tangled Stable Diffusion prompts

7 months ago

Decayed humanoid figure, grotesque, (detailed skeletal structure:1.3), (tissue textures:1.3), (exposed bone:1.2), (blood vessels:1.2), tangled, crimson, fleshy tendrils, encasing form, (pale skin tones:1.1), (scary expression:1.3), (open mouth:1.1), (wide eyes:1.2), central figure, viewed from slightly above, three-quarter profile view, dark background, intense lighting, (dark red highlights:1.2), (high contrast:1.1), photorealistic style, extreme close-up, art direction, horror theme, unsettling, macabre, (deep shadows:1.1), (intricate detail:1.3), digital art, high detail, 8k resolution.

7 months ago

Decayed humanoid figure, grotesque, (detailed skeletal structure:1.3), (tissue textures:1.3), (exposed bone:1.2), (blood vessels:1.2), tangled, crimson, fleshy tendrils, encasing form, (pale skin tones:1.1), (scary expression:1.3), (open mouth:1.1), (wide eyes:1.2), central figure, viewed from slightly above, three-quarter profile view, dark background, intense lighting, (dark red highlights:1.2), (high contrast:1.1), photorealistic style, extreme close-up, art direction, horror theme, unsettling, macabre, (deep shadows:1.1), (intricate detail:1.3), digital art, high detail, 8k resolution.

7 months ago

A hyperrealistic woman walks toward us, facing the camera, along a very realistic forest trail. Close-up on the woman's face. Make the forest real. The woman is hyperrealistic and 24-years old. She is pretty and smiling. hyperrealistic. She is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on her skin or just under the skin or in her eyes. Lots and lots of orange and yellow pretty digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although her clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. Close-up on her face.

3 months ago

Moist forest horror fashion concept, layered asymmetrical dress in moss green chiffon and bark-textured fabric, neckline obscured by spongy embroidery resembling fungal overgrowth, creeping ivy straps latching to arms like restraints, sheer panel across midriff depicting root-vein print, bare feet covered in wet moss, tangled curls with sprouting leaf clips, crouching on mossy ground surrounded by dripping trees and spores, mood is organic possession and decaying calm

7 months ago

A hyperrealistic white woman walks toward us, facing the camera, along a very realistic forest trail. Close-up on the woman's face. Make the forest real. The woman is hyperrealistic and 24-years old. She is pretty and smiling. hyperrealistic. She is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on her skin or just under the skin or in her eyes. Lots and lots of orange and yellow and green pretty digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although her clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. Close-up on her face.

7 months ago

A professionally designed, highly detailed **mandala with perfect circular symmetry**, featuring flowing **geometric patterns, floral accents, and harmonious sacred motifs**. The design is **fully centered and perfectly balanced**, with **open spaces for easy coloring** and **bold, crisp outlines for high visibility**. This mandala is **100% contained within the frame**, ensuring **no cut-offs or cropped edges**. The artwork is **black-and-white, vector-style, and cleanly structured**, suitable for **stress-relief coloring pages**. The **linework should be smooth and flowing, not chaotic or tangled**. The composition should be **soothing and meditative**, avoiding excessive details that make coloring frustrating. The design should **feel effortless to color while still engaging**. **High-resolution, print-ready at 8.5x11 inches, 300 DPI**, with **thick, bold outlines** for a professional finish. No background. **Settings for MidJourney:** \--ar 1:1 --v 5 --q 2 --no background --upbeta --style 4c --tile --hd --stylize 2000

6 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with police written in LEDs, partially obscuring her face. black wires, cables and tubing cascade down blending with her long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old 50's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

4 months ago

Windswept silence fills a vast white desert, where a woman stands with her back to the viewer, in the style of Richard Dadd, framed in a close-up perspective. Rendered in the textured brushwork of an old master oil painting on canvas, her loose white robe flutters in the dry wind, sand swirling softly around her ankles. Fine subliminal mycelium patterns subtly interlace with both her figure and the shifting dunes beneath her. Her hair, tangled and windblown, partially veils her face, mirroring the tension of the stormy atmosphere. Overhead, the sky is layered in muted greys and off-whites, with a dim sun barely breaking through the haze. The setting recalls the sparse landscapes of Simon Stålenhag, blended with the intricate monochrome fine defined line detail of Aubrey Beardsley and the cinematic tension found in Ash Thorp’s compositions. A visual study in solitude, depth, and restrained surrealism, presented with raw texture and contrasts of surreal-realism. --v 5 --ar 3:4 --q 2 --style raw

6 months ago

Decayed Darth Vader figure, grotesque, (detailed skeletal structure:1.3), (tissue textures:1.3), (exposed bone:1.2), (blood vessels:1.2), tangled, crimson, fleshy tendrils, encasing form, (pale skin tones:1.1), (scary expression:1.3), (open mouth:1.1), (wide eyes:1.2), central figure, viewed from slightly above, three-quarter profile view, dark background, intense lighting, (dark red highlights:1.2), (high contrast:1.1), photorealistic style, extreme close-up, art direction, horror theme, unsettling, macabre, (deep shadows:1.1), (intricate detail:1.3), digital art, high detail, 8k resolution.

4 months ago

A deer-human hybrid in ragged scholarly robes walks across a desolate urban tundra, carrying a long parchment map made of stretched digital skin. His antlers are overgrown with moss and tangled threads of past internet data. Each footstep reactivates forgotten memories buried beneath cracked concrete. Dull sky, silent wind, ash particles. Dusty, painterly style like an oil painting — solemn, grounded, melancholic.

6 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with police written in LEDs, partially obscuring her face. black wires, cables and tubing cascade down blending with her long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old 50's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

3 months ago

Strapped bikini-style top layered with metallic mesh that drips like mercury, burnt palm tree iconography warped across the bust, cropped denim skirt distressed with blackened oil splash patterns, chainlink hip harness with tangled seaweed accents, oversized floppy sunhat with jagged brim and embroidered cracked gas mask emblem, platform sandals caked in faux sand and grime

4 months ago

A collaborative painting blending the sweeping, atmospheric landscapes of Joos de Momper with the surrealist vision of Max Ernst. A weathered horse-drawn flatbed wagon trundles along a winding dirt road, piled high with timepieces of all kinds—mantel clocks, pocket watches, alarm clocks, and sundials. Some are pristine, others rusted, cracked, or missing hands. Each intact clock displays a different time of day, as if fractured moments from across time are being transported together. The horse, properly harnessed with standard gear appropriate for such a rig, moves steadily and naturally. Surrounding the scene is a vast, moody landscape rendered in de Momper’s signature style: rolling hills, shadowy groves, and a turbulent sky heavy with stormlight. In the foreground, Ernst’s influence emerges in a junkyard of discarded clocks—warped faces, twisted springs, and tangled gears creating an unsettling mechanical graveyard. Time itself appears fragmented and decaying in this haunting fusion of Flemish Baroque majesty and surrealist distortion

6 months ago

A hyperrealistic woman walks toward us, facing the camera, along a very realistic forest trail. Close-up on the woman's face. Make the forest real. The woman is hyperrealistic and 24-years old. She is pretty and smiling. hyperrealistic. She is an ai creation and digital circuitry sparkles. None of the digital wires and nodes are in the background –– all are on her skin or just under the skin or in her eyes. Lots and lots of orange and yellow pretty digital effects - wires, nodes, electric synapsis. Their construction should be freeform and not overly geometric. The overall feeling is warm, friendly and futuristic, although her clothes are present day and pretty. Please add lots of tangled but beautiful wires – an extreme amount. And have the digital wires and circuits be curved and swirling and flowing. Close-up on her face.