View from behind the character prompts

7 months ago

A breathtaking 16K ultra-realistic cinematic masterpiece depicting a celestial squadron of fierce yet divine female angels standing in perfect military formation, their profiles aligned in a powerful side-view row as if awaiting orders from their unseen captain. Each warrior is uniquely designed but unified in celestial grandeur, their piercing gazes locked forward with unwavering discipline. The scene is set against an expansive, dreamlike sky of swirling nebulae, soft golden clouds, and distant floating citadels bathed in ethereal light. The angels stand upon a radiant, translucent platform suspended in the heavens, their presence casting delicate glows and shimmering particle effects that dance in the cosmic breeze. Character Details: First Angel (Leader): Tall and commanding, her long platinum hair flows like liquid starlight, adorned with a delicate golden circlet. Her armor is ornate—gleaming white and gold with celestial engravings, a tattered azure cloak billowing behind her, emblazoned with a radiant halo sigil. Her eyes glow like twin supernovae, focused and unyielding. Second Angel (Lieutenant): Slightly shorter but equally formidable, her silver-blue armor is etched with constellations, her wings (partially unfurled) shimmering with iridescent feathers. Her expression is calm but alert, a celestial spear resting vertically at her side. Third Angel (Guardian): Younger but no less fierce, her rose-gold armor is lighter, adorned with flowing ribbons that defy gravity. Her gaze is intense, her lips parted slightly as if whispering a divine mantra. Lighting & Atmosphere: The scene is bathed in a divine golden glow, with volumetric god rays piercing the clouds, illuminating the angels’ armor with a lifelike metallic sheen. Soft lens flares and subtle bokeh effects add depth, while microscopic details—individual strands of hair, the texture of feathered wings, and the weathered imperfections of their armor—heighten realism. Mood & Composition: Awe-inspiring and majestic, evoking the solemnity of a sacred oath. The angels’ synchronized stance conveys unity and unbreakable loyalty, their presence both serene and formidable. The background hints at an approaching celestial event—a distant supernova or the arrival of their commander—adding narrative tension.

4 months ago

front view of an evil graffiti anime style character with really dark coal black skin and glowing eyes, his body has symbiote tendrils coming off of him like venom, he has demonic features and a smile showing his shark sharp teeth with really big wild oversized very thick style and overly textured dreads with blonde highlights, he is dressed in urban wear jeans with holes and nike jordan 11 sneakers, in his right hand he's holding a really oversized giant old gunmetal colored style gun with flames, the gun should be actually bigger than he is and is actually being held up by his shoulder, in his left hand he has a can of spray paint, behind him the wall is exploding off the wall with cracks around the wall and the colors splashing exploding everywhere even dripping on the character, and used spray cans on the ground, cinematic, hyper realism, high detail, dynamic, 3d illustration

4 months ago

front view of an evil graffiti anime style character with really dark coal black skin and glowing eyes, his body has symbiote strands coming off of him like venom and the venom tongue coming out his sharp mouth, he has demonic features and a smile showing his shark sharp teeth with really big wild oversized very thick style and overly textured dreads with blonde highlights, he is dressed in urban wear jeans with holes and nike jordan 11 sneakers, in his right hand he's holding a really oversized giant old gunmetal colored style gun with flames, the gun should be actually bigger than he is and is actually being held up by his shoulder, in his left hand he has a can of spray paint, behind him on the wall in colorful 3d graffiti the words "MKAOS" are exploding off the wall with cracks around the wall and the colors splashing exploding everywhere even dripping on the character, and used spray cans on the ground, cinematic, hyper realism, high detail, dynamic, 3d illustration

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

6 months ago

An anime-style scene of a lone climber reaching the summit of an impossibly tall, jagged mountain at dawn. Character Design: A determined young adventurer — windswept hair, torn gloves, and dust-covered cloak. Their expression shows exhaustion mixed with awe and quiet triumph. Kneeling with one hand on the peak, breathing heavily, eyes wide as they take in the view. Their backpack is worn, and a glowing pendant or token from a mentor dangles from their chest — a reminder of their journey. Environment Details: The mountain trail below spirals downward endlessly into clouds, showing sheer vertical cliffs, broken gear, and markers of failed past attempts. Surrounding the peak: glowing golden sun rising from behind a distant horizon, casting beams of light across the scene. Winds swirl around, carrying snowflakes and glowing particles like embers. In the sky, the clouds part to reveal a vast view of the world below — forests, rivers, cities — all beneath the character’s feet. Emotional Tone: The scene must feel epic, breathtaking, and humbling — like the moment of conquering something once thought impossible. Colors: Cold blue shadows below, warm gold-orange sunrise above. Mood: A fusion of exhaustion and serenity — a visual metaphor for perseverance and breakthrough. Style Reference: Makoto Shinkai x Studio Ghibli blend — wide, cinematic angle, soft glowing particles, detailed sky gradients, and emotional realism. Camera Angle: Wide-angle third-person view from behind and slightly above the character, showing both the character and the vast world they've risen above.

6 months ago

An anime-style scene of a lone climber reaching the summit of an impossibly tall, jagged mountain at dawn. Character Design: A determined young adventurer — windswept hair, torn gloves, and dust-covered cloak. Their expression shows exhaustion mixed with awe and quiet triumph. Kneeling with one hand on the peak, breathing heavily, eyes wide as they take in the view. Their backpack is worn, and a glowing pendant or token from a mentor dangles from their chest — a reminder of their journey. Environment Details: The mountain trail below spirals downward endlessly into clouds, showing sheer vertical cliffs, broken gear, and markers of failed past attempts. Surrounding the peak: glowing golden sun rising from behind a distant horizon, casting beams of light across the scene. Winds swirl around, carrying snowflakes and glowing particles like embers. In the sky, the clouds part to reveal a vast view of the world below — forests, rivers, cities — all beneath the character’s feet. Emotional Tone: The scene must feel epic, breathtaking, and humbling — like the moment of conquering something once thought impossible. Colors: Cold blue shadows below, warm gold-orange sunrise above. Mood: A fusion of exhaustion and serenity — a visual metaphor for perseverance and breakthrough. Style Reference: Makoto Shinkai x Studio Ghibli blend — wide, cinematic angle, soft glowing particles, detailed sky gradients, and emotional realism. Camera Angle: Wide-angle third-person view from behind and slightly above the character, showing both the character and the vast world they've risen above.

8 months ago

an anthropomorphic cute cat standing in front of the entrance to a haunted mansion at night. Low angle view. Around the mansion there is a dense forest. View from behind the character, in the style of cinematic montages, dragon art, franciszek starowieyski, colorful picture, john howe, hyper-realistic details, himalayan art. The character is hold an elfic masterpiece sword

6 months ago

Wide cinematic rear-view shot in a vast sun-scorched desert. A rusty, dilapidated bus stop bench is facing the horizon, with seven seated characters — all with their backs to the camera, facing forward. – Muslim in traditional attire – Orthodox Jew with black coat and hat – Catholic nun in habit – Sikh with turban and beard – Buddhist monk in saffron robes – Morbidly obese Superman, cape dragging in the dust – Tired businessman in suit with briefcase All appear slouched, weary, exhausted. Above them, a faded, cracked sign clearly displays the phrase: “Nobody has made it out alive.” No faces. No eye contact. Back view only. Bench and camera fully behind characters. Long shadows, cracked desert floor, golden hour light. Cinematic lighting, Cooke lenses, ARRI Alexa sensor, 8K, HDR, film grain. Color grading in style of Denis Villeneuve, Roger Deakins. --ar 16:9 --v 6 --style cinematic --q 2 --hd

4 days ago

the Grim Reaper and a man sitting at the bar, viewed from behind, the man is holding a guitar and a beer mug, the Grim Reaper beside him with an electric guitar, cozy tavern atmosphere, same lighting and setting as the original image, warm cinematic light through the windows, photorealistic, 8k, masterpiece, over-the-shoulder perspective, detailed background, depth of field same composition and characters as the original artwork, but camera placed behind them, showing their backs and the bar from a rear perspective.

4 days ago

the Grim Reaper and a man sitting at the bar, viewed from behind, the man is holding a guitar and a beer mug, the Grim Reaper beside him with an electric guitar, cozy tavern atmosphere, same lighting and setting as the original image, warm cinematic light through the windows, photorealistic, 8k, masterpiece, over-the-shoulder perspective, detailed background, depth of field same composition and characters as the original artwork, but camera placed behind them, showing their backs and the bar from a rear perspective.

4 days ago

the Grim Reaper and a man sitting at the bar, viewed from behind, the man is holding a guitar and a beer mug, the Grim Reaper beside him with an electric guitar, cozy tavern atmosphere, same lighting and setting as the original image, warm cinematic light through the windows, photorealistic, 8k, masterpiece, over-the-shoulder perspective, detailed background, depth of field same composition and characters as the original artwork, but camera placed behind them, showing their backs and the bar from a rear perspective.

4 days ago

¿Me puedes dar esta imagen a color? the Grim Reaper and a man sitting at the bar, viewed from behind, the man is holding a guitar and a beer mug, the Grim Reaper beside him with an electric guitar, cozy tavern atmosphere, same lighting and setting as the original image, warm cinematic light through the windows, photorealistic, 8k, masterpiece, over-the-shoulder perspective, detailed background, depth of field. same composition and characters as the original artwork, but camera placed behind them, showing their backs and the bar from a rear perspective.

4 days ago

the Grim Reaper and a man sitting at the bar, viewed from behind, the man is holding a guitar and a beer mug, the Grim Reaper beside him with an electric guitar, cozy tavern atmosphere, same lighting and setting as the original image, warm cinematic light through the windows, photorealistic, 8k, masterpiece, over-the-shoulder perspective, detailed background, depth of field same composition and characters as the original artwork, but camera placed behind them, showing their backs and the bar from a rear perspective.

6 months ago

Full body view of A photo-realistic action figure packaged in a blister card, The figure stands behind a clear plastic bubble. A character sheet featuring a a Gorgeous pirate woman, , full body, black hair, withe jacket, pirate hat, red bandana, sword, gun, pirate flag best action figure, full body, beautiful face, clear facial features, ultra-realistic, barefoot (((show feet) )), Proportions are consistent

6 months ago

Full body view of A photo-realistic action figure packaged in a blister card, The figure stands behind a clear plastic bubble. A character sheet featuring a a Gorgeous woman, , full body, bald, best action figure, full body, beautiful face, clear facial features, ultra-realistic, white bra, white long skirt, barefoot (((show feet) )), with long ornate stick as a weapon. Proportions are consistent

6 months ago

Full body view of A photo-realistic action figure packaged in a blister card, The figure stands behind a clear plastic bubble. A character sheet featuring a a Gorgeous pirate woman, , full body, black hair, withe jacket, pirate hat, red bandana, sword, gun, treasure chest, knee-length trousers, pirate flag, best action figure, full body, beautiful face, clear facial features, ultra-realistic, barefoot (((show feet) )), Proportions are consistent

6 months ago

Full body view of A photo-realistic action figure packaged in a blister card, The figure stands behind a clear plastic bubble. A character sheet featuring a a Gorgeous woman, , full body, bald, best action figure, full body, beautiful face, clear facial features, ultra-realistic, white bra, white long skirt, barefoot (((show feet) )), with long ornate stick as a weapon. Proportions are consistent

6 months ago

Full body view of A photo-realistic action figure packaged in a blister card, The figure stands behind a clear plastic bubble. A character sheet featuring a a Gorgeous pirate woman, , full body, black hair, withe jacket, pirate hat, red bandana, sword, gun, treasure chest, knee-length trousers, pirate flag, best action figure, full body, beautiful face, clear facial features, ultra-realistic, barefoot (((show feet) )), Proportions are consistent

4 months ago

front view of an evil graffiti anime style character with really dark coal black skin and glowing eyes crouched on top of a shiny black wet metallic painted lamborghini that is destroyed and on fire burning vividly, his feet is cracking the hood of the car, his body has symbiote tendrils coming off of him like venom, he has demonic features and a smile showing his shark sharp teeth with really big wild oversized very thick style and overly textured dreads with blonde highlights, he is dressed in urban wear jeans with holes and nike sneakers, in his right hand he's holding a really oversized stack of $100 bills banded together, behind him the wall is exploding off the wall with cracks around the wall and the colors splashing exploding everywhere even dripping on the character, and used spray cans on the ground, cinematic, hyper realism, high detail, dynamic, 3d illustration

4 months ago

front view of an evil graffiti anime style character with really dark coal black skin and glowing eyes crouched on top of a purple metallic painted lamborghini that is destroyed and on fire burning vividly, his body has symbiote tendrils coming off of him like venom, he has demonic features and a smile showing his shark sharp teeth with really big wild oversized very thick style and overly textured dreads with blonde highlights, he is dressed in urban wear jeans with holes and nike jordan 11 sneakers, in his right hand he's holding a really oversized giant old gunmetal colored style gun with flames, the gun should be actually bigger than he is and is actually being held up by his shoulder, in his left hand he has a can of spray paint, behind him the wall is exploding off the wall with cracks around the wall and the colors splashing exploding everywhere even dripping on the character, and used spray cans on the ground, cinematic, hyper realism, high detail, dynamic, 3d illustration