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Prompt by Selfishreasons

mechanized forms prompts

hundreds of results

6 months ago

Create a hyper-realistic surreal portrait where reality fractures into beautiful impossibility: a modern japanese femme fatale whose amber eyes emit an otherworldly luminescence , her liquid-obsidian hair defying gravity in a high ponytail where strands transform into ethereal smoke, intertwining with floating black pearls particles that orbit her form like microscopic galaxies, while her hair accessory morphs between solid and liquid states, defying physics by dripping upward into the void, her choker manifesting impossible geometries that pulse with mechanical life as the designer pendant seems to sink into a dimension beneath her skin creating reality ripples, her sleek latex corset-style top with a plunging sweetheart neckline reflecting light in physically impossible ways - simultaneously absorbing all light while emitting otherworldly bioluminescence, its material state fluctuating between liquid, solid, and vapor in mesmerizing paradox, each seam and curve of the fitted bodice creating ripples in the fabric of reality itself, skin transitioning between porcelain smoothness and crystalline fragments where golden circuit-like veins peek through the epidermis that fractals into infinite patterns, iridescent lips shifting colors with every angle despite the static nature of the image, all while the background warps into a vortex of inverse watercolor physics where paint flows against gravity and abstract forms suggest familiar shapes that dissolve upon focused attention, multiple impossible light sources creating contradictory shadows and highlights that challenge spatial perception, with microscopic details revealing infinite recursions hidden within textures that become increasingly surreal upon closer inspection, the entire composition dancing on the knife-edge between photorealistic precision and impossible surrealism, manifesting as a beautiful hallucination captured in perfect clarity where every element seems to breathe and move in peripheral vision yet remains hauntingly still when directly observed, creating an image that feels like a dream made tangible through digital artistry.

CStamps
2 110

6 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.

ElectricL
2 110