long range view prompts

7 months ago

HDR photo of wearing a dress,standing in doorway,perfect face,beautiful face,lots of fine detail,outdoor photo,photography,natural light,photorealism,cinematic rendering,ray tracing,the highest quality,the highest detail,Cinematic,Third-Person View,Blur Effect,Long Exposure,8K,Ultra-HD,Natural Lighting,Moody Lighting,Cinematic Lighting,highly realistic,ultra details,award-winning photography,highly real as captured by Sony Alpha a7R IV,absolutely stunning . High dynamic range, vivid, rich details, clear shadows and highlights, realistic, intense, enhanced contrast, highly detailed

9 months ago

photography, front view, full-body shot, artistic image capturing the essence of urban hustle with a single focused professional female model figure standing still and looking at smartphone, massive London subway, dismal concept, surrounded by a blurred motion of blue and crimson multiple people walking past model, creating a fast of movement, lighting effects from various directions, long-range angle, gaze, model wearing an elegant Vuitton suit, conceptual, the main subject is sharply in focus, digital life concept, glow blue and violet light, background should be a plain wall with a subtle texture to keep the attention on the motion effect, hyper-sensory picture, essential, dramatic lights effect, photo realistic, UHD

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

6 months ago

Wide cinematic shot in a vast, sun-scorched desert. A dilapidated, rust-covered bus stop stands isolated under a blazing sky. On the weathered bench sit seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing the horizon, no faces visible, no eye contact: – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and long beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit holding a briefcase loosely by his side. All appear weary, slouched, fatigued, silently waiting. Above them, a weathered, cracked sign reads in faded letters: "Nobody has made it out alive." Long shadows stretch across the cracked earth. The mood is existential, surreal, still, full of quiet despair. NO FACES SHOWN. BACK VIEW ONLY. ALL CHARACTERS FACING AWAY. Ultra-cinematic lighting, shot on Cooke lenses, ARRI Alexa sensor, ultra-wide aspect ratio, 8K resolution, high dynamic range, golden hour light, dramatic shadows, film grain, color graded like a Denis Villeneuve film.

8 months ago

Hyper Realistic A stunningly Curvy Plus Size expressive model Woman on a Parading fashion show runway. A confident young adult, likely 20s, of East Asian descent, strolls down a fashion runway. High fashion, dramatic lighting, and an intricate, fire-inspired bodysuit are the focal points. The model, positioned in a centered, three-quarter profile view, exudes poise and a subtle, sophisticated confidence. The bodysuit, a fiery mix of orange, red, and black, features an intricate design that mimics flames, with detailed textures suggesting heat. Black fishnet tights and long, black gloves complete the ensemble. The lighting is dramatic, showcasing a spotlight effect highlighting the model, with dramatic orange and blue spotlights illuminating the background, creating a vibrant contrast. A large, smoky, ethereal effect envelops the catwalk, enhancing the dramatic ambiance. The audience is out-of-focus, filling the seating area, and adding to the sense of a fashion show setting. A mid-range shot captures the model's pose and expression of self-assuredness, setting the scene as a high-fashion runway show. The palette shifts seamlessly between dramatic highlights and muted tones, enhancing the emotional weight of the scene. The scene possesses an intense, dramatic flair that emphasizes avant-garde fashion.

6 months ago

A hyper-realistic candid photo of a very pale, fit woman with long neon red hair and white highlights, tied back in low twin ponytails. She is positioned on a dark rubber gym mat in a bright, modern gym, stretching forward into a deep hamstring stretch. Her sleek black sports bra and high-waisted leggings accentuate her athletic figure. Her arms and legs are adorned with intricate, highly detailed tattoos. Her face is turned slightly toward the camera — eyes open and focused, expression calm and concentrated. Her face is in full view: photorealistic eyes with visible catchlights, anatomically correct mouth and teeth, smooth, detailed facial structure with no distortions or uncanny features. Her hands are fully extended forward on the mat, fingers clearly spread — five fingers per hand, all realistic and properly formed. Her pale skin shows natural sweat glisten and soft texture, with natural lighting pouring in from tall gym windows to the side. The depth of field is shallow, gently blurring the background — gym equipment is visible but soft. Captured in DSLR quality with a 50mm lens, natural dynamic range, realistic shadows and light falloff, cinematic bokeh, ultra-detailed but grounded. No visual artifacts. High-resolution, Instagram-friendly gym aesthetic.