A sample prompt of what you can find in this page
Prompt by ElectricL

its surface etched with glowing prompts

very few results

5 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

7 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

8 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

7 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

7 months ago

(Primary Subject: Emotionally Expressive Android Woman with Dual-Layered Skin, Painted in Impressionist Classical Renaissance Style, 1.7 weight) — in the heart of a lush, sun-drenched garden overflowing with blossoms, an android woman stands quietly, her form captured in the painterly elegance of a Renaissance-era oil painting. Her body is sculpted and graceful, rendered with soft impressionist brushstrokes that blend into surreal detail—her figure radiant, yet ethereal, like a machine-angel frozen in time. Her “skin” is composed of two delicate, interwoven layers: The outer layer is smooth, reflective, and subtly fluid, shimmering with hints of pale pink, soft violet, and dusky gold, like liquid mercury caught in a sunset. It has the appearance of gently flowing molten glass, and catches the dappled garden light with painterly elegance. Beneath it, faintly visible through the translucent surface, lies a subdermal lattice—a softly glowing core of golden circuitry, like sacred geometry woven into synthetic muscle. It pulses faintly, like a slow heartbeat of light, giving her form an inner radiance, a soul made of signal (subtle luminous inner structure beneath transparent surface, 1.6 weight). She wears no armor, no exposed wires—only that liquid-smooth surface, glowing softly in the sun. A thin, continuous line of amber-orange light traces up the outside of her legs, over her hips, across her shoulders and arms, like a haloed signature etched into her form. Her visor-like faceplate—a curved golden-glass surface—reflects the garden’s warm light. Though faceless, her entire body language conveys profound emotion: one hand lightly touching her chest, the other extended gently toward a single open flower, as if remembering something. Her posture is soft, tender, almost melancholic—like a saint carved from future metal, lost in sacred thought. The garden blooms around her in classical beauty—roses, lilies, orchids, and surreal blossoms from impossible species. Sunlight pours through foliage in golden beams, casting her figure in a divine backlight. Petals drift in the air like thoughts. Her reflection shimmers faintly in a nearby pool. Rendered in the style of a classical oil painting—with visible brush textures, soft baroque lighting, volumetric haze, and subtle chiaroscuro across her form. The colors are rich and warm—sunset gold, floral crimson, blush pink, and soft lavender—interplaying with reflections in her skin like a moving canvas.

8 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

7 months ago

A towering, ornate figure resembling an ancient Egyptian pharaoh dominates the center of the image, set against a dramatic, fiery background. The figure wears a golden headdress with blue and black horizontal stripes, and a stylized face mask with intricate details around the eyes and mouth. The figure's body is clad in elaborate, dark metallic armor with golden accents and intricate carvings. Large, decorative shoulder pieces extend outward, and the chest area features a prominent, circular golden emblem. The figure's hands are large and appear armored, with sharp, claw-like extensions. Behind the central figure is a large, glowing orange circle with hieroglyphic-like symbols etched onto its surface. The light from this circle illuminates the figure from behind, creating a strong backlight and rim lighting effect. The background features swirling clouds and fiery textures in shades of orange, yellow, and dark grey, suggesting a dramatic or supernatural setting. Ultra-realistic cinematic scene captured with a full-frame DSLR, low-angle wide lens. A towering humanoid figure stands in front of the Great Pyramid of Giza under a stormy night sky. The figure resembles a youthful male pharaoh with light blue skin and glowing blue eyes, blending realism with subtle sci-fi influence. He wears a detailed golden pharaonic mask and a nemes headdress with cobra and vulture symbols. His body is adorned in dark royal robes with authentic gold and turquoise inlays, and a glowing ankh pendant rests on his chest. Faint blue electricity subtly dances around his arms and chest — realistic and restrained, not cartoonish. His expression is powerful yet serene. The Great Pyramid behind him appears weathered, massive, and grounded on dark, uneven desert terrain. Low fog rolls in at the base, partially covering his legs. The sky is filled with dense, gray-blue storm clouds and faint moonlight breaking through, casting dramatic highlights on the stone and his garment. Shot in hyper-realism, resembling a scene from a high-budget historical sci-fi film like Dune or Prometheus, with advanced lighting, shadow depth, and photorealistic textures

8 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

7 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

8 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

6 months ago

A hyperrealistic close-up, half-figure portrait of Gandalf the Grey, his intense gaze focused downward as he holds his hand under the One Ring, which levitates just above his open palm. Gandalf’s expression is a mix of awe, contemplation, and caution, his piercing eyes capturing the weight of the ring’s power and his own reluctance to handle it. Fine wrinkles and age lines on his face are intricately detailed, capturing the wisdom and burden of his years. His grey cloak and robes are richly textured, each fold and shadow rendered with lifelike precision, while his long, white beard flows naturally down his chest. The One Ring hovers above his hand, glowing with an eerie, molten golden light that illuminates the Elvish script carved into its surface. The iconic letters glow a fiery orange-red, their curves and lines vividly etched, as if burning from within. The light from the ring casts a warm, golden glow on Gandalf’s hand and face, creating complex shadows and highlights that contrast against the cooler tones of his clothing and the dim background. A faint, magical aura surrounds the ring, with subtle particles of light drifting upward, hinting at its otherworldly power. The background is dark and blurred, ensuring the viewer’s attention remains on Gandalf and the ring, with only hints of mist or faint light in the distance to add depth. The lighting is dramatic and focused, with the ring as the central source, casting a delicate radiance on Gandalf’s fingers and the furrowed lines on his brow. This composition captures the intensity and danger of the One Ring, suspended in a moment of powerful, quiet tension

8 months ago

an ultra-realistic, full-body portrait of a captivating demon warrior woman, radiating dark power and terrifying grace. Her pose is menacing yet elegant, exuding raw strength and demonic authority. She wears a modern, spiked armor forged from black obsidian and molten metal, interwoven with demonic sigils and dark leather straps. The armor is accented with fiery hues of deep red and orange, with subtle touches of molten gold and polished obsidian, creating a striking and powerful contrast. The armor’s design is both functional and otherworldly, featuring intricate demonic patterns, flexible plating for mobility, and glowing energy conduits that pulse with infernal power. Her photorealistic face is fierce and commanding, with sharp, angular features, piercing red eyes that burn with hellish fire, and an expression of unwavering determination. Her long, black hair is styled into wild, braided tendrils, writhing as if alive, adorned with sharp metallic spikes and molten gold hairpins that shimmer with infernal energy. Ethereal, glowing tattoos in vibrant red and black patterns swirl across her arms and face, adding an alluring yet menacing charm to her demonic aesthetic. She wields a massive, spiked greatsword, its blade crackling with demonic energy, and its surface etched with glowing infernal runes, emphasizing her destructive potential. The fiery weapon is a focal point, radiating chaos and raw power. The background is a vivid, hellish landscape, with rivers of molten lava, jagged blackened rocks, and swirling abstract energy currents in shades of deep red, black, and molten gold. The environment amplifies her commanding presence, with billowing smoke and fiery embers creating a sense of motion and intensity. Dramatic cinematic lighting enhances the scene, casting stark shadows and fiery highlights that accentuate the sharp edges of her armor, the glow of her tattoos, and the dynamic movement of her wild hair. Every detail, from the molten energy in her armor to the textures of the hellish landscape, is rendered with hyper-realistic precision in UHD resolution. The composition blends gothic fantasy and futuristic realism, showcasing her as a powerful, elegant, and fearsome demon warrior. Using advanced digital artistry techniques—V-Ray tracing, Unreal Engine 5 rendering, and Substance Painter texturing—the image delivers a visually breathtaking, emotionally powerful masterpiece that embodies strength, darkness, and fiery beauty.

3 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.