creating minimalism Stable Diffusion 3.5 Large prompts

4 months ago

photograph, home office, minimal, soft sunlight, warm artificial light casting, creating a warm white and inviting atmosphere, such as a discreetly placed objets --ar 9:16 --style raw

2 months ago

A cinematic, hyperrealistic black-and-white tight portrait of a WW2 Russian soldier, seen straight ahead, staring directly into the viewer with a haunting '1000-yard stare' (2.0). His face is weathered, scarred, and deeply lined, showing the weight of war—dirt, grime, and faint dried blood are etched into his skin, giving it a raw, unpolished texture (2.0). His hollow, tired eyes are filled with unspoken trauma and exhaustion, capturing a moment of profound sadness and resilience (2.0). The soldier has no helmet, his short, disheveled hair matted with sweat and dirt. Subtle details like stubble, creases around his mouth, faint cuts, and heavy shadows under his eyes add realism and emotional depth (2.0). Dramatic lighting casts high-contrast shadows across his face, emphasizing the sharp contours of his features and creating a timeless, gritty look (2.0). The background is minimal and softly blurred, with faint hints of smoke or ash floating through the air, enhancing the stark and desolate mood (1.9). The monochrome palette enhances the emotion and historical authenticity of the portrait, creating a somber, powerful, and intimate visual (2.0). Every detail—the texture of the skin, the tension in his expression, the grime on his face—conveys a story of hardship, survival, and the heavy toll of war (2.0)

7 months ago

Create a delicate, abstract line drawing with a single continuous stroke. The composition should resemble a freeform cursive or gestural sketch, flowing with elegance and minimalism. Incorporate a subtle hint or echo of the uppercase letter K within the shape — it should not be obvious, but perceptible on closer inspection. Use black ink on a soft white or pale grey background. The lines should be thin, scratchy, expressive, and slightly imperfect, like ink on textured paper or film scratches. No shading, color, or background elements — just the pure linework, centered with lots of negative space.

7 months ago

A dramatic Baroque painting in the style of Caravaggio, depicting a youthful John the Baptist seated alone in a stark, rocky wilderness. He wears a simple, drab brown robe that loosely covers his body, leaving one shoulder and part of his chest exposed. His face is turned slightly toward the viewer, with a solemn, introspective expression, his features partially obscured by deep shadows. He holds a plain, slender wooden staff, devoid of any adornment, resting lightly across his body. The background is dark and minimal, with jagged rocks and sparse, dry vegetation barely emerging from the deep tenebrism. The harsh, directional lighting dramatically highlights his skin, fabric folds, and the texture of the wilderness, creating a powerful contrast of light and shadow. The overall mood is intense, solitary, and sacred, capturing Caravaggio’s raw realism and psychological depth.

8 months ago

• Central Cylinder: Imagine a straight, horizontal cylinder. This is the main body of the shape. • Truncated Cones: At each end of the cylinder, picture a cone that has been cut off (truncated) at its narrow end. These truncated cones flare outwards, increasing in diameter as they move away from the central cylinder. • Rings: Just before each truncated cone begins, there's a thick, circular ring encircling the cylinder. These rings are significantly wider than the cylinder itself and have a distinct thickness. • Inner Rods/Cage: Inside the central cylinder, visualize a series of thin, straight rods running parallel to the cylinder's length. These rods are evenly spaced around the interior, creating a cage-like structure. • Spin-Up Mechanism: Thrusters or reaction control systems (RCS) positioned tangentially on the city’s perimeter would fire to initiate rotation. Once spinning, minimal energy is needed to maintain it in the frictionless vacuum of space.