A sample prompt of what you can find in this page
Prompt by Hayk

sitting on the floor FLUX prompts

hundreds of results

8 months ago

The image features a person in a body of . They are wearing wearing a black bodycon dress. The dress is form-fitting and has a halter neckline with a deep V-neckline. The bodycon design is made up of multiple layers of mesh panels that create a fishnet-like pattern. The panels are cut out in a criss-cross pattern, creating a unique and eye-catching look. The woman is posing with one hand on her hip and the other resting on her thigh. She has long dark hair styled in loose waves and is wearing large hoop earrings. The background . . that accentuates their , complemented by a delicate . The surface reflects light, creating a serene atmosphere around them. Hair pink, Focus face Details, high Quality 16k Ultra HD , 20 Year old younger , looking hot, The image features a person with long, wavy hair that has a rich burgundy color. Poses Prompt: A woman sitting on the floor with legs bent, one leg tucked closer to the body, the other extended slightly. She is looking to the side, away from the camera. Her arms are relaxed, one hand resting lightly on the floor. Full body shot, capturing her posture and silhouette. Elegant and graceful pose, highlighting her form. Eyes Color:Light blue. Hair Color: Deep magenta or dark pink.Long, hair styled in loose waves. Eyes Color prompt : Light blue. Background Prompt: Solid, light-colored background, possibly a studio backdrop. A strong, directional light source creating a sharp, elongated shadow across the background. The shadow is the most prominent feature of the background, adding a sense of depth and dimension. Minimalist background, focusing attention on the subject. The background should be clean and uncluttered.

8 months ago

(Primary Subject: Woman, 3D-Printed in Realistic Modern Printer, 1.7 weight) — inside a dim, cluttered bedroom illuminated by the soft, flickering glow of LED strip lights and the rhythmic hum of a modern consumer-grade 3D printer, a surreal scene unfolds. A half-assembled woman is being slowly 3D-printed, layer by layer, inside the printer’s transparent enclosure—her form emerging from glowing PLA-like filament in smooth, hyper-detailed strokes (hyper-realistic printing detail, smooth skin texture, 1.6 weight). Her upper body—torso, arms, and part of her face—is almost complete, formed from semi-translucent material that glows faintly in the ambient light. Thin wisps of support scaffolding cling to her like cyber-organic scaffolds. Her lower half remains unformed, an unfinished spiral of molten filament still being printed as the nozzle moves with quiet precision (realistic filament printing, printer detail, suspended form, 1.5 weight). Seated nearby, a man in casual clothes sits cross-legged on the floor, bathed in warm, ambient screen light. He holds a crumpled instruction manual in one hand—clearly pulled from the open cardboard box lying beside him on the floor, its packaging marked with surreal branding: “SYNTH-CRAFT V2 | HOMEBODY EDITION” (instructional design realism, subtle surreal packaging, 1.4 weight). Loose tools, empty filament spools, soda cans, and old PC parts are scattered around the room, grounding the scene in everyday reality. Behind him, the room glows with scattered LED lighting in hues of electric blue, soft magenta, and warm amber, reflecting off his glasses and casting moody highlights onto the surrounding walls. Dust particles drift in the air, caught in the glow of the printer’s chamber, creating an eerie yet beautiful halo around the forming woman (cinematic atmosphere, volumetric light, dusty haze, 1.4 weight). Rendered with cinematic realism: soft film grain, subtle lens blur, realistic plastic sheen, and dramatic shallow depth-of-field—captured as if shot with a Leica Summilux lens. The entire image is grounded in the plausible, but steeped in a surreal undertone that suggests something far stranger is unfolding (photographic detail, cinematic framing, narrative tension, 1.3 weight). This is not just a print job—it’s manufactured intimacy, wrapped in plastic and instruction sheets.

6 months ago

A highly detailed, photorealistic image featuring three spray paint cans standing upright on a worn concrete floor, illuminated by warm, golden light that accentuates their metallic sheen. Each can is cleverly wrapped in iconic soda can branding: Coca-Cola, Pepsi, and Mountain Dew. Their labels are realistically worn and peeling in places, adding a touch of authenticity to the scene. The Coca-Cola spray can features the classic red label with bold white script, with deep brown paint dripping down its sides, mimicking the color of the soda. Its nozzle is a striking fire-engine red, and the plastic cap lies on the floor nearby, reflecting the ambient light. The Pepsi spray can showcases the signature blue and red branding, with rich brown paint dripping down in a way that evokes a freshly poured cola. Its cap, matching the brand's deep blue hue, is positioned close to the base of the can. The Mountain Dew spray can is wrapped in the dynamic green label with angular typography, while neon green paint drips down, resembling the soda’s vibrant color. Its matching green cap sits to the side, catching subtle reflections from the environment. The background is softly blurred, depicting an urban setting with hints of graffiti-covered walls and industrial elements, creating an atmosphere of street art culture. The lighting is soft and diffused, casting gentle highlights that enhance the realism of the metallic surfaces. The composition is balanced, with a close-up perspective and a shallow depth of field focusing on the cans while softly blurring the environment. The overall mood is energetic, creative, and gritty, reflecting both urban art and playful branding, with textures and details that emphasize scratches, imperfections, and drips for added realism.

9 months ago

(Full-body shot, dramatic film-noir lighting, vintage 1960s aesthetics, ultra-detailed fabric and skin rendering, cinematic depth, alluring yet enigmatic presence, back to the camera) The femme fatale stands with her back to the camera, poised in the soft, flickering glow of a vintage mid-century bedside lamp. A luxurious fur boa wraps around her shoulders, cascading down her arms and trailing toward the floor in sensuous folds. Her figure is framed with cinematic elegance, the light tracing the contours of her silhouette. A silk slip or fitted evening gown peeks from beneath the fur’s embrace, clinging gracefully to her form. Stockings with delicate seams add a touch of vintage allure, catching the light with subtle highlights. She faces an antique vanity mirror, her reflection revealing an unreadable yet captivating expression. A vintage cigarette holder rests delicately in her fingers, its ember unlit but evocative of quiet tension. Wisps of earlier smoke linger in the air, swirling within the moody haze of the dimly lit room. Behind her, a velvet chaise lounge sits in the shadows, an old rotary phone off the hook, its coiled cord stretching across the vanity. A half-empty glass of whiskey reflects the warm light, hinting at a story left unfinished. The atmosphere is charged with mystery and quiet power—she is a woman who commands attention without ever turning to face it. Wrapped in shadow and elegance, she remains untouchable, a vision suspended between seduction and secrecy, like a forgotten frame from a lost noir masterpiece.