fatigued prompts

2 months ago

close-up portrait of a temptative and athletic American blonde mixed female lifeguard with a curvy, fit figure. Her face and neck glisten with sweat and sea mist under the afternoon sun, with faint smudges of sunscreen and signs of fatigue near her eyes. She wears a classic red zip-up lifeguard suit partially open at the collar, with a whistle on a black cord and a waterproof ID badge. A yellow rescue tube strap crosses her chest, and a towel is tucked under one arm. Her damp hair is pulled back loosely, with a few strands sticking to her cheek. Her focused gaze reflects strength and exhaustion after a long beach patrol. The softly blurred background features lifeguard chairs, blurred beach flags, distant waves, and warm golden lighting. Ultra-realistic, cinematic photo style with shallow depth of field, Canon 50mm f/2 lens simulation, 4K quality --ar 9:16 --quality 2 --raw --profile ta28xu5 --stylize 150

7 months ago

High resolution photography intFirst person POV, President Anwar Sadat’s hands grip the steering wheel of his military jeep as he rides through the desert battlefield during the Yom Kippur War in October 1973. The camera focuses on his hands, steady and firm on the wheel, as the jeep moves swiftly through the terrain. His fingers, strong and determined, are wrapped around the wheel, while his military uniform and gold epaulettes shimmer in the harsh sunlight. The desert stretches out before him—Egyptian soldiers in fatigues and tanks advance across the battlefield, moving in synchronized formation, ready to reclaim territory. The wind blows through the jeep’s open windows, and the sound of radio communications and distant artillery fire fills the air. President Sadat’s eyes remain fixed on the horizon, focused on the success of the operation. The sky above is clouded with the smoke of battle, and the Egyptian flags wave proudly in the distance as his forces push forward. Undeterred by the fierce battle, President Sadat remains resolute, a calm and commanding presence leading his forces to victory."erior design, dreamy sunken living room conversation pit, wooden floor, small windows opening onto the garden, bauhaus furniture and decoration, high ceiling, beige blue salmon pastel palette, interior design magazine, cozy atmosphere; 8k, intricate detail, photorealistic, realistic light, wide angle, kinkfolk photography, A+D architecture

9 months ago

A hyperrealistic, cinematic portrait of a Soviet Spetsnaz soldier in Afghanistan during the late 1980s, standing defiantly against the harsh, rocky Afghan landscape. He holds a VSS Vintorez rifle equipped with a suppressor, gripped with confidence and readiness. His attire is a rugged blend of Soviet military gear and scavenged Afghan clothing, including a faded, dust-streaked keffiyeh loosely wrapped around his neck and a traditional Afghan tunic worn over his Soviet-issued fatigues, helping him blend into the surroundings while maintaining his elite military aura. Behind him, a steep, narrow chasm cuts through the mountains, adding to the dangerous and isolated feel of the environment. A thick haze of dust and sand lingers in the air, creating an atmospheric, sepia-toned light that casts long, dramatic shadows across his form and the landscape. Volumetric lighting breaks through the haze, illuminating particles in the air and accentuating the rugged texture of his weathered gear. Subtle details reveal his Spetsnaz identity: worn Soviet tactical boots, a small Spetsnaz insignia peeking from under his layers, and a sturdy utility belt holding a few essential tools. His expression is hard and determined, capturing the intensity of a soldier embedded deep in enemy territory. The muted tones of the rocky terrain and the rugged textures of his uniform and Afghan garments blend seamlessly, enhancing the realism of the scene. The image is rendered in a masterful, ArtStation-quality style, with intricate details like the worn grip on the VSS rifle, the fine dust coating his uniform, and the slight glint from the rifle’s suppressor. Lifelike shadows, dynamic lighting, and the gritty atmosphere of dust and smoke complete the scene, immersing the viewer in the harsh realities of 1980s Afghanistan

7 months ago

High resolution photography intFirst person POV, President Anwar Sadat’s hands grip the steering wheel of his military jeep as he rides through the desert battlefield during the Yom Kippur War in October 1973. The camera focuses on his hands, steady and firm on the wheel, as the jeep moves swiftly through the terrain. His fingers, strong and determined, are wrapped around the wheel, while his military uniform and gold epaulettes shimmer in the harsh sunlight. The desert stretches out before him—Egyptian soldiers in fatigues and tanks advance across the battlefield, moving in synchronized formation, ready to reclaim territory. The wind blows through the jeep’s open windows, and the sound of radio communications and distant artillery fire fills the air. President Sadat’s eyes remain fixed on the horizon, focused on the success of the operation. The sky above is clouded with the smoke of battle, and the Egyptian flags wave proudly in the distance as his forces push forward. Undeterred by the fierce battle, President Sadat remains resolute, a calm and commanding presence leading his forces to victory."erior design, dreamy sunken living room conversation pit, wooden floor, small windows opening onto the garden, bauhaus furniture and decoration, high ceiling, beige blue salmon pastel palette, interior design magazine, cozy atmosphere; 8k, intricate detail, photorealistic, realistic light, wide angle, kinkfolk photography, A+D architecture

6 months ago

A beautiful blonde woman crawls in a desert wasteland, seen from behind. Her torn, blood-soaked white shirt and dark leather pants are rugged and worn. Bandaged, scarred wrists and a swaying ponytail show her fatigue as she reaches for her gradient silver longsword. Around her lie decaying corpses and dying plants. Before her stands a towering, faceless dark-crimson creature from another dimension—twisted limbs, clawed hands, thick ankles, and long, tangled hair. Hyper-realistic, ultra-sharp details. Cinematic lighting, deep contrast, and surreal atmosphere. High-saturation, refined textures, glowing effects, and ethereal particles. Ultra-HD CGI, 16k clarity, with no noise or artifacts—every element perfectly enhanced.

6 months ago

A beautiful black hair woman crawls in a desert wasteland, seen from behind. black thong jeweled bra, black skirt, large tattoos, barefoot Bandaged, scarred wrists and show her fatigue as she reaches for her gradient silver longsword. Around her lie decaying corpses and dying plants. Before her stands a towering, faceless dark-crimson creature from another dimension—twisted limbs, clawed hands, thick ankles, and long, tangled hair. Hyper-realistic, ultra-sharp details. Cinematic lighting, deep contrast, and surreal atmosphere. High-saturation, refined textures, glowing effects, and ethereal particles. Ultra-HD CGI, 16k clarity, with no noise or artifacts—every element perfectly enhanced.

4 months ago

Design a picture of a Sudanese citizen standing tall, looking towards a better future, with the traces of destruction and devastation left behind by the war behind him. He stands proud and dignified despite the pain, fatigue and wounds.

7 months ago

Hyper realistic eye level exterior photFirst person POV, President Anwar Sadat’s hands grip the steering wheel of his military jeep as he rides through the desert battlefield during the Yom Kippur War in October 1973. The camera focuses on his hands, steady and firm on the wheel, as the jeep moves swiftly through the terrain. His fingers, strong and determined, are wrapped around the wheel, while his military uniform and gold epaulettes shimmer in the harsh sunlight. The desert stretches out before him—Egyptian soldiers in fatigues and tanks advance across the battlefield, moving in synchronized formation, ready to reclaim territory. The wind blows through the jeep’s open windows, and the sound of radio communications and distant artillery fire fills the air. President Sadat’s eyes remain fixed on the horizon, focused on the success of the operation. The sky above is clouded with the smoke of battle, and the Egyptian flags wave proudly in the distance as his forces push forward. Undeterred by the fierce battle, President Sadat remains resolute, a calm and commanding presence leading his forces to victory."

6 months ago

A detailed oil painting of afro american female soldiers standing confidently, dressed in different branches of service military camouflage fatigues and sturdy combat boots. Her uniform is meticulously detailed, with various shades of green and brown blending seamlessly. The background depicts a rugged, war-torn landscape with a dramatic sky, adding to the intensity of the scene. The soldier's expression is one of determination and strength, her eyes focused and resolute. The

6 months ago

A realistic, highly detailed ink wash (sumi-e inspired) painting of a lone samurai warrior standing beneath a large, warm glowing full moon. The scene is set in a traditional Japanese atmosphere with misty, shadowy surroundings. The samurai looks exhausted and sweaty, as if he has just emerged from battle. His face is calm but weary, showing strength through fatigue. His traditional armor and helmet are intricate, worn from war, and beautifully crafted. A katana is sheathed across his back with visible sharp detail, and another rests at his waist. One of the swords either the one on his back or waist has a subtle copper or silver dragonfly detail embedded into the handle or tsuba. He holds nothing in his hands. The color palette is dark and cinematic, with a soft, muted purple and pink glow woven gently through the mist and shadows. The background reflects a timeless Japanese atmosphere calm, powerful, and grounded. 2:3 vertical portrait format.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

8 months ago

"Create an image of a young man & woman in their twenties, facing each other with guns drawn. located in the vibrant, bustling slums of Brazil. She's dressed in a tank top and army fatigue pants, her skin a warm caramel tone from the Brazilian sun. Her physique is athletic with toned arms and muscular legs, reminiscent of Lara Croft from Tomb Raider. She holds two handguns with a focused and determined expression. The artwork should be in a painterly style, bursting with vibrant colors to capture the essence of the scene."

6 months ago

A hyper-realistic image of an ashen haired lady, her hair tied in ponytail is seen from behind clad in slightly torn tight, cropped white shirt with rolled-up sleeves and dark-black tight pants. She is standing amidst a surreal forest, with dark and dense trees. Her presence feels weak and fatigued, yet strong and facing the creature ahead. The forest is filled with colourful flora and fauna. The lady's one hand rests on her stomach while she carries a long and beautifully crafted sword on the other hand. Before her stands a tall and massive creature with lots of crows, it's body made of dead and decaying wood and flowers and it's head made of deer skull with antlers. The creature seems like a wooden spirit. The atmosphere is quite and eerie with ethereal fantasy sight. 8k ultra-hd, hyper-realistic, high video game graphics settings, unreal engine 5, sharply focused, detailed textures

4 months ago

A lone female warrior, with blonde hair tied in a messy bun, stands confidently on a high mountain ridge, her posture proud despite her fatigue. She wears a white shirt with rolled sleeves, and a sword is sheathed at her side. The rugged landscape below is filled with snow-capped peaks, ancient castles, and fantastical realms, all bathed in ethereal, misty light. The dramatic, cloudy sky above adds to the sense of isolation and grandeur, casting warm hues across the scene, highlighting her strength and resolve as she gazes out over the untamed terrain.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

6 months ago

A beautiful black hair woman crawls in a desert wasteland, seen from behind. black thong bra, black skirt, large tattoos, barefoot Bandaged, scarred wrists and show her fatigue as she reaches for her gradient silver longsword. Around her lie decaying corpses and dying plants. Before her stands a towering, faceless dark-crimson creature from another dimension—twisted limbs, clawed hands, thick ankles, and long, tangled hair. Hyper-realistic, ultra-sharp details. Cinematic lighting, deep contrast, and surreal atmosphere. High-saturation, refined textures, glowing effects, and ethereal particles. Ultra-HD CGI, 16k clarity, with no noise or artifacts—every element perfectly enhanced.

5 months ago

Traditional Brasileiro accountant navigating to digital success, split-screen concept: left panel portrays chaos with stacked ledgers and fatigue, right panel highlights innovation with interactive holographic displays, dashboards, and seamless charts, icy blue-to-white gradient background, sleek modern UI design, glowing cloud and network symbols, faint circuit pattern overlay, minimalist high-tech office, crisp and cool tones, soft bokeh lighting

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

5 months ago

Wide cinematic shot in a vast, sun-scorched desert. A dilapidated, rust-covered bus stop stands isolated under a blazing sky. On the weathered bench sit seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing the horizon, no faces visible, no eye contact: – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and long beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit holding a briefcase loosely by his side. All appear weary, slouched, fatigued, silently waiting. Above them, a weathered, cracked sign reads in faded letters: "Nobody has made it out alive." Long shadows stretch across the cracked earth. The mood is existential, surreal, still, full of quiet despair. NO FACES SHOWN. BACK VIEW ONLY. ALL CHARACTERS FACING AWAY. Ultra-cinematic lighting, shot on Cooke lenses, ARRI Alexa sensor, ultra-wide aspect ratio, 8K resolution, high dynamic range, golden hour light, dramatic shadows, film grain, color graded like a Denis Villeneuve film.

6 months ago

A beautiful black hair woman crawls in a desert wasteland, seen from behind. black thong jeweled bra, black skirt, large tattoos, barefoot Bandaged, scarred wrists and show her fatigue as she reaches for her gradient silver longsword. Around her lie decaying corpses and dying plants. Before her stands a towering, faceless dark-crimson creature from another dimension—twisted limbs, clawed hands, thick ankles, and long, tangled hair. Hyper-realistic, ultra-sharp details. Cinematic lighting, deep contrast, and surreal atmosphere. High-saturation, refined textures, glowing effects, and ethereal particles. Ultra-HD CGI, 16k clarity, with no noise or artifacts—every element perfectly enhanced.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."