another forms prompts

7 months ago

Abstract Full-Body Portrait of a Prostitute – Salvador Dalí (Late-Life Style, Singular Focus & Pure Surrealism) (Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

7 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

7 months ago

The image is an aerial view of a snowy forest landscape. It features a narrow path that runs vertically through the center of the image, dividing the scene into two distinct halves. On the left side of the path, there is a dense forest of evergreen trees covered in snow, creating a monochromatic white and gray appearance. The trees are closely packed, forming a thick canopy. On the right side of the path, there is another forest of deciduous trees, but these trees have leaves that are a vibrant red and yellow, adding a striking contrast to the white snow. The colors are so vivid that they almost appear to be artificial, creating a surreal effect. In the middle of the path, there is a person dressed in a bright red jacket and black pants, walking away from the camera. The person's presence adds a sense of scale to the image, emphasizing the vastness of the forest and the narrowness of the path. The snow on the ground is pristine and untouched, with only the footprints of the person visible, leading into the distance. The overall composition of the image is symmetrical, with the path acting as a central axis, dividing the two contrasting halves of the forest. The image evokes a sense of tranquility and isolation, highlighting the beauty of nature in winter.

7 months ago

Create a breathtaking and evocative double-exposure oil painting that beautifully captures the profound bond between humanity and nature, using the iconic imagery of Gorillas in the Mist. The painting should focus on the rich emotional depth of the gorillas and the lush, mist-covered landscape of the Congo, blending these elements in a way that symbolizes both the mystery of the jungle and the majesty of these endangered creatures. The central figure of the painting should be a majestic gorilla—painted with intricate detail to reflect the animal’s strength, intelligence, and vulnerability. Its face should be filled with quiet intensity, wisdom, and an almost human-like quality, conveying its deep emotional resonance. The gorilla’s eyes should be the focal point, expressive and full of emotion, perhaps suggesting the struggle for survival, a call for preservation, or an understanding of the delicate balance between nature and human interference. The double-exposure effect should allow the environment to emerge within its form, creating a stunning fusion of the animal and its misty, green habitat. The mist itself should flow through the gorilla’s body and face, creating an ethereal atmosphere that invokes the deep, mysterious quality of the jungle. Soft, translucent layers of paint should be used to capture the wisps of fog, blending into the contours of the gorilla’s powerful form. The mist should not only symbolize the natural environment but also reflect the presence of the unseen—the unseen dangers, the spiritual connection between the gorilla and the jungle, and the ongoing battle to protect these creatures from extinction. Surrounding the gorilla, the dense, vibrant foliage of the rainforest should be depicted in rich, lush greens, with hints of deep browns and subtle touches of vibrant wildflowers. Vines, leaves, and branches can emerge from the mist, merging with the gorilla’s figure, creating the sensation that it is a part of the jungle, and vice versa. The interplay of light and shadow within the leaves and the mist should evoke a sense of both serenity and mystery, with rays of sunlight filtering through the trees, casting soft, glowing highlights on the gorilla’s fur and the surrounding vegetation. The background should suggest both the wildness and fragility of the gorilla’s environment. Darker shades of green and brown can illustrate the dense canopy, while lighter, misty shades should evoke the sense of isolation and vulnerability. In the double-exposure technique, glimpses of the jungle’s wildlife—perhaps a subtle hint of a bird or a distant silhouette of another gorilla—can appear within the mist, symbolizing the delicate interconnectedness of life within the forest ecosystem. The color palette should shift between dark and light—rich earth tones that evoke the depth and complexity of the jungle, paired with the light, airy mist that suggests hope, fragility, and the need for preservation. The mist itself should be painted with fluid brushstrokes that contrast with the more textured rendering of the gorilla, creating a sense of life and motion in both the animal and its environment. This painting should not only represent the beauty and majesty of the gorillas but also serve as a powerful call for conservation. Through the double-exposure technique, it should blur the lines between the animal and its habitat, illustrating the inseparable bond between the two and the urgent need to protect these magnificent creatures from the encroaching threats of human activity. The result should be a masterpiece that blends realism with abstraction, capturing the raw, emotional beauty of the gorillas, the mystique of their environment, and the call for preservation. The viewer should feel immersed in this tranquil yet fragile world, experiencing the emotional weight of the subject matter while marveling at the intricacy and beauty of the painting itself

7 months ago

a surreal and psychedelic scene, reminiscent of a Salvador Dali painting, where time and reality are distorted: In an expansive, dreamlike landscape, a clock melts over the edge of a table, defying the laws of physics. The sky above swirls with vibrant, otherworldly colors, blending into an infinite horizon. A figure stands at the center of this scene, their form shifting and changing. Parts of their body transform into various elements – one arm becomes a flowing river, the other a winding vine. Their face is a canvas of shifting expressions, each one reflecting a different aspect of human emotion. Around them, objects float in mid-air, defying gravity. Books open with pages turning into birds, a vintage telephone twists into a spiral, and a chessboard's pieces move on their own. In the background, a cityscape bends and curves like a wave, buildings morphing into surreal shapes. The border between sky and earth blurs, creating a sense of endlessness. In this scene, reality is malleable, and the ordinary becomes extraordinary. It's a visual representation of a mind-bending journey through a world where the impossible becomes possible, and the boundaries of imagination are limitless., moody, unsettling, surreal imagery, macabe, (award winning cinematic shot:1.21), (Kati Horna:1.32) From below, deep in the submerged grotto, a solitary figure stands at the water’s edge, gazing up toward the ascending steps, their expression contemplative and enigmatic. From above, another figure walks up the steps, seemingly unaware of the one below, their face obscured as if caught in a moment between reality and illusion. The water shimmers with an impossible clarity, revealing intricate, otherworldly details beneath the surface—perhaps submerged relics, mysterious symbols, or faint glimpses of an unseen world. The sky above is vast and surreal, with clouds that seem to defy gravity, casting an uncanny glow over the entire composition. The atmosphere is both hyper-detailed, in the style of van Eyck, and eerily mysterious, as if Magritte’s enigmatic vision has bent reality itself.

9 months ago

A chaotic and vivid depiction of an archangel’s desperate escape from hell (1.5), bursting through an endless sea of demons (1.4). The screen is filled with the writhing forms of countless grotesque creatures (1.6)—clawed hands (1.3) and twisted faces (1.3), their bodies an ocean of chaos and darkness (1.4) that stretches infinitely downward (1.3). Their fiery eyes glint with rage and desperation (1.5) as they claw upward, their blackened, smoky forms illuminated by the burning rivers of molten lava (1.4) coursing through the underworld. At the center of this chaos (1.4), the archangel appears small but unyielding (1.5)—a beacon of divine light (1.6) in a world consumed by fire and shadow. His radiant golden wings (1.5), tinged with hues of celestial blue (1.4) and fiery orange (1.4), struggle to break free of the mass of demons dragging him down (1.5). The light from his wings cuts through the smoky darkness (1.6) like shards of sunlight piercing a storm (1.3), creating a stark contrast to the hellish environment (1.4) around him. The angel’s form is dynamic (1.5), twisting mid-flight (1.4) as his powerful wings beat against the swarm (1.5). His robes, glowing faintly from within (1.4), are torn and tattered (1.3) from the ferocity of the battle. His hands grip a radiant celestial sword (1.5), its edge shimmering with divine fire (1.6), as he swings it downward (1.4), cutting through the demons clinging to his legs and arms (1.6). Streams of golden light trail behind the sword (1.5), slicing through the oppressive darkness (1.4). The demonic horde dominates the frame (1.6), their grotesque forms swirling and climbing over one another (1.4) in a desperate attempt to pull him back into the abyss (1.5). Clawed hands (1.4) reach upward, grasping at the angel’s robes, wings, and even his sword (1.5), while others are thrown back by the sheer force of his divine light (1.6). The demons’ smoky, ethereal bodies (1.5) dissolve and re-form (1.4), creating a sense of endless motion and chaos (1.6). The background is a hellish landscape (1.4), filled with erupting volcanoes (1.3), glowing rivers of lava (1.5), and jagged blackened rocks (1.3). The air is thick with smoke, ash, and embers (1.4), swirling in a fiery haze (1.5) that fills the scene with energy and tension. High above, faint traces of the heavens (1.4) are visible through the swirling chaos (1.3)—a glimmer of hope in the distance (1.5), beckoning the angel forward. The artistic style is inspired by Makoto Shinkai (1.6), with his signature ethereal lighting and emotional depth. Vibrant, dynamic lighting (1.5) contrasts the angel’s holy glow (1.6) with the fiery reds and blacks of the underworld (1.4). Rays of divine light pierce the chaos (1.5), creating an otherworldly palette of warm and cool tones (1.4) that evoke both awe and despair (1.5). The intricate details of the demons (1.4), the angel’s wings (1.5), and the molten landscape (1.3) add a sense of depth and movement, immersing the viewer in this epic struggle between good and evil (1.6).

7 months ago

A hyperrealistic 3D medical and educational image showing a bone regeneration procedure in the mandibular bone (lower jaw). A cross-section of the jawbone with the gum surgically opened should be visualized. Inside the bone bed, there is a bone graft in the form of white granules next to another visible area, which is the original bone, which we graphically represent to give it a bone texture and a light cream color. A semitransparent protective membrane partially covers the graft. The graft must perfectly fill all the gaps where there is no natural bone. The adjacent teeth must be visible to show anatomical orientation. Neutral background, professional clinical style, ideal for educational Instagram posts about dental implantology and bone regeneration.

4 months ago

A surreal romantic painting of two abstract figures dissolving into one another, painted with soft brushstrokes and flowing forms. Their bodies made of glowing memories — fragments of handwritten letters, golden light, and rose petals drifting in the air. The background is a dreamy void blending watercolor textures in faded mauve, vintage cream, and dusty rose. The atmosphere is emotional and timeless, echoing the feeling of doing it all again — with no regrets. Style: emotional surrealism, cinematic lighting, poetic composition, delicate details.

3 months ago

A single melted candle sits on a weathered wooden table in a dark, silent room. Its flame has just been extinguished, and from the curling trails of smoke, a ghostly galleon with full sails and rigging emerges, formed entirely from glowing white smoke, drifting upward as if setting sail into another realm. The camera slowly circles around the candle, capturing the delicate translucence of the smoke ship against a deep black background, as particles of ash glimmer softly like distant stars. Moody ambient lighting with a single soft ray illuminating the candle, creating a surreal, magical atmosphere. Shallow depth of field, 35mm lens, cinematic grading with soft shadows and ethereal highlights, evoking a sense of nostalgia and the passage of forgotten souls.

5 months ago

A fantastical landscape emerges from the form of a violin lying horizontally on a calm body of water. Lush green hills and rocky cliffs rise from the guitar's body, complete with cascading waterfalls flowing into the surrounding water. A miniature sailboat glides near the guitar's bridge, and tiny figures stand on a small platform overlooking one of the waterfalls. The violin's neck extends upwards, seemingly touching a cloudy sky where several birds are flying. The bow for the violin acts as a bridge to another world. The overall scene blends musicality with the serenity of nature in a surreal and captivating way. --chaos 20 --ar 3:4 --stylize 0 --draft

8 months ago

A **highly detailed, action-packed scene** featuring the **Fantastic Four** in their **classic blue suits** with the iconic **white “4” emblem**, staying true to **Jack Kirby’s original comic book style**. The team is dynamically posed in a moment of **high-stakes action** against a **colossal cosmic threat**. - **Mr. Fantastic (Reed Richards)** is at the forefront, his **body stretching and twisting in impossible ways**, extending across the battlefield with an **elongated arm grabbing a collapsing piece of debris**. His **face shows intense focus**, and his **gray temples stand out against his dark hair** as he strategizes under immense pressure. - **The Thing (Ben Grimm)** is mid-action, his **massive orange, rock-like form braced against a powerful shockwave**, throwing a **devastating punch** at an enemy with his signature battle cry: **"IT’S CLOBBERIN’ TIME!"** His **rocky hide is intricately detailed**, with **realistic cracks and depth**, giving him a **monolithic, powerful presence**. - **Human Torch (Johnny Storm)** is soaring through the sky, his **entire body engulfed in flames**, leaving behind a **bright, fiery trail**. His **eyes glow intensely with fire**, and he hurls a **controlled stream of fire** at an **approaching enemy spaceship**, his famous catchphrase **"Flame On!"** integrated into the energy burst. - **Invisible Woman (Sue Storm)** stands confidently, her **hands raised as she generates a massive, shimmering force field** to shield her teammates. The **transparent energy distorts light realistically**, with **subtle glowing edges**, while another force field encases **a group of civilians she is protecting** from falling debris. The backdrop is a **dramatic cosmic battleground**, possibly **New York City under siege**, or **outer space**, with a **menacing Galactus, Doctor Doom, or Annihilus looming in the background**. The colors are **bold and vibrant**, using **classic Marvel comic book shading and inking techniques** to capture the **nostalgic, dynamic energy of a 1960s-70s Fantastic Four comic book cover**. The **camera angle is dynamic and slightly tilted**, emphasizing **perspective, scale, and movement** as **debris flies, energy beams streak across the air, and the Fantastic Four’s abilities explode into action**. The **lighting is high-contrast and dramatic**, blending **classic comic panel aesthetics with a modern, cinematic feel**, incorporating **motion blur and deep shadows** for enhanced realism while **retaining the comic book charm**. A **masterpiece of superhero action**, blending **hyper-detailed comic book stylization, cinematic intensity, and larger-than-life cosmic storytelling**. **Ultra-detailed 8K resolution, trending on ArtStation, with Unreal Engine 5-level fidelity. Vertical aspect ratio.**

7 months ago

A hyperrealistic 3D medical and educational image showing a bone regeneration procedure in the mandibular bone (lower jaw). A cross-section of the jawbone with the gum surgically opened should be visualized. Inside the bone bed, there is a bone graft in the form of white granules next to another visible area, which is the original bone, which we graphically represent to give it a bone texture and a light cream color. A semitransparent protective membrane partially covers the graft. The graft must perfectly fill all the gaps where there is no natural bone. The adjacent teeth must be visible to show anatomical orientation. Neutral background, professional clinical style, ideal for educational Instagram posts about dental implantology and bone regeneration.

6 months ago

the hall of the recording studio, the reception, the room also has sofas and coffee tables, an LED strip is installed around the perimeter, minimalist paintings and vinyl records hang on the walls, panoramic windows to the floor, you can see the door to another room everything is done in beige and white tones with accents in the form of wood inserts and black elements.

6 months ago

the hall of the recording studio, the reception, the room also has sofas and coffee tables, an LED strip is installed around the perimeter, minimalist paintings and vinyl records hang on the walls, panoramic windows to the floor, you can see the door to another room everything is done in blue-gray and white tones with accents in the form of wood inserts and black elements.

5 months ago

Macro shot, ultra-realistic, 8K, cinematic miniature world, smooth and natural movement. A massive pile of crispy golden French fries is arranged on a wooden surface, resembling a busy construction site. Tiny construction workers in bright orange safety vests and yellow helmets are actively pouring warm, gooey cheese sauce over the fries in synchronized motion. A small crane slowly lifts a bucket of melted cheese, tilting it slightly as thick, creamy cheese sauce begins to flow down in smooth, continuous streams. One worker carefully directs the flow with a tiny spatula, making precise, controlled motions. Another worker uses a brush to spread salt evenly, his tiny hand moving rhythmically. The cheese drizzles naturally, cascading over the fries, with gentle ripples forming as it lands. In the background, additional workers inspect the fries’ texture, occasionally adjusting their positions. The scene is playful, immersive, and full of life, capturing the joy of a delicious moment in an engaging, realistic manner. the camera rotates around the subject

5 months ago

Create a gigantic and terrifying hybrid creature, combining a hamburger with a monstrous appearance. Its head must be a hamburger bun, with lettuce, tomatoes, and dripping cheese forming a gaping mouth with sharp teeth and frightening red eyes. Its body is made of cooked meat, evoking a muscular and grotesque figure. The scene takes place in a restaurant, with another hamburger on a table in the background. The creature must give off a strange and eerie aura, uniquely blending the worlds of food and horror. Its entire body must be visible and it is in a clear aisle without obstacles. Ultra-realistic cinematographic photography --v 5 --ar 9:16"

6 months ago

A highly realistic, photorealistic image of a dense forest at dusk, illuminated by the soft glow of twilight. A wise sage with long white hair tied in a traditional topknot sits cross-legged on a rocky ground, dressed in a flowing orange robe with intricate folds. His back is to the viewer, and his hands are pressed together in a prayer gesture (Anjali Mudra) at chest level, head slightly lowered in deep meditation. In front of him, a large, blazing bonfire with vivid orange and yellow flames casts a warm, flickering glow on his back and the surroundings, creating a mystical atmosphere. Above the bonfire, a radiant, ethereal figure of Maa Durga emerges, glowing with golden light, her form partially translucent and surrounded by a fiery aura with subtle lightning sparks. Her face is obscured by the intense golden light, exuding divine power and fierce grace. Maa Durga is depicted with eight arms, each holding a different weapon: a shimmering golden trident (Trishul) with intricate engravings in one hand, a sword in another, a conch, a discus, a bow, an arrow, a lotus, and a mace, each weapon glowing faintly with divine energy. She is adorned with flowing red and gold garments that blend into the fiery aura, with a golden crown on her head and a garland of flowers around her neck. At her feet, a majestic lion stands, its mane glowing softly, symbolizing her divine mount. The forest is filled with tall, ancient trees with detailed bark textures, and weathered stone structures are positioned on either side of the fire, adding to the sacred, ancient atmosphere. Soft mist hugs the ground, enhancing the mystical ambiance. The scene features cinematic lens flare effects and soft bokeh circles, with dramatic lighting that contrasts the golden light from the fire and Maa Durga with the darker forest tones. The image is ultra-detailed, with 8K resolution, rich colors, and sharp focus on both the sage and Maa Durga, ensuring a natural and culturally authentic depiction of this divine encounter.

7 months ago

(Surrealism:1.7, Salvador Dalí late-life style:2.0, Dreamlike distortion:1.6, Hyperreal textures:1.5, Chiaroscuro contrast:1.4, Oil-painting brushstrokes:1.5, Organic fluidity:1.6, Metaphysical realism:1.4) A full-body surrealist portrait of a prostitute, painted in the unmistakable late-life style of Salvador Dalí, where dream logic dictates form and reality bends into its own subconscious reflection. She stands alone in the void, a lone figure frozen in motion yet melting into time itself. Her body is elongated but coherent, her limbs refined into one singular, fluid, organic motion, as if she is a sculpture made of half-formed candle wax, melting at the edges but never fully dissolving. Her face remains untouched by distortion, hyperreal and melancholic, eyes darkened with kohl, staring directly outward, unblinking, as if confronting time, fate, and the fabric of reality itself. A single strand of jet-black hair escapes from her carefully pinned curls, swaying in an invisible breeze. Her lips—painted a deep, blood-red—drip slightly at the edges, as if smeared by unseen hands, caught between seduction and sorrow. Her dress, a relic of the past, is a contradiction of luxury and decay, the hem transforming into thin wisps of smoke, curling and dispersing into the canvas. The fabric is stretched unnaturally, its folds elongating like the melted forms of Dalí’s classic clocks, one shoulder slipping in an eternal descent, never quite falling. The setting is an infinite, surreal landscape—a lonely street with no visible end, where shadows stretch longer than their owners, and the cobblestones appear to melt into liquid mercury. In the background, a large, antique pocket watch, twisted and partially submerged in the air, hangs frozen at an uncertain hour, its hands warped into elongated spirals. A single red rose, impossibly large and impossibly alive, hovers just behind her, its petals peeling away like fragments of forgotten love letters. The air feels thick, painted with visible brushstrokes, where light and shadow do not obey the laws of physics—instead, they bleed into one another, wrapping around her body in soft, liquid chiaroscuro, mimicking the curvature of a dream. She is not merely a woman but a symbol—of desire, of loss, of something slipping through time like sand through Dalí’s own fingers.

5 months ago

Image is a realistic, detailed illustration of a Stegosaurus walking away into the distance as if migrating to another far away plain towards the other stegosaurus, showcasing its alternating bony plates along its back and a spiked tail curved around, short sturdy neck and small narrow head looking up into the sky with a startled expression, its beady eyes brown alert and scared. The dinosaur's body is robust, with a small head, short sturdy neck, short thick front legs, and powerful hind limbs, it stands firmly on all four legs as a quadrupedal. The skin texture is meticulously rendered, with a mix of green and brown hues, giving it a lifelike appearance. The background are other stegosaurus in a lush fern glade and prehistoric forest, thunderstorms in the sky, with rainfall and lightning strikes, the atmosphere thick with mist and ancient vegetation, the air dense with the sounds of a bygone era, emphasizing the dinosaur's form and details as if frozen in time, its entire being exuding a sense of ancient wisdom and gentle power. The overall style is naturalistic, capturing the prehistoric creature with accuracy and attention to detail.

7 months ago

Photo of a ultra realistic flirty demon woman with colorful arm tattoos and black braided hair with bangs gently biting her lower lip. Her sapphire blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliment her eyes. She wears ornate black transparent lingerie with intricate black lace thigh high stockings with fine lace around the top of the stockings in high heels and gold garters with ornate gold belt and choker, she has her bat like wings open and its hovering over a orange and red glowing grave pulling another beautiful demon woman from the grave, the other demon woman has colorful arm tattoos and black braided hair with bangs, with sapphire blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliment her eyes. The other demon woman wears ornate red transparent lingerie with intricate red lace thigh high stockings with fine lace around the top of the stockings in high heels and gold garters with ornate gold belt and choker. Little demons with tridents and tails and sharp teeth dancing around the grave, the tomb stone has "Witch" chiseled on it and nothing else, it's a foggy, creepy night, bats flying around, lit by soft volumetric lighting from the moon and the glowing from the open grave. no extra fingers, no extra arms, no extra legs, no poorly formed hands, no poorly drawn body

7 months ago

Photo of a ultra realistic flirty demon woman with colorful arm tattoos and black braided hair with bangs gently biting her lower lip. Her sapphire blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliment her eyes. She wears ornate black transparent lingerie with intricate black lace thigh high stockings with fine lace around the top of the stockings in high heels and gold garters with ornate gold belt and choker, she has her bat like wings open and its hovering over a orange and red glowing grave pulling another beautiful demon woman from the grave, the other demon woman has colorful arm tattoos and black braided hair with bangs, with sapphire blue eyes framed by long, elegant eyelashes and ornate eyeshadow that compliment her eyes. The other demon woman wears ornate red transparent lingerie with intricate red lace thigh high stockings with fine lace around the top of the stockings in high heels and gold garters with ornate gold belt and choker. Little demons with tridents and tails and sharp teeth dancing around the grave, the tomb stone has "Witch" chiseled on it and nothing else, it's a foggy, creepy night, bats flying around, lit by soft volumetric lighting from the moon and the glowing from the open grave. no extra fingers, no extra arms, no extra legs, no poorly formed hands, no poorly drawn body

7 months ago

Hyperrealistic medical and educational illustration showing a bone regeneration procedure on the mandibular bone (lower jaw). A cross-section of the jawbone with the gum surgically opened should be visible. Inside the bone bed, bone graft is being placed in the form of white granules next to another visible area, which is the original bone, which we give a light cream color. A semitransparent protective membrane partially covers the graft. Adjacent teeth should be visible to show anatomical orientation. Neutral background, professional clinical style, ideal for educational Instagram posts about dental implantology and bone regeneration.

4 months ago

*A painting in the style of Pieter Jans Saenredam, master of luminous, meticulously detailed 17th-century interiors. The setting is an expansive, vaulted museum hall bathed in soft daylight pouring through high arched windows. The architecture is elegant and austere—clean lines, pale stone, a sense of sacred stillness. Yet this stillness is breaking. Classical marble sculptures—Roman soldiers, Greek gods, Renaissance muses—are in the midst of coming to life. One statue's foot is suspended midair as it steps down from a pedestal; another figure looks directly at the viewer, its stone eyes now animated with expression. Cracks form where rigid limbs are beginning to flex, and fragments of marble flake off to reveal living flesh beneath. On the walls, large oil paintings in sleek black and silver frames are no longer static. Figures inside them are bursting into motion—one canvas shows a woman tearing the painted surface open like a curtain, another depicts a battle scene where soldiers are charging out into the room, their feet and weapons breaching the picture plane. A cherub’s wings flutter outside the frame, casting shadows on the real floor. The boundary between artwork and reality is collapsing, yet the composition holds Saenredam’s restrained geometry, quiet light, and reverent sense of space—making the surreal phenomenon even more hauntingly vivid.

4 months ago

*A painting in the style of Pieter Jans Saenredam, master of luminous, meticulously detailed 17th-century interiors. The setting is an expansive, vaulted museum hall bathed in soft daylight pouring through high arched windows. The architecture is elegant and austere—clean lines, pale stone, a sense of sacred stillness. Yet this stillness is breaking. Classical marble sculptures—Roman soldiers, Greek gods, Renaissance muses—are in the midst of coming to life. One statue's foot is suspended midair as it steps down from a pedestal; another figure looks directly at the viewer, its stone eyes now animated with expression. Cracks form where rigid limbs are beginning to flex, and fragments of marble flake off to reveal living flesh beneath. On the walls, large oil paintings in sleek black and silver frames are no longer static. Figures inside them are bursting into motion—one canvas shows a woman tearing the painted surface open like a curtain, another depicts a battle scene where soldiers are charging out into the room, their feet and weapons breaching the picture plane. A cherub’s wings flutter outside the frame, casting shadows on the real floor. The boundary between artwork and reality is collapsing, yet the composition holds Saenredam’s restrained geometry, quiet light, and reverent sense of space—making the surreal phenomenon even more hauntingly vivid.