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Prompt by ElectricL

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5 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

6 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

7 months ago

A hyper-realistic, ultra-detailed full-body depiction of a stunning British woman, presented in five distinct views within the same 21:9 frame: a front view, a pure 90-degree side profile, a back view, a close-up of her face in front view, and a close-up of her face in side profile. Each pose is evenly spaced, ensuring her entire figure is fully visible from head to feet without overlap, while the close-up portraits are positioned on the right side of the frame—front view at the top, side profile below. The camera maintains a neutral eye-level position, capturing her full height and facial details with no distortion or cropping. She has a symmetrical, captivating face with deep brown almond-shaped eyes, naturally arched eyebrows, and full, well-defined lips. Her dark brown wavy hair is tied in a messy bun, with a few loose strands framing her face. Her soft, radiant complexion is enhanced by natural skin tones. Her physique is athletic and well-proportioned, featuring a full, naturally balanced bust, a defined waist, elegant shoulders, toned arms, and strong, thick thighs. Standing at 175 cm, she is wearing a black deep V-neck sports bra, high-waisted black yoga pants, and white sneakers. She has no makeup. The front view shows her standing naturally, facing directly toward the camera, arms at her sides, feet flat on the ground. The side profile is a pure 90-degree angle, with her entire body turned to the side, head aligned straight, and arms naturally resting at her sides, ensuring no frontal visibility. The back view captures her from behind, highlighting the back, shoulders, and leg proportions. The close-up front portrait focuses on her face with even lighting, while the side-profile close-up captures the sharp definition of her jawline and nose. The clean white background enhances clarity, while soft, natural lighting casts subtle highlights and shadows for extreme photorealism. HDR 4K resolution captures ultra-realistic textures and perfectly balanced skin tones, achieving a highly cinematic effect. The wide 21:9 framing ensures all five depictions fit seamlessly with accurate proportions, maintaining complete visibility with no cropping or distortion.

7 months ago

A breathtaking 16K ultra-realistic cinematic masterpiece depicting a celestial squadron of fierce yet divine female angels standing in perfect military formation, their profiles aligned in a powerful side-view row as if awaiting orders from their unseen captain. Each warrior is uniquely designed but unified in celestial grandeur, their piercing gazes locked forward with unwavering discipline. The scene is set against an expansive, dreamlike sky of swirling nebulae, soft golden clouds, and distant floating citadels bathed in ethereal light. The angels stand upon a radiant, translucent platform suspended in the heavens, their presence casting delicate glows and shimmering particle effects that dance in the cosmic breeze. Character Details: First Angel (Leader): Tall and commanding, her long platinum hair flows like liquid starlight, adorned with a delicate golden circlet. Her armor is ornate—gleaming white and gold with celestial engravings, a tattered azure cloak billowing behind her, emblazoned with a radiant halo sigil. Her eyes glow like twin supernovae, focused and unyielding. Second Angel (Lieutenant): Slightly shorter but equally formidable, her silver-blue armor is etched with constellations, her wings (partially unfurled) shimmering with iridescent feathers. Her expression is calm but alert, a celestial spear resting vertically at her side. Third Angel (Guardian): Younger but no less fierce, her rose-gold armor is lighter, adorned with flowing ribbons that defy gravity. Her gaze is intense, her lips parted slightly as if whispering a divine mantra. Lighting & Atmosphere: The scene is bathed in a divine golden glow, with volumetric god rays piercing the clouds, illuminating the angels’ armor with a lifelike metallic sheen. Soft lens flares and subtle bokeh effects add depth, while microscopic details—individual strands of hair, the texture of feathered wings, and the weathered imperfections of their armor—heighten realism. Mood & Composition: Awe-inspiring and majestic, evoking the solemnity of a sacred oath. The angels’ synchronized stance conveys unity and unbreakable loyalty, their presence both serene and formidable. The background hints at an approaching celestial event—a distant supernova or the arrival of their commander—adding narrative tension.