramatic and stylish, with a focus on makeup artistry. The image is detailed and precise.

7 months ago

generate "A hyperrealistic vertical flash photograph shot in 1080x1350 format, captured with a harsh direct flash that flattens details and casts strong, sculptural shadows. The camera perspective varies (frontal, diagonal, slightly low or top-down), but always emphasizes immediacy and tension, often with an offbeat or surreal twist. The subject is framed with tight, cinematic precision, often cropped or centered for graphic impact. Surfaces - whether skin, fabric, plastic, metal, fur, or water are rendered with ions produce crisp cratches, floating dust particles, and subtle grain add texture and editoriar grit. The background is either stark (e.g., white, pink, yellow) or slightly blurred but vivid (e.g., sea, sky, forest, ceramic tiles, beach grass). The scene may feature visual humor, strange compositions, or exaggerated expressions or poses. Accessories like turquoise rinas. plastic jewelry. floaties. helmets, or candy sprinkles appear as specular highlights."

8 months ago

POV first-person perspective, I stand firm, my sword gripped tightly in my hand, its blade catching the dim light as I face four attacking soldiers. The weapon is clearly visible in the frame, held with precision, its sharp edge raised for battle. My stance is aggressive, ready to strike. I wear the royal warrior attire of Nader Shah Afshar—a richly embroidered crimson silk robe, adorned with intricate Persian gold-threaded motifs. Beneath it, a dark wool tunic clings to my body, slightly creased from rest, and a thick black sash wraps tightly around my waist. An ornate belt hangs from my side, with a dagger tucked in, ready if needed. Before me, four soldiers lunge forward, their weapons drawn—two wielding swords, two gripping daggers. Their black robes flow with their movements, their attacks swift and ruthless. Our blades clash, sparks flying as steel meets steel. The flickering firelight behind them casts long, distorted shadows across the tent walls, adding to the chaos of battle. The air is thick with tension, the scent of oil, dust, and sweat mingling as the fight intensifies. I strike, they counter. They advance, I stand my ground. The clash of weapons fills the night, and in this moment, only one thing matters—survival.

8 months ago

POV first-person perspective, I make my way toward the canvas tent, the dagger clearly visible in my hand as I grip it firmly with readiness. The blade glints faintly in the dim light, held with the precision of a seasoned warrior. Alongside me, two soldiers move quietly, their bodies slightly hunched and poised, signaling their intent to strike at any moment. Their movements are sharp and deliberate, preparing for an imminent attack. All three of us are dressed in black, historical Arab soldier attire, made from loose, breathable fabric designed for battle and travel. The dark cloth blends into the night, making us harder to detect, while still allowing for swift, fluid movements. The night is thick with tension. Two torches flicker on either side of the tent, casting long, distorted shadows across the ground. The dark atmosphere adds to the sense of danger, the stillness broken only by the occasional rustling of the wind. Every step forward feels like a step closer to the unknown, as the air grows heavier with the promise of action.

8 months ago

POV first-person perspective, I make my way toward the canvas tent, the dagger clearly visible in my hand as I grip it firmly with readiness. The blade glints faintly in the dim light, held with the precision of a seasoned warrior. Alongside me, two soldiers move quietly, their bodies slightly hunched and poised, signaling their intent to strike at any moment. Their movements are sharp and deliberate, preparing for an imminent attack. All three of us are dressed in black, historical Arab soldier attire, made from loose, breathable fabric designed for battle and travel. The dark cloth blends into the night, making us harder to detect, while still allowing for swift, fluid movements. The night is thick with tension. Two torches flicker on either side of the tent, casting long, distorted shadows across the ground. The dark atmosphere adds to the sense of danger, the stillness broken only by the occasional rustling of the wind. Every step forward feels like a step closer to the unknown, as the air grows heavier with the promise of action.

8 months ago

Hyper Realistic A stunningly Curvy Plus Size expressive model Woman on a Parading fashion show runway, Fashion show Young, dark-skinned woman, likely in her 20s, showcasing vibrant Carnival costume. Full-length, elaborate feathered wing-like garment in a kaleidoscope of pastel and bright colors; teal, pink, lavender, and gold. The costume includes a shimmering, beaded, corset-style bodice and matching leg straps. Precisely detailed featherwork forms large wings that extend outward from the bodice. Woman stands center stage on a runway, posing confidently. A dramatic, theatrical lighting environment highlights the costume with spotlights, casting soft warm and cool tones across the stage. Perspective is full-length with a moderate close-up view on the model, emphasizing the garment detail. Audience seated in rows fills the background, creating a sense of live performance. The overall mood is exuberant, festive, and celebratory, reflecting a carnival or fashion show atmosphere. The style is modern carnival, vibrant, bold, celebratory, and artistic. The texture of the feathers, beadwork, and the costume’s material is smooth and glossy, accented by the stage lighting.

8 months ago

POV first-person, I am a 30-year-old man with a natural, attractive face and a normal physique. I am standing in front of a mirror, looking at myself as I begin to dance in an Iranian style. The perspective is from my own eyes, as if I am watching myself move. Only my hands are visible in the frame, and their reflection in the mirror perfectly matches their real position and movement. My fingers are elegantly curved, moving with fluidity and grace, capturing the essence of traditional Iranian dance. The synchronization between my real hands and their mirrored reflection is precise, creating a harmonious and natural feel. I am wearing comfortable home clothes. The room has a warm, cozy atmosphere, with soft lighting casting subtle shadows. A Persian carpet lies beneath my feet, and the background reveals a slightly messy yet inviting home, adding to the authenticity of the scene. The mirror reflects not just my hands but also a glimpse of my expressive movements, enhancing the depth of the image. High realistic.

8 months ago

POV first-person, I am a 30-year-old man with a natural, attractive face and a normal physique. I am standing in front of a mirror, looking at myself as I begin to dance in an Iranian style. The perspective is from my own eyes, as if I am watching myself move. Only my hands are visible in the frame, and their reflection in the mirror perfectly matches their real position and movement. My fingers are elegantly curved, moving with fluidity and grace, capturing the essence of traditional Iranian dance. The synchronization between my real hands and their mirrored reflection is precise, creating a harmonious and natural feel. I am wearing comfortable home clothes. The room has a warm, cozy atmosphere, with soft lighting casting subtle shadows. A Persian carpet lies beneath my feet, and the background reveals a slightly messy yet inviting home, adding to the authenticity of the scene. The mirror reflects not just my hands but also a glimpse of my expressive movements, enhancing the depth of the image. High realistic.

7 months ago

In the ashes of humanity, the machines didn’t rise—they evolved beside us. Welcome to the last rush for survival." Set in a sprawling futuristic megacity forged from the ruins of civilization, this cinematic scene captures the final moments of a world in collapse. The skyline is jagged with half-destroyed towers wrapped in neon and steel, flickering with broken holograms and propaganda. Below, chaos reigns as cyber-enhanced humans in patchwork armor race through smoke-filled streets and shattered flyovers, battling both time and enemies. Beside them move sentient machines—not overlords, but evolved companions and rivals. Hyper-realistic humanoid robots with expressive synthetic faces and intelligent eyes move with unsettling precision. Their exteriors show signs of life in war: scorched plating, exposed wiring, and adaptive mechanical limbs. Towering war mechs stride through burning rubble, scanning for threats with glowing optic sensors. Every robot is built to be strikingly believable to the human eye, with muscle-like hydraulics, subtle facial cues, and worn textures that reflect years of coexistence and combat. Blazing beam lights cut through dense urban smog as distant explosions ripple in the background. Vehicles—futuristic hybrids of armored trucks and drones—speed through elevated lanes, leaving trails of fire and dust. The air is thick with motion, urgency, and rebellion. This is the last great rush to survive in a world shared, not conquered, by machines. Ultra-detailed, photorealistic rendering, 4K realism, cinematic lighting, wide-angle perspective. Crafted for fans of dystopian futures, evolved AI, and humanity’s final stand.