A sample prompt of what you can find in this page
Prompt by HarshKGS

Another man prompts

very few results

7 months ago

(Spaghetti Western meets Hindu Mythology, Cinematic, Gritty, Mythic Americana, Clint Eastwood's Unforgiven-style storytelling, Hyperreal, Dust and Gunpowder, Sunset Over the Frontier) (Gritty Cinematic Western:1.8, Hindu Mythology Meets Old West:2.0, Dust & Heat Haze:1.6, Sunburnt Leather & Weathered Cloth:1.5, Volumetric Light Through Dust:1.4, Classic Spaghetti Western Composition:1.8) The frontier is vast, endless. The sun hangs low and swollen, a burning red eye sinking behind the jagged silhouette of the mountains, bleeding golden light across the dust-choked sky. A lone rider moves through the haze, his dark stallion kicking up a slow trail of dust, the sound of hooves muffled by the dry, cracked earth. Vishnu, the Divine Gunslinger, moves like a ghost through this godforsaken land, his presence a whisper on the wind, a warning before the storm. He is adorned in a weathered duster, its deep blue fabric threadbare yet regal, embroidered in golden Sanskrit that shifts and shimmers under the dying light. Beneath it, his celestial skin glows faintly, a blue so deep it seems carved from the twilight sky itself. His golden eyes burn like twin desert suns, reflecting the fire of the West, the violence of the frontier, the weight of justice balanced on the edge of a blade. From beneath his coat, his four arms rest with an unnatural stillness, each poised for retribution. One hand grips the Sudarshana Revolver, an ancient pistol forged from the molten core of a dying star, its barrel etched with the shifting symbols of the cosmos. Another holds a coiled lasso woven from the threads of fate, glowing with the light of constellations long dead. The third hand remains open, palm outward—a warning, or perhaps a blessing. The fourth clutches the eternal lotus, a reminder that even in this land of dust and death, something divine lingers. Behind him, the town of Black Hollow waits, a rotting wooden carcass of a town, its saloon doors swaying in the wind, the church bell rusted and long silent. Shadows move behind glassless windows, fear tightening in the chests of men who know their reckoning has come. The outlaws of this place have no gods, no law but steel and blood, and yet even they whisper his name. The wind shifts, carrying the scent of gunpowder and sagebrush, and in the distance, a gang of riders appear on the ridge, silhouetted against the sun. Their leader spits, grips his rifle, and laughs. "Ain't no man gets to play god out here," he sneers. The six-shooter spins once, slow, deliberate. A single breath. A moment stretched between eternity and the dust. Vishnu narrows his golden gaze beneath the wide brim of his hat. He speaks only once. "God don’t play, friend." Then the world moves like lightning, like judgment, like fate itself unfurling.

6 months ago

Create a masterpiece oil painting inspired by the haunting and timeless lyrics of "Highwayman." The central image should depict four figures, each representing one of the characters from the song’s lyrics — a highwayman, a ship captain, a railroad man, and a starship pilot — each standing or positioned against the vast, open landscapes of their time. These figures should be arranged in a way that symbolizes their connection across eras, with each man standing proudly in his own environment. The highwayman should be portrayed in a dramatic, windswept desert or nighttime landscape, with his dark cloak billowing in the wind, a mysterious and defiant figure. He holds a rifle or pistol, and his horse is tethered nearby, ready to ride into the night. The ship captain should be shown on the deck of a grand sailing ship, the vast ocean stretching endlessly behind him, wind in his sails, his gaze focused on the horizon. His attire should be classic, with a captain’s coat and telescope in hand. The railroad man stands beside an old train, with the iron rails stretching off into the distance, symbolizing the progress and expansion of the world. He wears a workman’s cap and holds a wrench or railroad signal. The starship pilot stands in the dark void of space, with the distant stars and planets surrounding him. His suit is futuristic, but his expression mirrors the same stoic determination as the other figures. The background should blend the four different settings — rolling hills, stormy seas, endless rails, and the vastness of space — as though the boundaries of time and place are interwoven, suggesting the continuity of these men through eternity. The landscape transitions seamlessly from one era to another, symbolizing the cycle of life, death, and rebirth. The color palette should feature deep, bold colors like midnight blues, earthy browns, and fiery oranges, with touches of silvery grays to represent time passing. Each figure should be bathed in the golden light of their respective times, drawing the viewer's eye to their expression and purpose. The brushstrokes should be strong and dynamic, capturing the power of these men’s spirits across time. The overall mood should evoke a sense of legend, fate, and the eternal journey of these highwaymen as they travel through the ages, bound by destiny.

7 months ago

A high-angle shot of a traditional Iranian engagement gathering in a spacious 1950s home. The living room is elegantly furnished with neatly arranged vintage sofas. Eight family members are present, engaged in warm conversation. The bride-to-be sits beside her elderly mother, who has soft wrinkles and wears a delicate scarf. The bride wears a stylish outfit with a light-colored scarf (escarf), her voluminous curls peeking from underneath. She looks at the groom with a subtle, shy smile. The groom, dressed in a light-colored suit with a thin tie, sits beside his elderly father, who has neatly combed white hair and a dignified presence. The bride's father, an older man with deep wrinkles and white hair, sits with a calm expression, his hands resting on a cane. Two middle-aged women, one in a headscarf and the other with short, wavy hair, are seated across from each other, engaged in friendly conversation. Another man, younger than the fathers but with a noticeable mustache, leans slightly forward, listening intently. In the center, a large wooden table holds an ornate floral bouquet and a silver tray filled with Persian sweets. A samovar and teacups sit beside it, ready for serving. The warm, golden lighting highlights the rich Persian rug beneath the table, the intricate woodwork of the furniture, and the authentic atmosphere of the gathering. The characters' facial features are highly detailed and natural, with realistic expressions reflecting a mixture of anticipation, happiness, and respect. The camera captures the entire setting from a high angle, emphasizing the traditional ambiance, the intimate space, and the elegance of this cherished moment in a 1950s Iranian home.

7 months ago

A high-angle shot of a traditional Iranian engagement gathering in a spacious 1950s home. The living room is elegantly furnished with neatly arranged vintage sofas. Eight family members are present, engaged in warm conversation. The bride-to-be sits beside her elderly mother, who has soft wrinkles and wears a delicate scarf. The bride wears a stylish outfit with a light-colored scarf (escarf), her voluminous curls peeking from underneath. She looks at the groom with a subtle, shy smile. The groom, dressed in a light-colored suit with a thin tie, sits beside his elderly father, who has neatly combed white hair and a dignified presence. The bride's father, an older man with deep wrinkles and white hair, sits with a calm expression, his hands resting on a cane. Two middle-aged women, one in a headscarf and the other with short, wavy hair, are seated across from each other, engaged in friendly conversation. Another man, younger than the fathers but with a noticeable mustache, leans slightly forward, listening intently. In the center, a large wooden table holds an ornate floral bouquet and a silver tray filled with Persian sweets. A samovar and teacups sit beside it, ready for serving. The warm, golden lighting highlights the rich Persian rug beneath the table, the intricate woodwork of the furniture, and the authentic atmosphere of the gathering. The characters' facial features are highly detailed and natural, with realistic expressions reflecting a mixture of anticipation, happiness, and respect. The camera captures the entire setting from a high angle, emphasizing the traditional ambiance, the intimate space, and the elegance of this cherished moment in a 1950s Iranian home.

7 months ago

A high-angle shot of a traditional Iranian engagement gathering in a spacious 1950s home. The living room is elegantly furnished with neatly arranged vintage sofas. Eight family members are present, engaged in warm conversation. The bride-to-be sits beside her elderly mother, who has soft wrinkles and wears a delicate scarf. The bride wears a stylish outfit with a light-colored scarf (escarf), her voluminous curls peeking from underneath. She looks at the groom with a subtle, shy smile. The groom, dressed in a light-colored suit with a thin tie, sits beside his elderly father, who has neatly combed white hair and a dignified presence. The bride's father, an older man with deep wrinkles and white hair, sits with a calm expression, his hands resting on a cane. Two middle-aged women, one in a headscarf and the other with short, wavy hair, are seated across from each other, engaged in friendly conversation. Another man, younger than the fathers but with a noticeable mustache, leans slightly forward, listening intently. In the center, a large wooden table holds an ornate floral bouquet and a silver tray filled with Persian sweets. A samovar and teacups sit beside it, ready for serving. The warm, golden lighting highlights the rich Persian rug beneath the table, the intricate woodwork of the furniture, and the authentic atmosphere of the gathering. The characters' facial features are highly detailed and natural, with realistic expressions reflecting a mixture of anticipation, happiness, and respect. The camera captures the entire setting from a high angle, emphasizing the traditional ambiance, the intimate space, and the elegance of this cherished moment in a 1950s Iranian home.