flutters in the wind Stable Diffusion prompts

5 months ago

The image depicts a humorous and surreal scene on a highway. An elderly African American woman is riding a classic bicycle, speeding down the road at an astonishing pace. Her expression is one of determination, mixed with a hint of joy, while her scarf flutters wildly in the wind, emphasizing her incredible speed. Next to her, a sleek, modern sports car is visibly being overtaken. The driver, wide-eyed and astonished, glances at the speeding grandmother in disbelief. The highway scenery is blurred with motion streaks and light trails, enhancing the sense of extreme velocity. Dust and wind effects swirl around the bicycle wheels, creating an impression of a high-speed race. The sky above is bright blue with a few clouds, and modern road signs add to the dynamic urban setting.extrem funny

5 months ago

Windswept silence fills a vast white desert, where a woman stands with her back to the viewer, in the style of Richard Dadd, framed in a close-up perspective. Rendered in the textured brushwork of an old master oil painting on canvas, her loose white robe flutters in the dry wind, sand swirling softly around her ankles. Fine subliminal mycelium patterns subtly interlace with both her figure and the shifting dunes beneath her. Her hair, tangled and windblown, partially veils her face, mirroring the tension of the stormy atmosphere. Overhead, the sky is layered in muted greys and off-whites, with a dim sun barely breaking through the haze. The setting recalls the sparse landscapes of Simon Stålenhag, blended with the intricate monochrome fine defined line detail of Aubrey Beardsley and the cinematic tension found in Ash Thorp’s compositions. A visual study in solitude, depth, and restrained surrealism, presented with raw texture and contrasts of surreal-realism. --v 5 --ar 3:4 --q 2 --style raw

5 months ago

A rustic 1500s Dutch countryside scene, painted in the meticulous, earthy realism of Jan van Eyck and the narrative composition of Pieter Bruegel the Elder. A small group of common men and women stand or sit on the rough wooden steps of a half-built barn, deep in conversation. They wear plain, weathered 16th-century work clothes—woolen tunics, aprons, simple cloaks, and linen caps—suited for builders and farm folk. Their faces are lively, weathered by labor and wind, yet balanced and dignified in appearance. The barn, constructed in traditional Dutch timber-frame style, rises behind them with scaffolding and ladders. Around them, the autumn wind stirs fallen leaves and flutters loose garments. Overhead, a grey, overcast sky broods, but soft rays of sunlight pierce through breaks in the clouds, casting gentle highlights on the group and illuminating the golden straw and muddy ground. The tone is humble yet rich, capturing a quiet, windswept moment of shared purpose and everyday life.