nun robes prompts

8 months ago

An oil painting of full body smiling super model Alessandra Ambrosio in a nun black robe with white inserts, in the hood, with cross on a chain, holding bottle of whiskey, clean body, seven deadly sins, in the style of steelpunk, mechanized precision, Dmitri Danish, John Buscema, large canvas paintings, rough hewn surfaces, meticulous detail --chaos 20 --ar 4:7 --stylize 450 --v 6

8 months ago

This image depicts a highly detailed, fantastical scene with a surreal, steampunk-inspired design. Here is a prompt based on its content: Prompt: A highly detailed surreal steampunk fantasy world with cosmic elements. A grand cosmic backdrop features planets, stars, and swirling galaxies. A central mechanical deity figure with intricate gears and tubes emerges, with a dramatic open-mouthed expression resembling a scream. Large circular machinery and clock-like structures dominate the background, intricately filled with pipes, dials, and ornate mechanical parts. A checkerboard floor with glowing pathways leads into the scene, populated by hooded figures resembling nuns in dark robes. Vibrant, multicolored spirals float in midair, while robotic and human-like figures interact with the environment. The entire composition exudes vibrant, mechanical intricacy with surreal cosmic and gothic undertones, using bold colors like orange, blue, and gold.

9 months ago

Expressive, warm light style, close-up. I would rate it 9 out of 10. The young nun in her 20s is shown in a dark room of a church. She is pulling her robe aside to show her slim and small bottom. Her head is tilted slightly back, and she is looking upwards with big lips, exuding unexpected allure. Her facial expression appears lustful and naughty as she offers herself submissively, revealing her naughty intentions. The composition is slightly framed from the side, with the stone floor of an old church in the background and ethereal light illuminating the scene. This creates a juxtaposition of innocence and lasciviousness. The setting features richly textured fabric and subtle religious symbols.

3 months ago

Mysterious nun with glowing cybernetic implants on her face and body, wearing a traditional robe with integrated fiber optic cables, full body shot, standing on a dark futuristic street , holding a futuristic weapon, preparing for battle, dramatic atmosphere, --ar 9:16 --style raw --stylize 900 --quality 2 --v 7

9 months ago

[lora:Expressive_H:1] Expressive, [lora:warm light style:1] warm light style, close-up, score_9, score_8_up, score_7_up, bending over a bench in a dark room of a church and pulling her robe aside showing her bottom, small bottom, slim bottom, slim body, tiny bottom, an intimate close-up of a young nun in her 20s, head tilted slightly to the back and looking upwards, exuding an unexpected allure with big lips, her facial expression is lustful and naughty, she offers herself submissively and reveals her naughty intentions, the composition framed slightly from the side, the stone floor of an old church in the background, highly detailed background, ethereal light illuminating the scene, creating a juxtaposition of innocence and lasciviousness; the setting featuring richly textured fabric and subtle religious symbols she kneels and has her hands folded in prayer.

9 months ago

[lora:Expressive_H:1] Expressive, [lora:warm light style:1] warm light style, close-up, score_9, score_8_up, score_7_up, bending over a bench in a dark room of a church and pulling her robe aside showing her bottom, small bottom, slim bottom, slim body, tiny bottom, an intimate close-up of a young nun in her 20s, head tilted slightly to the back and looking upwards, exuding an unexpected allure with big lips, her facial expression is lustful and naughty, she offers herself submissively and reveals her naughty intentions, the composition framed slightly from the side, the stone floor of an old church in the background, highly detailed background, ethereal light illuminating the scene, creating a juxtaposition of innocence and lasciviousness; the setting featuring richly textured fabric and subtle religious symbols she kneels and she stands in Front to the viewer She holds a christcross towards the viewer

9 months ago

[lora:Expressive_H:1] Expressive, [lora:warm light style:1] warm light style, close-up, score_9, score_8_up, score_7_up, bending over a bench in a dark room of a church and pulling her robe aside showing her bottom, small bottom, slim bottom, slim body, tiny bottom, an intimate close-up of a young nun in her 20s, head tilted slightly to the back and looking upwards, exuding an unexpected allure with big lips, her facial expression is lustful and naughty, she offers herself submissively and reveals her naughty intentions, the composition framed slightly from the side, the stone floor of an old church in the background, highly detailed background, ethereal light illuminating the scene, creating a juxtaposition of innocence and lasciviousness; the setting featuring richly textured fabric and subtle religious symbols she kneels and she stands in Front to the viewer She holds a bible towards the viewer

9 months ago

[lora:Expressive_H:1] Expressive, [lora:warm light style:1] warm light style, close-up, score_9, score_8_up, score_7_up, bending over a bench in a dark room of a church and pulling her robe aside showing her bottom, small bottom, slim bottom, slim body, tiny bottom, an intimate close-up of a young nun in her 20s, head tilted slightly to the back and looking upwards, exuding an unexpected allure with big lips, her facial expression is lustful and naughty, she offers herself submissively and reveals her naughty intentions, the composition framed slightly from the side, the stone floor of an old church in the background, highly detailed background, ethereal light illuminating the scene, creating a juxtaposition of innocence and lasciviousness; the setting featuring richly textured fabric and subtle religious symbols she kneels and she stands in Front to the viewer She holds a rosary towards the viewer

16 days ago

making love in her nun's robe. In this garden with a bearded man.

3 months ago

Wide cinematic rear-view shot in a vast sun-scorched desert. A rusty, dilapidated bus stop bench is facing the horizon, with seven seated characters — all with their backs to the camera, facing forward. – Muslim in traditional attire – Orthodox Jew with black coat and hat – Catholic nun in habit – Sikh with turban and beard – Buddhist monk in saffron robes – Morbidly obese Superman, cape dragging in the dust – Tired businessman in suit with briefcase All appear slouched, weary, exhausted. Above them, a faded, cracked sign clearly displays the phrase: “Nobody has made it out alive.” No faces. No eye contact. Back view only. Bench and camera fully behind characters. Long shadows, cracked desert floor, golden hour light. Cinematic lighting, Cooke lenses, ARRI Alexa sensor, 8K, HDR, film grain. Color grading in style of Denis Villeneuve, Roger Deakins. --ar 16:9 --v 6 --style cinematic --q 2 --hd

3 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

3 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

3 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

3 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

3 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

3 months ago

Cinematic wide shot in the middle of a vast desert. A dilapidated bus stop stands isolated under a harsh sun. Seated on a worn-out bench, all with their backs to the camera, are symbolic figures: a Muslim in traditional dress, an Orthodox Jew with a black hat and beard, a Catholic nun in habit, a Sikh man with a turban and long beard, a Buddhist monk in saffron robes, and a morbidly obese Superman, his cape dragging in the dust. A weary businessman in a suit holding a briefcase sits at one end, slouched. Everyone looks tired, their posture reflecting deep exhaustion and silent resignation. Above them hangs a broken, faded sign reading: “Nobody has made it out alive.” Bleak, existential mood. Shot with Cooke lenses, ARRI Alexa sensor, ultra-detailed, high dynamic range, 8K resolution. Desert textures, faded colors, surreal, symbolic, still frame.

3 months ago

Wide cinematic shot in a vast, sun-scorched desert. A dilapidated, rust-covered bus stop stands isolated under a blazing sky. On the weathered bench sit seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing the horizon, no faces visible, no eye contact: – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and long beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit holding a briefcase loosely by his side. All appear weary, slouched, fatigued, silently waiting. Above them, a weathered, cracked sign reads in faded letters: "Nobody has made it out alive." Long shadows stretch across the cracked earth. The mood is existential, surreal, still, full of quiet despair. NO FACES SHOWN. BACK VIEW ONLY. ALL CHARACTERS FACING AWAY. Ultra-cinematic lighting, shot on Cooke lenses, ARRI Alexa sensor, ultra-wide aspect ratio, 8K resolution, high dynamic range, golden hour light, dramatic shadows, film grain, color graded like a Denis Villeneuve film.

9 months ago

[lora:Expressive_H:1] Expressive, [lora:warm light style:1] warm light style, close-up, score_9, score_8_up, score_7_up, bending over a bench in a dark room of a church and pulling her robe aside showing her bottom, small bottom, slim bottom, slim body, tiny bottom, an intimate close-up of a young nun in her 20s, head tilted slightly to the back and looking upwards, exuding an unexpected allure with big lips, her facial expression is lustful and naughty, she offers herself submissively and reveals her naughty intentions, the composition framed slightly from the side, the stone floor of an old church in the background, highly detailed background, ethereal light illuminating the scene, creating a juxtaposition of innocence and lasciviousness; the setting featuring richly textured fabric and subtle religious symbols she kneels and she stands in Front to the viewer

9 months ago

The Spirit Guide Nun: An ethereal figure with long, flowing, silver hair, often veiled and adorned with delicate chains, prayer beads and spectral flowers. Her eyes are piercing, a deep violet, and seem to see into both the mortal and spirit realms. She wears simple, flowing robes of white and grey, often adorned with crosses and spectral symbols. She moves through a ruined abbey, surrounded by ghostly figures and the echoes of forgotten prayers, where the lighting is soft and ethereal, with the presence of both light and shadow. Her expression is melancholic yet serene, with a deep connection to both the living and the dead, and she can guide lost souls to the afterlife. She carries a candle that flickers with spectral flame and her presence is both comforting and unsettling. Her design is delicate and haunting, inspired by anime styles, with a serene expression and ghostly features.