Scene 3 Veo prompts

5 months ago

Here’s a detailed cinematic image description in the style of *Mars Attacks!* with your elements: --- **Scene Description:** A wide, slightly tilted shot captures the chaos in a city square under a sickly greenish-yellow sky, reminiscent of 1950s pulp sci-fi. The art direction channels *Mars Attacks!*—satirical, exaggerated, colorful, yet grotesquely comical. In the foreground, panicked civilians in vintage-styled clothing — poodle skirts, horn-rimmed glasses, shiny suits — flee in all directions, their faces frozen in over-the-top expressions of terror. Some trip over debris, others scream upward at unseen attackers. A woman drops her tiny dog, who also yaps in cartoonish panic. Flames and black smoke billow from twisted metal structures. Amongst the rubble, several half-destroyed futuristic billboards flicker and spark. One prominently reads: **“TRY VEO 3 NOW ON PROMPTHERO”** The bold retro-futuristic font flashes intermittently, with part of the sign hanging loose, swaying dangerously. In the midground, a toppled hovercar smolders, while strange saucer-shaped ships hover ominously, firing neon-colored beams that disintegrate buildings into clouds of pixel-like dust. In the background, a cracked glass dome reveals a monstrous, oversized martian head leering down, its brain pulsating beneath a transparent helmet. The lighting is unnatural — sharp, high-contrast, with surreal, saturated colors that make the destruction feel both comedic and horrifying, true to *Mars Attacks!*’ satirical aesthetic.

4 months ago

Scene 1 (Conflict): A lost Ancient Egyptian warrior battles a sandstorm, his chariot overturned. Anubis-like shadows whisper doubt. Scene 2 (Surrender): He collapses, removes his helmet, and prays—Proverbs 3:5-6 in hieroglyphs burns briefly on his wrist. Scene 3 (Divine Answer): BOOM! A beam of light splits the storm, revealing a path. The sands ripple like water (Red Sea nod). Scene 4 (Resolution): He walks forward, armored in light, as the camera pulls back to show the path forming a cross shape (subtle Christian tie-in). Animation Style: *"Pepsi’s ‘The Great Divide’ ad meets ‘Prince of Egypt’—2D/3D hybrid, dramatic shadows, sand physics."* JDHampton + AI | Creative Alliance

5 months ago

A slow dolly camera movement in outer space, gliding carefully to avoid floating robotic space trash. The scene is dark and silent, with distant stars softly twinkling. Pieces of futuristic, metallic debris (robot arms, satellite parts, broken panels, holographic shards) drift in zero gravity. As the camera moves forward, the pieces of trash begin to converge, slowly collapsing and magnetically pulling together. They form the word "PromptHero" in a sleek, futuristic metallic typeface. At the exact moment the word finishes forming, there is a silent, subtle space explosion effect, a small burst of particles and light flashes behind the text, emphasizing its reveal. The scene remains silent except for a faint hum of space ambience. The final shot holds for 3 seconds, with the "PromptHero" word floating in space, softly illuminated by distant starlight. Cinematic lighting, ultra-detailed textures on the space trash, highly realistic rendering, and smooth slow-motion dolly movement.

4 months ago

A hyperrealistic video of an interview in a professional TV studio. A tall Indian basketball player, nearly 3 meters tall, sits on a modern chair, dressed in a tailored suit with subtle basketball-themed details. He is visibly towering, with expressive brown eyes and an athletic build. Next to him sits a professional female journalist with dark hair and stylish glasses, holding a microphone and a notebook. The journalist asks questions with an engaging, confident demeanor. Both appear under soft studio lighting, with a sleek background featuring a subtle basketball motif. The atmosphere is serious yet friendly, showing close-up shots of their faces, hands, and body language. The scene feels cinematic, realistic, and high-definition.

1 month ago

The camera changes every 3 seconds, creating a smooth cinematic sequence. All scenes take place inside a dark, vintage room with worn leather furniture, dim cinematic lighting, and an eerie, mysterious atmosphere — similar to an old philosophical interrogation room. Scene 1 (First 3 seconds): The protagonist is sitting in a deep red leather armchair, surrounded by dark walls and warm, low lighting. They slowly turn their head toward the camera and give a subtle, knowing smile. The room feels silent and heavy, filled with anticipation. Scene 2 (Next 3 seconds): A delivery guy enters the same room, walking across the dim space. He wears a food courier jacket and carries a wrapped kebab. The lighting casts long shadows, enhancing the dramatic tension as he approaches the protagonist. Scene 3 (Next 3 seconds): Close-up shot of the exchange. The protagonist calmly takes the kebab from the delivery guy. The focus is on the hands and the motion, with a shallow depth of field — the background remains blurred, showing hints of aged wallpaper and leather textures. Scene 4 (Final 3 seconds): Cut to the protagonist now sitting on an old couch within the same room, visibly stuffed after eating. They recline in a relaxed, almost philosophical daze. Half of the kebab lies beside them on a small table. The mood is darkly humorous, quiet, and introspective. No text.

28 days ago

High-end car commercial video. The camera changes every 3 seconds, creating a dynamic cinematic sequence. Scene 1 (0–3s): Wide shot of a sleek, modern car parked at sunset on an empty desert road, golden light reflecting off the body. Scene 2 (3–6s): Side tracking shot as the car accelerates, tires kicking up dust, the engine roaring powerfully. Scene 3 (6–9s): Close-up of the front grille and headlights turning on, aggressive and futuristic. Scene 4 (9–12s): Interior shot of the driver’s hands on the steering wheel, dashboard lights and digital display glowing. Scene 5 (12–15s): Aerial drone shot of the car drifting smoothly around a curve on the open road, with mountains in the background. Ultra realistic, cinematic lighting, dramatic atmosphere, luxury automotive commercial style.

1 month ago

A massive T-Rex thunders through a quiet American suburban neighborhood, crushing cars and tearing up the streets. The perspective changes every 3 seconds, creating an intense cinematic sequence. Scene 1: Wide aerial shot of a calm neighborhood with neat lawns and parked cars—suddenly, the T-Rex bursts into frame, roaring. Scene 2: Ground-level shot as the T-Rex stomps over a car, metal crumpling under its weight. Houses shake with each step. Scene 3: Handheld chaotic shot showing people fleeing in panic, screaming, looking back in terror as the creature approaches. Scene 4: Close-up of the T-Rex’s jaws and eyes, saliva dripping, roaring toward the camera. High intensity, realistic destruction, dynamic motion, no text.

4 months ago

Scene 1 (Conflict): A lost Ancient Egyptian warrior battles a sandstorm, his chariot overturned. Anubis-like shadows whisper doubt. Scene 2 (Surrender): He collapses, removes his helmet, and prays—Proverbs 3:5-6 in hieroglyphs burns briefly on his wrist. Scene 3 (Divine Answer): BOOM! A beam of light splits the storm, revealing a path. The sands ripple like water (Red Sea nod). Scene 4 (Resolution): He walks forward, armored in light, as the camera pulls back to show the path forming a cross shape (subtle Christian tie-in). Animation Style: *"Pepsi’s ‘The Great Divide’ ad meets ‘Prince of Egypt’—2D/3D hybrid, dramatic shadows, sand physics."* JDHampton + AI | Creative Alliance

1 month ago

The camera changes every 3 seconds. In the first scene, he turns his head and smiles. In the second, a delivery guy approaches him. In the third, the camera shows him receiving a kebab in his hand. In the fourth, he is seen on the couch, stuffed and full.

4 months ago

A hyperrealistic video of a live interview in a professional TV studio. Both the interviewer and the basketball player are standing. The Indian basketball player is extremely tall, nearly 3 meters, making the height difference with the journalist visually striking. He wears a sharp, modern suit, exuding confidence, and has an athletic, imposing presence. The female journalist, with dark hair and stylish glasses, holds a microphone and a notebook, looking up to ask questions. Both are under professional studio lighting, with a sleek, minimalistic background featuring subtle basketball elements. The scene captures their facial expressions, gestures, and the dramatic contrast in height, emphasizing the surreal, almost unbelievable scale. The atmosphere is serious but friendly, with cinematic, ultra-realistic detail.

4 months ago

1. Time + Location + Environment Mid-morning, deep in a misty Pacific Northwest forest. Ferns glisten with dew, birds chirp in the background. Sunbeams pierce through the towering redwoods. Slight breeze rustles leaves. 2. Detailed Scene Action Bigfoot, towering and shaggy, holds a smartphone on a selfie stick. He walks toward camera, deadpan expression, adjusting the mic like a pro. He pauses, then delivers the joke: “Why don’t I go to parties? Because every time I try, someone yells ‘I found him!’” He lets the punchline hang, raises his eyebrows, then chuckles with a deep, guttural laugh. 3. Optional Dialogue/Voiceover [Bigfoot, mock-serious tone] “Look, I’m just tryin’ to live my life, man. I like moss. I like mushrooms. I tell jokes. But every time… boom — blurry photo, viral panic.” 4. Camera Style and Movement Handheld selfie-style from Bigfoot’s POV, with occasional over-the-shoulder drone cuts to show his massive frame amid the trees. Occasional quick zoom-ins for comedic timing. Shaky-cam adds realism. 5. Audio/Musical Elements Lighthearted acoustic guitar plucks. Ambient forest SFX — birds, wind, distant woodpecker. Comedic record-scratch sound when he tells the joke, followed by a short laugh track. 6. Mood, Lighting, Cinematic Style Whimsical mockumentary vibe. Soft natural lighting with mild cinematic grading (slight green-gold tint). Feels like a cross between a National Geographic special and a YouTube skit.