black turbans prompts

7 months ago

A tall, muscular black cat dressed in Moroccan clothing (jellaba, turban and turban) walks in a fashion show while the audience takes pictures and applauds him.

3 months ago

Panoramic view from above: In the vast desert, a large army from Mecca marches in horizontal rows, about 1300 fighters on foot behind ten knights, carrying swords, spears, daggers and metal hand shields. In front of them, ten knights from the masters of Mecca ride black Arabian horses, wearing shirts of different colors, loose pants, cloaks of different colors, leather slippers, black turbans, a turban is a type of top that is wrapped around the head and carrying Arab swords attached to their belts. They wear luxurious necklaces. The ten knights should be in the foreground and the focal point of the picture. This is in the first century AH. The army should be clearly visible in the background to show its size, the desert is open with golden sand dunes and rocky mountains on the horizon. A clear blue sky with a few white clouds. The bright midday sunlight with strong natural lighting emphasizes the size of the army. Highlighting the fine details of the costumes, weapons and the desert background.

7 months ago

A tall, muscular black cat dressed in Moroccan clothing (jellaba, turban and turban) walks in a fashion show while the audience takes pictures and applauds him.

7 months ago

A tall, muscular black cat dressed in Moroccan clothing (jellaba, turban and turban) walks in a fashion show while the audience takes pictures and applauds him.

5 months ago

A modern, 2020s-era photorealistic photograph of a grand stage illusion performance. The magician, wearing an elaborately embroidered, jewel-toned ornate robe and a detailed, sparkling turban, performs a stunning levitation act. He holds a young Black woman floating horizontally in midair, supported only by two polished chrome poles connected to a lacquered wooden base with bold lettering "Magic." The woman has natural, , voluminous long black hair styled elegantly in a 2020s fashion, and she wears a flowing, luxurioussatin cheongsam with a high slit in the middle showing her beautiful legs with intricate modern designs. Her expression is calm and powerful as she leans backward in graceful suspension. Surrounding the act are stylish women dressed in sharp, contemporary satin dresses , fades — watching intently. The background is a glossy , satin velvet stage curtain in dark jewel tones like sapphire blue or deep burgundy, with subtle folds and texture. The lighting is dramatic yet cinematic: a soft but focused key spotlight on the magician and the levitating woman, with natural warm stage tones, deep soft shadows, and crisp edge lighting around their silhouettes. Textures are highly detailed: the embroidered fabric sparkles subtly, the silk robe shimmers with realistic folds, the velvet curtains have visible plushness, and the wooden stage floor reflects faintly under the lights.

7 months ago

Prompt 1: Kufa’s Bustling Market "Create a vibrant scene of Kufa in the 7th century, a bustling market with narrow, dusty streets and tall palm trees casting long shadows. The sunlight is warm, painting everything in earthy tones of brown, beige, and golden yellow. Simple mud-brick buildings line the streets, with colorful stalls selling fruits and bread. In the background, the modest yet majestic Kufa Mosque stands with its small dome and wooden doors, glowing with a soft golden light. Amir, a 10-year-old boy with short black hair, curious brown eyes, wearing a beige tunic and pants, holding a sketchbook, walks beside Noorin, a tiny glowing angel with shimmering white-gold wings and a halo, perched on his shoulder. People in simple robes and turbans fill the market, their chatter blending with the warm sunlight."

8 months ago

Panoramic view from above: In the vast desert, a large army from Mecca marches in horizontal rows, about 1300 fighters on foot behind ten knights, carrying swords, spears, daggers and metal hand shields. In front of them, ten knights from the masters of Mecca ride black Arabian horses, wearing shirts of different colors, loose pants, cloaks of different colors, leather slippers, black turbans, a turban is a type of top that is wrapped around the head and carrying Arab swords attached to their belts. They wear luxurious necklaces. The ten knights should be in the foreground and the focal point of the picture. This is in the first century AH. The army should be clearly visible in the background to show its size, the desert is open with golden sand dunes and rocky mountains on the horizon. A clear blue sky with a few white clouds. The bright midday sunlight with strong natural lighting emphasizes the size of the army. Highlighting the fine details of the costumes, weapons and the desert background.

7 months ago

A tall, muscular black cat dressed in Moroccan clothing (jellaba, turban and turban) walks in a fashion show while the audience takes pictures and applauds him.

5 months ago

A modern, 2020s-era photorealistic photograph of a grand stage illusion performance. The magician, wearing an elaborately embroidered, jewel-toned ornate robe and a detailed, sparkling turban, performs a stunning levitation act. He holds a Black woman floating horizontally in midair, supported only by two polished chrome poles connected to a lacquered wooden base with bold lettering "GOGIA PASHA." The woman has natural, textured, voluminous hair styled elegantly in a 2020s fashion, and she wears a flowing, luxurious silk robe with intricate modern designs. Her expression is calm and powerful as she leans backward in graceful suspension. Surrounding the act are stylish men dressed in sharp, contemporary tailored suits — fitted blazers, open-collar shirts, some wearing well-groomed beards or fades — watching intently. The background is a rich, heavy velvet stage curtain in dark jewel tones like sapphire blue or deep burgundy, with subtle folds and texture. The lighting is dramatic yet cinematic: a soft but focused key spotlight on the magician and the levitating woman, with natural warm stage tones, deep soft shadows, and crisp edge lighting around their silhouettes. Textures are highly detailed: the embroidered fabric sparkles subtly, the silk robe shimmers with realistic folds, the velvet curtains have visible plushness, and the wooden stage floor reflects faintly under the lights. Camera and Lens Settings: Shot with a Canon EOS R5 mirrorless camera 50mm prime lens, aperture f/1.8 for shallow depth of field ISO 400 for clean image with natural grain Shutter speed 1/250s to freeze motion Natural cinematic color grading with rich contrast and slight filmic softness Hyper-realistic focus on subject; slight bokeh on background observers. Additional details for realism: Authentic skin texture: natural pores, subtle makeup glow. Realistic hair texture and natural light highlights. Real-world imperfections like minor wrinkles in clothing, slight stage dust, small hand movements. Lens flare subtly visible from stage lights. Full stage atmosphere: polished wood grain on floor, tiny metallic glints on chrome poles, realistic shadow behavior.

5 months ago

A modern, 2020s-era photorealistic photograph of a grand stage illusion performance. The magician, wearing an elaborately embroidered, jewel-toned ornate robe and a detailed, sparkling turban, performs a stunning levitation act. He holds a young Black woman floating horizontally in midair, supported only by two polished chrome poles connected to a lacquered wooden base with bold lettering "Magic." The woman has natural, , voluminous long black hair styled elegantly in a 2020s fashion, and she wears a flowing, luxurious e satin cheongsam with a high slit in the middle showing her beautiful legs with intricate modern designs. Her expression is calm and powerful as she leans backward in graceful suspension. Surrounding the act are stylish women dressed in sharp, contemporary satin dresses , fades — watching intently. The background is a glossy , satin velvet stage curtain in dark jewel tones like sapphire blue or deep burgundy, with subtle folds and texture. The lighting is dramatic yet cinematic: a soft but focused key spotlight on the magician and the levitating woman, with natural warm stage tones, deep soft shadows, and crisp edge lighting around their silhouettes. Textures are highly detailed: the embroidered fabric sparkles subtly, the silk robe shimmers with realistic folds, the velvet curtains have visible plushness, and the wooden stage floor reflects faintly under the lights. Camera and Lens Settings: Shot with a Canon EOS R5 mirrorless camera 50mm prime lens, aperture f/1.8 for shallow depth of field ISO 400 for clean image with natural grain Shutter speed 1/250s to freeze motion Natural cinematic color grading with rich contrast and slight filmic softness Hyper-realistic focus on subject; slight bokeh on background observers. Additional details for realism: Authentic skin texture: natural pores, subtle makeup glow. Realistic hair texture and natural light highlights. Real-world imperfections like minor wrinkles in clothing, slight stage dust, small hand movements. Lens flare subtly visible from stage lights. Full stage atmosphere: polished wood grain on floor, tiny metallic glints on chrome poles, realistic shado

5 months ago

Wide cinematic rear-view shot in a vast sun-scorched desert. A rusty, dilapidated bus stop bench is facing the horizon, with seven seated characters — all with their backs to the camera, facing forward. – Muslim in traditional attire – Orthodox Jew with black coat and hat – Catholic nun in habit – Sikh with turban and beard – Buddhist monk in saffron robes – Morbidly obese Superman, cape dragging in the dust – Tired businessman in suit with briefcase All appear slouched, weary, exhausted. Above them, a faded, cracked sign clearly displays the phrase: “Nobody has made it out alive.” No faces. No eye contact. Back view only. Bench and camera fully behind characters. Long shadows, cracked desert floor, golden hour light. Cinematic lighting, Cooke lenses, ARRI Alexa sensor, 8K, HDR, film grain. Color grading in style of Denis Villeneuve, Roger Deakins. --ar 16:9 --v 6 --style cinematic --q 2 --hd

5 months ago

A modern, 2020s-era photorealistic photograph of a grand stage illusion performance. The magician, wearing an elaborately embroidered, jewel-toned ornate robe and a detailed, sparkling turban, performs a stunning levitation act. He holds a young Black woman floating horizontally in midair, supported only by two polished chrome poles connected to a lacquered wooden base with bold lettering "GOGIA PASHA." The woman has natural, textured, voluminous long hair styled elegantly in a 2020s fashion, and she wears a flowing, luxurious silk satin cheongsam with a high slit in the middle showing her beautiful legs with intricate modern designs. Her expression is calm and powerful as she leans backward in graceful suspension. Surrounding the act are stylish men dressed in sharp, contemporary tailored suits — fitted blazers, open-collar shirts, some wearing well-groomed beards or fades — watching intently. The background is a rich, heavy velvet stage curtain in dark jewel tones like sapphire blue or deep burgundy, with subtle folds and texture. The lighting is dramatic yet cinematic: a soft but focused key spotlight on the magician and the levitating woman, with natural warm stage tones, deep soft shadows, and crisp edge lighting around their silhouettes. Textures are highly detailed: the embroidered fabric sparkles subtly, the silk robe shimmers with realistic folds, the velvet curtains have visible plushness, and the wooden stage floor reflects faintly under the lights. Camera and Lens Settings: Shot with a Canon EOS R5 mirrorless camera 50mm prime lens, aperture f/1.8 for shallow depth of field ISO 400 for clean image with natural grain Shutter speed 1/250s to freeze motion Natural cinematic color grading with rich contrast and slight filmic softness Hyper-realistic focus on subject; slight bokeh on background observers. Additional details for realism: Authentic skin texture: natural pores, subtle makeup glow. Realistic hair texture and natural light highlights. Real-world imperfections like minor wrinkles in clothing, slight stage dust, small hand movements. Lens flare subtly visible from stage lights. Full stage atmosphere: polished wood grain on floor, tiny metallic glints on chrome poles, realistic shadow behavior.

5 months ago

Cinematic wide shot in the middle of a vast desert. A dilapidated bus stop stands isolated under a harsh sun. Seated on a worn-out bench, all with their backs to the camera, are symbolic figures: a Muslim in traditional dress, an Orthodox Jew with a black hat and beard, a Catholic nun in habit, a Sikh man with a turban and long beard, a Buddhist monk in saffron robes, and a morbidly obese Superman, his cape dragging in the dust. A weary businessman in a suit holding a briefcase sits at one end, slouched. Everyone looks tired, their posture reflecting deep exhaustion and silent resignation. Above them hangs a broken, faded sign reading: “Nobody has made it out alive.” Bleak, existential mood. Shot with Cooke lenses, ARRI Alexa sensor, ultra-detailed, high dynamic range, 8K resolution. Desert textures, faded colors, surreal, symbolic, still frame.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

5 months ago

Wide cinematic shot in a vast, sun-scorched desert. A dilapidated, rust-covered bus stop stands isolated under a blazing sky. On the weathered bench sit seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing the horizon, no faces visible, no eye contact: – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and long beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit holding a briefcase loosely by his side. All appear weary, slouched, fatigued, silently waiting. Above them, a weathered, cracked sign reads in faded letters: "Nobody has made it out alive." Long shadows stretch across the cracked earth. The mood is existential, surreal, still, full of quiet despair. NO FACES SHOWN. BACK VIEW ONLY. ALL CHARACTERS FACING AWAY. Ultra-cinematic lighting, shot on Cooke lenses, ARRI Alexa sensor, ultra-wide aspect ratio, 8K resolution, high dynamic range, golden hour light, dramatic shadows, film grain, color graded like a Denis Villeneuve film.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

3 months ago

Create a fantastical and serene scene set in a picturesque, otherworldly landscape. The background should feature a tranquil body of water reflecting the surrounding scenery, with lush greenery and rocky formations. The sky should be a clear blue with a few stars visible, suggesting a peaceful evening or nighttime setting. The central figure in the image should be Elsa, a female character with long, platinum blonde hair styled in a elegant braid. She should have striking blue eyes and a composed, confident expression, with a slight hint of curiosity and wonder. Elsa should be depicted wearing her iconic ice queen dress, which is light blue with intricate snowflake patterns and a cape that sparkles like freshly fallen snow. The setting should be a winter landscape, with snow-covered trees and a lightly falling snow to emphasize her connection to ice and snow. She should be dressed in a brown, Jedi-style robe, inspired by the Star Wars franchise. The robe should be open in the front, revealing a black lace garter belt and matching underwear. The outfit should be complemented by a beige turban-like headpiece, adding to her mystical and otherworldly appearance. She should hold a blue lightsaber in her right hand, a signature weapon from the Star Wars universe. The lightsaber should be activated, casting a blue glow that illuminates her face and part of her body. She should also wear a necklace with a green pendant, adding a touch of elegance and personalization to her look. Include additional jewelry like bracelets to complement her overall appearance. Her pose should be confident and serene; she should stand with the lightsaber held upright, as if she is ready for action or contemplating her surroundings. Her expression should be calm and focused, with a slight hint of curiosity and wonder. The overall mood of the image should exude a sense of fantasy, serenity, and adventure. The combination of the tranquil landscape, the character's unique and recognizable attire inspired by both the Smurfs and Star Wars franchises, and her confident pose should create a captivating and enchanting visual narrative. The scene should capture a moment of quiet reflection and readiness, evoking a sense of wonder and the enduring spirit of fantasy and adventure.

7 months ago

"Inside the mosque of Kufa on the night of power, portray a tense moment. Imam Ali, a tall figure in a green turban and gray robe, his face shining with a golden-white light, is in prostration, surrounded by a soft glow. Suddenly, the darkness is a black man with red eyes. The robed man holding a sharp, dark sword in his hand, the interior of the mosque illuminated by golden light from small windows, turns into fear as the darkness raises the sword.

7 months ago

"Inside the mosque of Kufa on the night of power, portray a tense moment. Imam Ali, a tall figure in a green turban and gray robe, his face shining with a golden-white light, is in prostration, surrounded by a soft glow. Suddenly, the darkness is a black man with red eyes. The robed man holding a sharp, dark sword in his hand, the interior of the mosque illuminated by golden light from small windows, turns into fear as the darkness raises the sword.

7 months ago

"Inside the mosque of Kufa on the night of power, portray a tense moment. Imam Ali, a tall figure in a green turban and gray robe, his face shining with a golden-white light, is in prostration, surrounded by a soft glow. Suddenly, the darkness is a black man with red eyes. The robed man holding a sharp, dark sword in his hand, the interior of the mosque illuminated by golden light from small windows, turns into fear as the darkness raises the sword.

7 months ago

"Inside the Kufa Mosque during the Night of Qadr, depict a deeply spiritual and dramatic moment. Imam Ali, a tall figure with a green turban and gray robe, his face glowing with golden-white light (no features visible), is in prostration, surrounded by a soft glow. Zulmat, in the form of Ibn Muljim, a man in a black robe with glowing red eyes, stands ominously with a sharp, dark sword raised, his shadow looming over the scene. Suddenly, a massive burst of golden-white light erupts from Imam Ali’s head, symbolizing his spiritual transcendence, filling the entire mosque with radiance. Amir, a 10-year-old boy with short black hair, curious brown eyes, in a beige tunic, holding a sketchbook, and Noorin, a tiny glowing angel with shimmering white-gold wings, watch from the window, their faces a mix of shock and awe. The light overpowers the darkness, creating a stunning contrast.