Scene 4 Veo prompts

4 months ago

Scene 1 (Conflict): A lost Ancient Egyptian warrior battles a sandstorm, his chariot overturned. Anubis-like shadows whisper doubt. Scene 2 (Surrender): He collapses, removes his helmet, and prays—Proverbs 3:5-6 in hieroglyphs burns briefly on his wrist. Scene 3 (Divine Answer): BOOM! A beam of light splits the storm, revealing a path. The sands ripple like water (Red Sea nod). Scene 4 (Resolution): He walks forward, armored in light, as the camera pulls back to show the path forming a cross shape (subtle Christian tie-in). Animation Style: *"Pepsi’s ‘The Great Divide’ ad meets ‘Prince of Egypt’—2D/3D hybrid, dramatic shadows, sand physics."* JDHampton + AI | Creative Alliance

2 months ago

High-end car commercial video. The camera changes every 3 seconds, creating a dynamic cinematic sequence. Scene 1 (0–3s): Wide shot of a sleek, modern car parked at sunset on an empty desert road, golden light reflecting off the body. Scene 2 (3–6s): Side tracking shot as the car accelerates, tires kicking up dust, the engine roaring powerfully. Scene 3 (6–9s): Close-up of the front grille and headlights turning on, aggressive and futuristic. Scene 4 (9–12s): Interior shot of the driver’s hands on the steering wheel, dashboard lights and digital display glowing. Scene 5 (12–15s): Aerial drone shot of the car drifting smoothly around a curve on the open road, with mountains in the background. Ultra realistic, cinematic lighting, dramatic atmosphere, luxury automotive commercial style.

2 months ago

A massive T-Rex thunders through a quiet American suburban neighborhood, crushing cars and tearing up the streets. The perspective changes every 3 seconds, creating an intense cinematic sequence. Scene 1: Wide aerial shot of a calm neighborhood with neat lawns and parked cars—suddenly, the T-Rex bursts into frame, roaring. Scene 2: Ground-level shot as the T-Rex stomps over a car, metal crumpling under its weight. Houses shake with each step. Scene 3: Handheld chaotic shot showing people fleeing in panic, screaming, looking back in terror as the creature approaches. Scene 4: Close-up of the T-Rex’s jaws and eyes, saliva dripping, roaring toward the camera. High intensity, realistic destruction, dynamic motion, no text.

4 months ago

Scene 1 (Conflict): A lost Ancient Egyptian warrior battles a sandstorm, his chariot overturned. Anubis-like shadows whisper doubt. Scene 2 (Surrender): He collapses, removes his helmet, and prays—Proverbs 3:5-6 in hieroglyphs burns briefly on his wrist. Scene 3 (Divine Answer): BOOM! A beam of light splits the storm, revealing a path. The sands ripple like water (Red Sea nod). Scene 4 (Resolution): He walks forward, armored in light, as the camera pulls back to show the path forming a cross shape (subtle Christian tie-in). Animation Style: *"Pepsi’s ‘The Great Divide’ ad meets ‘Prince of Egypt’—2D/3D hybrid, dramatic shadows, sand physics."* JDHampton + AI | Creative Alliance

2 months ago

The camera changes every 3 seconds, creating a smooth cinematic sequence. All scenes take place inside a dark, vintage room with worn leather furniture, dim cinematic lighting, and an eerie, mysterious atmosphere — similar to an old philosophical interrogation room. Scene 1 (First 3 seconds): The protagonist is sitting in a deep red leather armchair, surrounded by dark walls and warm, low lighting. They slowly turn their head toward the camera and give a subtle, knowing smile. The room feels silent and heavy, filled with anticipation. Scene 2 (Next 3 seconds): A delivery guy enters the same room, walking across the dim space. He wears a food courier jacket and carries a wrapped kebab. The lighting casts long shadows, enhancing the dramatic tension as he approaches the protagonist. Scene 3 (Next 3 seconds): Close-up shot of the exchange. The protagonist calmly takes the kebab from the delivery guy. The focus is on the hands and the motion, with a shallow depth of field — the background remains blurred, showing hints of aged wallpaper and leather textures. Scene 4 (Final 3 seconds): Cut to the protagonist now sitting on an old couch within the same room, visibly stuffed after eating. They recline in a relaxed, almost philosophical daze. Half of the kebab lies beside them on a small table. The mood is darkly humorous, quiet, and introspective. No text.

2 months ago

Prompt Vidéo – PC Consulting Presentation *"A cinematic video presentation introducing PC Consulting. Opening scene: A modern luxury villa with panoramic windows overlooking the French Riviera. The camera slowly glides through the bright, elegant interior, emphasizing minimalism and refinement. Cut to the PC Consulting team of 4 professionals standing confidently together: An elegant woman in her 30s, minimalist white & navy outfit, interacting with a sleek tablet where glowing AI icons appear in motion. A distinguished man in his 40s, in a tailored suit, giving a confident yet approachable look toward the camera. A young professional man in his 30s, casual-chic (blazer, no tie), unrolling architectural plans with subtle animations of villa blueprints overlaying the screen. A stylish woman in her late 20s, smart-casual dress in white/blue tones, writing notes in a hospitality folder that subtly transitions into digital icons of service protocols. Transitions & Atmosphere: Soft natural light, premium lifestyle aesthetic, and smooth camera movements (slow pans, close-ups, holographic overlays). The white & blue color palette flows through the visuals, matching PC Consulting branding. Subtle animated text overlays: “Luxury Hospitality & AI”, “Property Management Excellence”, “Tailor-Made for UHNW & Family Offices”. Closing scene: The team stands together, with the villa and sea view behind them. The screen fades into the PC Consulting logo with the tagline: “Luxury Hospitality in the AI Era.”*

5 months ago

1. Time + Location + Environment Mid-morning, deep in a misty Pacific Northwest forest. Ferns glisten with dew, birds chirp in the background. Sunbeams pierce through the towering redwoods. Slight breeze rustles leaves. 2. Detailed Scene Action Bigfoot, towering and shaggy, holds a smartphone on a selfie stick. He walks toward camera, deadpan expression, adjusting the mic like a pro. He pauses, then delivers the joke: “Why don’t I go to parties? Because every time I try, someone yells ‘I found him!’” He lets the punchline hang, raises his eyebrows, then chuckles with a deep, guttural laugh. 3. Optional Dialogue/Voiceover [Bigfoot, mock-serious tone] “Look, I’m just tryin’ to live my life, man. I like moss. I like mushrooms. I tell jokes. But every time… boom — blurry photo, viral panic.” 4. Camera Style and Movement Handheld selfie-style from Bigfoot’s POV, with occasional over-the-shoulder drone cuts to show his massive frame amid the trees. Occasional quick zoom-ins for comedic timing. Shaky-cam adds realism. 5. Audio/Musical Elements Lighthearted acoustic guitar plucks. Ambient forest SFX — birds, wind, distant woodpecker. Comedic record-scratch sound when he tells the joke, followed by a short laugh track. 6. Mood, Lighting, Cinematic Style Whimsical mockumentary vibe. Soft natural lighting with mild cinematic grading (slight green-gold tint). Feels like a cross between a National Geographic special and a YouTube skit.